The first presentation of A Man and a Woman on CD in stereo – from the original album masters housed in the MGM vaults, in both French and English versions. One of the finest soundtrack albums of the 1960s came in 1966, when Francis Lai composed much of the music for Claude Lelouch's French film A Man and a Woman (Un Homme et une Femme in French). Most European films enjoy very little publicity in the U.S., but A Man and a Woman was an exception because the soundtrack was so superb. With this classic LP, Lai and his allies (who include arrangers Maurice Vander and Ivan Julien) brought together French pop, jazz, and the Brazilian bossa nova (which Antonio Carlos Jobim, Stan Getz, and João Gilberto had popularized in the early 1960s).
Silva Screen Records’ 100 Greatest Film Themes, Take 2 continues in the vein of its predecessor by compiling an esoteric collection of movie music that spans generations. From Citizen Kane and West Side Story to Slumdog Millionaire and Avatar, the overview can seem a bit random at times, and the majority of the tracks are recent re-recordings of the source material, resulting in a fairly generic set of film music.
Kai Chresten Winding (May 18, 1922–May 6, 1983) was a popular Danish born American trombonist and jazz composer. He is well known for a successful collaboration with fellow trombonist J. J. Johnson.
40 great tracks. The orchestras of Franck Pourcel, Ron Goodwin, Geoff Love, Manuel And The Music Of Mountains play 'Bridge Over Troubled Water', 'Never On A Sunday', 'Love Theme from 'The Godfather', 'Moon River from 'Breakfast At Tiffany's', 'Summertime from 'Porgy & Bess', 'Autumn Leaves', 'Thus Spake Zarathustra' from the '2001-a Space Odyssey', 'Chi Mai', 'Clair De Lune' and many more…
Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big time director whose most recent film was a very expensive bomb. She comes up with the idea of making a romance based upon her fling with Jean-Louis. She contacts him to gain his permission. Jean-Louis is still in racing and goes away for a desert rally while she begins filming. She finds the mood of their romance difficult to recapture in her film.