96khz Supertramp

Supertramp ‎- Indelibly Stamped (1971) A&M Records/SP 4311 - AU Pressing - New Equipment!! - In 24bit/96kHz

Supertramp ‎- Indelibly Stamped
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb
Label: A&M Records/SP 4311 | Release: 1971 | This Issue: 1976 | Genre: Progressive-Rock

A perfectly well-crafted and eclectic album of art pop music - nowhere near as dull as most critics call it. The ingredients are simple, but thanks to a good sense of melody and arrangement the whole thing becomes really tasty after all.
After having finished a (now forgotten) film soundtrack and their musically independent and critically acclaimed debut album, the first line-up of Supertramp disbanded. The only further relic composed in those days was the mediocre song Gold Rush which ended up on the Slow Motion record. With a new drummer, an additional wind player, a new bass guitarist and Roger Hodgson switching from bass guitar to regular guitar the band conceived their second album in 1971. In 1972 this line-up also composed and debuted some of the classic songs of Crime of the Century and Crisis? What Crisis? for the BBC, such as School and If Everyone Was Listening.
Supertramp - Crime Of The Century (1974) {2014 Full Blu-ray Pure Audio 40th Anniversary Edition}

Supertramp - Crime Of The Century (1974) {2014 Full Blu-ray Pure Audio 40th Anniversary Edition}
Full Blu-ray Audio -> 7.33 Gb | DTS-HD Master Audio 2.0 / LPCM 2.0 / Dolby TrueHD 2.0 | 24bit/192kHz | ISO Image
Full Artwork @ 600 dpi (png) -> 170 Mb | 5% repair rar
© 2014 A&M Records / Universal | 0600753450680
Rock / Progressive Rock / Art Rock / Contemporary Pop

Crime Of The Century was the first of the many peaks in Supertramp's illustrious career; an album that had everything to prove and tunes that effortlessly straddled the world of pure pop and progressive rock. With the unmistakable blend of the two songwriters – Davies and Hodgson’s – work, it married the sweetness of Hodgson’s ‘Dreamer’ – the band's first big hit single – with the grit of Davies’ similarly beloved ‘Bloody Well Right.’ This 40th anniversary celebration features the remastered original album, mastered and cut by Ray Staff at Air Studios. It showcases the band at the zenith of their powers, playing of all of Crime of The Century and introducing numbers from their forthcoming album, Crisis . . . What Crisis?
Supertramp - Crime Of The Century (1974/2014) [Official Digital Download 24bit/96kHz] RE-UP

Supertramp - Crime Of The Century (1974/2014)
FLAC (tracks) 24 bit/96 kHz | Time - 44:20 minutes | 975 MB
Studio Master, Official Digital Download | Artwork: Front cover

Crime of the Century is the third album by English rock band Supertramp, released in 1974. Crime of the Century was their commercial breakthrough on both sides of the Atlantic, aided by the UK hit "Dreamer" and the U.S. hit "Bloody Well Right".
Supertramp - Live In Paris (December 1979) [Hi-Res FLAC from Blu-Ray 2012] {24bit/96kHz} RE-UP

Supertramp - Live In Paris (December 1979) [Blu-Ray 2012]
FLAC(Image) + CUE 24 bit/96 kHz | Time - 100:32 + 21:02 mins | 2,14 GB + 523 MB
Source: Blu-Ray (Eagle Rock Entertainment # ERBRD5086 > LPCM 24/96 track) | Case cover

Supertramp's "Breakfast In America" was the biggest selling album in the world in 1979. It spawned several hit singles and went on to win two Grammy Awards and sell in excess of 20 million copies. Following the album's release Supertramp embarked on a 10 month world tour which arrived in Paris at the end of November. This show from the Pavillon de Paris was both filmed and recorded. The audio went on to form the basis of the 1980 live album "Paris" but the film was never released. Now for the first time, transferred and restored to full HD from the original 16mm film, this footage is available to Supertramp's legion of fans worldwide. The concert features the different song-writing styles of Roger Hodgson and Rick Davies, who each composed the songs on which they sing lead vocals. The sound has been remixed by Peter Henderson and Supertramp's original sound engineer Russel Pope. This is a legendary show by a legendary band performing at their absolute peak and is a must for any Supertramp fan.
Supertramp - Paris (A&M 396 702-1) (GER 198_, ReIssue) (Vinyl 24-96 & 16-44.1)

