Serge Gainsbourg's fascination with the noisier bodily functions has been well-documented, both by his biographers and by his own records. Who else, after all, would commission Sly & Robbie to lay down their earthiest, dubbiest reggae rhythm, then punctuate it with nonstop farting noises ("Evguenie Sokolov" from 1981's Mauvaises Nouvelles des Etoiles album)? Who else would write a novel about a gas-stricken painter who turns his body-burps to his artistic advantage? And whose else could conceive an album dedicated in its near-entirety to…well, the song titles tell that story: "La Poupee Qui Fait" translates as "The Doll That Goes to the Toilet," the title track documents the messier consequences of anal sex, and "Des Vents, des Pets, des Boums" means, simply, "Wind, Farts, Booms."
Recorded in the Bahamas with the same all-star personnel as 1979's Aux Armes et Cætera, Mauvaises Nouvelles des Etoiles is yet another of Gainsbourg's reggae albums, including all the deficiencies inherent in its predecessor as well as the few positives. The breezy melodies of his prime material from the '60s and '70s are unfortunately missing. Though the sound and production is up to Gainsbourg's usual high standards, the songs are much weaker than expected. With little to anchor it except the players and Gainsbourg's seedy vocal delivery, Mauvaises Nouvelles des Etoiles simply floats away. :)
1984's Love on the Beat will forever be one of Serge Gainsbourg's most memorable recordings, but not for its musical quality. First and foremost it is the album that gave us the notorious, now infamous, single "Lemon Incest," with its equally scandalous video featuring Gainsbourg on a bed with his scantily clad 12-year-old daughter Charlotte performing the song. It is also the only American recording made by Gainsbourg, recorded in New Jersey with Billy Rush and synth king Larry Fast providing most of the synth programming. Finally, it is notorious for its feminine screaming on the title track, adding a double entendre to the word "beat" in the title.
The Comic Strip compilation may be an ideal overview to Gainsbourg's pop oeuvre, but for those sick puppies interested in exploring his entire catalog, this collaboration with then-lover Brigitte Bardot is a good place to start. Many of his most infamous songs ("Bonnie and Clyde," "Comic Strip,") are here, and the lesser-known numbers achieve the same giddy decadence. Yes, the subject matter is transgressive, the performances often silly, but long after the initial shock wears off, Gainsbourg's work continues to surprise and delight.
Du chant à la une!… is the first album by French musician Serge Gainsbourg, released 1958. This was the debut album for Gainsbourg, released on a 10" vinyl. Despite his current vogue, Serge Gainsbourg may be a bit of an acquired taste for Americans, particularly if they don't have enough French to get his brilliant, sardonic lyrics. Personally, I think his early songs are generally his best stuff, and I would recommend starting here, on this remastered first album issued on the Mercury Records Vinyl Replica. N° 2 is the second album by French musician Serge Gainsbourg, released in 1959. It features Gainsbourg backed by the Alain Goraguer Orchestra.
Jeanne lives in Paris and believes she is the reincarnation of Don Juan. She visits a priest and tells him she has killed a man. He comes to her elegant flat - her father has died leaving her rich - and she tells the priest stories about men she has seduced. The seduction is easy, she tells him, it's destruction that takes planning. We watch her with an upright elected official, a wealthy boor, and a folk singer. She describes herself as a spider. Her friend Léporella tries to be Jeanne's conscience. What does Jeanne want?
RARE TRAX is a continued series of promotional samplers given away with the german edition of Rolling Stone magazine since the 1990's and has reached volume 80 already. Each version covers a special topic and presents lesser known songs and/or artists.