By the time of the Antibes Jazz Festival in mid-1965, A Love Supreme was years from general recognition as a masteripiece. A French musician and record company executive, Jeff Gilson, had heard an advance copy and asked Coltrane to play the piece. Radio France broadcast the concert and recorded it. this is that performance of all four parts believed to be the only time the quartet played it for a live audience.
For many a jazz fan John Coltrane's A Love Supreme is their personal desert island pick, the one recording they would not hesitate to live their days out listening to. Recorded on December 9, 1964, the session has endured as a document of the saxophonist's faith, as it was the proclamation of his rebirth from the jazz life of alcohol and substance abuse.
One of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing, that at once compiled all of the innovations from his past, spoke to the current of deep spirituality that liberated him from addictions to drugs and alcohol, and glimpsed at the future innovations of his final two and a half years. Recorded over two days in December 1964, Trane's classic quartet–Elvin Jones, McCoy Tyner, and Jimmy Garrison– stepped into the studio and created one of the most the most thought-provoking, concise, and technically pleasing albums of their bountiful relationship. From the undulatory (and classic) bassline at the intro to the last breathy notes, Trane is at the peak of his logical and emotionally varied soloing, while the rest of the group is completely atttuned to his spiritual vibe.