Essential: A masterpiece of progressive rock music
Back in 1970, whilst browsing in my favorite used record store, i came across this album. Despite the ghastly sleeve art (not the cover pictured above), i turned it over and noticed “Sympathy” included in the track listings, a song i had heard many times on the radio in the office but had never really taken much notice of, despite it being a huge hit single. The photo of the band clinched it – in those days any strange album i found depicting “four hippies in a field / park / wood” was worth investigating as part of my “scene”.
Laurie Anderson's third proper studio album, coming over five years after 1984's Mister Heartbreak (1986's Home of the Brave was a film soundtrack), is a near-total departure from anything she had done before or, indeed, anything she did after. The most purely musical of Anderson's albums and the one on which she does the most actual singing (though her trademark deadpan spoken-word passages are still present and accounted for), Strange Angels seems to be Anderson's idea of a straightforward pop album.