Brahms & Schumann: Lieder sees Dame Ann Murray, one of the great vocal artists of the past decades, return to the recording studio to perform a personal selection of Lieder. Brahms & Schumann: Lieder, Ann’s first solo album in over a decade, will be her final Lieder recording and a fitting way to draw her long and distinguished recording career to a close.
This 6-CD set captures Dietrich Fischer-Dieskau and Daniel Barenboim in some of their most significant recordings together and features the astonishingly beautiful and highly regarded lieder of Hugo Wolf.
This 31 CD box set is being released to celebrate what would have been her 100th birthday in December 2015. The set contains all the recital programmes of song, opera and operetta tha t she recorded for EMI between 1952 and 1974, and also included two live recitals.
All the recordings have been newly remasteredto the highest standards by various studios including Abbey Road.
Christiane Karg feels close to Richard Strauss, and not simply because they both grew up amid Bavarian landscape. Together with Mozart, the great late Romanticist now plays an ever greater part in her repertoire: she was recently acclaimed in both Antwerp and Ghent as Sophie in Der Rosenkavalier. Since Strauss has always figured in her lieder recitals, this CD of Strauss lieder comes as no surprise, especially in view of the forthcoming anniversary year, marking the composer's 150th birthday. Indeed, anyone who has followed Christiane Karg's career will see this new release as a logical consequence. You only have to listen to the timbres in her voice and the skill with which she lends them an artistic and natural touch, and you will hardly be able to avoid comparisons with the great voices of her Fach.
There are compelling reasons for acquiring this collection of recordings made in Vienna and New York in 1968. First, there is the intensely characterful singing of Dietrich Fischer-Dieskau and of Christa Ludwig, one of the great Mahler interpreters. Then there is the double fascination of hearing the songs with piano accompaniment played by Leonard Bernstein, who at that time was very much into enacting the role of Mahler's self-appointed representative on earth.
Richard Osborne; Gramphone, March 1992.
When soprano Claudia Galli first encountered Strauss, it was love at first sight (or, rather, sound). It soon became clear that Strauss should form the foundation of this recital programme, lovingly compiled by Claudia Galli and her duo partner, pianist Grégory Moulin.