Supertramp - Paris
FLAC | Artwork | 24Bit 96kHz: 1,85 GB | 16Bit 44.1kHz: 616 MB
Cat#: A&M 396 702-1 | Country/Year: Germany 198_, ReIssue
Genre: Pop Rock, Prog Rock | Hoster: Fileserve/Hotfile/Filesonic

Paris is a live album by progressive rock band Supertramp, released in 1980. The album was recorded on Supertramp's Breakfast in America tour in November 1979 in Paris, France.
Steve Hackett – Bay Of Kings (1983) Chrysalis PV 41572 – 1st US Sterling Pressing - LP/FLAC In 24bit/96kHz - NEW 2017 RIP!

Steve Hackett – Bay Of Kings
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Mastered At Sterling Sound
Label: Chrysalis PV 41572 | Released: 1983 | Genre: Symphonic-Rock

Essential: a masterpiece of progressive rock music
To Steve Hackett, I followed his career from his beginnings with “Genesis” and his subsequent career as a soloist.
Dave Loggins – Apprentice (In A Musical Workshop) (1974) Epic/KE 32833 – US Pressing - LP/FLAC In 24bit/96kHz

Dave Loggins – Apprentice (In A Musical Workshop)
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Epic/KE 32833 | Released: 1974 | This Issue: 197? | Genre: Country-Pop

Appearing the timeless “Please Come To Boston”
Kenny Loggins’ second cousin hit the big time for a couple of months in 1975 with “Please Come to Boston,” a serviceable and sentimental soft rock gem from his second album, Apprentice (In a Musical Workshop).
Black Sabbath – Paranoid (1970) Vertigo (Swirl)/6360 011 – Original DE Pressing - LP/FLAC In 24bit/96kHz

Black Sabbath – Paranoid
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Pressed, Lacquer Cut At Deutsche Grammophon Gesellschaft Pressing Plant
Label: Label: Vertigo/6360 011 | Released: 1970 | Genre: Hard-Rock

Paranoid was not only Black Sabbath’s most popular record (it was a number one smash in the U.K., and “Paranoid” and “Iron Man” both scraped the U.S. charts despite virtually nonexistent radio play), it also stands as one of the greatest and most influential heavy metal albums of all time. Paranoid refined Black Sabbath’s signature sound — crushingly loud, minor-key dirges loosely based on heavy blues-rock — and applied it to a newly consistent set of songs with utterly memorable riffs, most of which now rank as all-time metal classics. Where the extended, multi-sectioned songs on the debut sometimes felt like aimless jams, their counterparts on Paranoid have been given focus and direction, lending an epic drama to now-standards like “War Pigs” and “Iron Man” (which sports one of the most immediately identifiable riffs in metal history).
The Jimi Hendrix Experience – Axis: Bold As Love (1967) Reprise Records/RS 6281 – US Pressing - LP/FLAC In 24bit/96kHz

The Jimi Hendrix Experience – Axis: Bold As Love
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Reprise Records/RS 6281 | Released: 1967 | This Issue: 1974 | Genre: Classic-Rock

Rolling Stone’s definitive list of the 500 greatest albums of all time.
83. The Jimi Hendrix Experience, ‘Axis: Bold as Love’
Reprise, 1968

Jimi Hendrix’s first album remade rock & roll with guitar magic that no one had ever dreamed of; his second album had even more sorcery.
Elton John ‎- Friends (1971) Paramount Records/PAS 6004 - 1st US Pressing - LP/Flac In 24bit/96kHz - FIXED TRACK 6

Elton John ‎- Friends
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb & 200MB
Label: Paramount Records/PAS 6004 | Release: 1971 | Genre: Pop-Rock

A movie soundtrack that's about half instrumental, but it's not a tossoff: the vocal tracks are as carefully produced and enjoyable as Elton's "real" albums. Highlights include the gentle title track (a Top 40 single), the rocking "Honey Roll," and the anthemic "Can I Put You On." Taupin's lyrics are unusually direct meditations on love and friendship; if you like his more intellectual lyrics, you'll be disappointed, but if you find them annoying, this is an improvement. The low point is a syrupy Mantovani-like stringfest, "Seasons."