The Soul Man! is beautiful, elegant music and, contrary to what one might expect from a straightforward Prestige session, it's made up entirely of compelling, memorable originals. When the album was recorded, both Wayne Shorter and Ron Carter were in the second Miles Davis quintet, and it appears from this record that they were willing to contribute original compositions for a smaller unit under someone else's leadership, even someone as modest as Bobby Timmons, who was essentially just a reliable, bluesy pianist, while Miles was a giant. The result actually is a small gem. Shorter is at the height of his maturity as a player, delivering eloquent, lyrical statements in that rich, confident tone, while Timmons lays down solos as witty as he ever played with Art Blakey's Jazz Messengers, the "school" that gave him (and Shorter, incidentally) an assured place in the business.
THE COMPLETE REMASTERED RECORDINGS ON BLACK SAINT & SOUL NOTE is a monographic box-set collection aimed at recounting the most beautiful chapters that revolutionised the history of jazz. This new series was launched in March 2010 with the simultaneous release of four box-sets, including albums by some of the artists who participated in the success of the outstanding labels. A philological work, beginning with the original recordings on multi-track master tapes, patiently integrally remastered paying strict attention to the sound quality.
For over two years, organist Chris Hazelton and his soulful septet, the Boogaloo 7, have held down a wildly successful residency every Friday night at Kansas City's acclaimed Green Lady Lounge. Expanding on the funky sounds popularized by Jimmy McGriff, Charles Earland, Lou Donaldson, and others, this group brings a mixture of original tunes and covers, both old and new, that excite and move audiences week after week. With two in-demand 45rpm singles already under their belt, the logical next step was a full length album, and this one catches them in their element: live at the club they call home.
We Sold Our Soul for Rock 'n' Roll is a good single-disc collection of many – but not all – of Black Sabbath's best tracks from the Ozzy Osbourne era, drawing about half of its material from the group's first two albums, Black Sabbath and Paranoid. That makes it ideal for the fan who only wants one Black Sabbath disc, but those who want to dig deeper should be advised that all six LPs from the Osbourne period contain high-quality items not present here, especially the under-represented Master of Reality and Vol. 4. Still, there's no quibbling with what is here.
2002 Rhino / Warner artist compilation featuring Paul Simon, B.B. King, Nina Simone & a host of other top notch players.