A perfectly well-crafted and eclectic album of art pop music - nowhere near as dull as most critics call it. The ingredients are simple, but thanks to a good sense of melody and arrangement the whole thing becomes really tasty after all.
After having finished a (now forgotten) film soundtrack and their musically independent and critically acclaimed debut album, the first line-up of Supertramp disbanded. The only further relic composed in those days was the mediocre song Gold Rush which ended up on the Slow Motion record. With a new drummer, an additional wind player, a new bass guitarist and Roger Hodgson switching from bass guitar to regular guitar the band conceived their second album in 1971. In 1972 this line-up also composed and debuted some of the classic songs of Crime of the Century and Crisis? What Crisis? for the BBC, such as School and If Everyone Was Listening.
This live release has quite a complicated history: in 1979, Supertramp toured the world in support of their mega-selling album Breakfast in America. They played shows on four consecutive nights in Paris and recorded these performances on tape and on 16mm, and while some of the audio material was later released on their 1980 live album Paris, the video disappeared…
Paris is a live album by progressive rock band Supertramp, released in 1980. The album was recorded on Supertramp's Breakfast in America tour in November 1979 in Paris, France.
Coming off an intense and emotionally rough period that surrounded the recording and release of 2013's No Morphine No Lilies, drummer Allison Miller's Boom Tic Boom is in upbeat, adventurous form on 2016's Otis Was a Polar Bear. Which isn't to say that she and her bandmates weren't game for adventure on No Morphine No Lilies. On the contrary, the group found its footing on that album born out of a tumultuous year that included Miller taking care of her sick girlfriend, two of her bandmates having babies, and Miller drawing attention, some unfairly negative, for a Huffington Post article she wrote about being a lesbian feminist in the jazz world.
These performances come from the first ever complete set of the Mozart symphonies, dating from the 1960s, and they still represent 'big orchestra' Mozart at its most congenial. The contrast here between Bohm's sparkling Mozart, both elegant and vigorous, and the much smoother view taken by Karajan with the same orchestra, works almost entirely in Bohm's favour. Interpretatively, these are performances very much of their time, with exposition repeats the exception (as in the first movement of No. 40) and with Minuets taken at what now seem lumbering speeds. Yet slow movements flow easily, and finales bounce along infectiously. Consistently they convey the happy ease of Bohm in Mozart, even if the recording is beefy by today's standards, not as transparent as one now expects in this repertory, whether on modern or period instruments.
“Pensar en nada” is the fifth studio album by the Argentine singer-songwriter León Gieco.
“Vivencia” is the disc that follows “Mi Cuarto” LP. I read somewhere in the network that after that LP (Mi Cuarto), they did not get better jobs … Hmmm, debatable.
Passion is in actuality Peter Gabriel's soundtrack to the Martin Scorsese film The Last Temptation of Christ, retitled as a result of legal barriers; regardless of its name, however, there's no mistaking the record's stirring power. Like much of Gabriel's solo work, the album is a product of his continuing fascination with world music, which he employs here to create an exceptionally beautiful and atmospheric tapestry of sound perfectly evocative of the film's resonant spiritual drama; inspired by field recordings collected in areas as diverse as Turkey, Senegal, and Egypt, Passion achieves a cumulative effect clearly Middle Eastern in origin, yet its brilliant fusion of ancient and modern musics ultimately transcends both geography and time. Remarkably dramatic, even visual, it is not only Gabriel's best film work but deserving of serious consideration as his finest music of any kind; equally worthwhile is Passion – Sources, which assembles the original native recordings which served as his creative launching pad.