The Australian Chamber Orchestra and its enterprising leader, violinist Richard Tognetti, wade with these popular Mozart works into a field with plenty of competition, and the results, as usual with this popular group, range from good to superb. The performances are generally oriented toward historical practice; the string players use gut strings, tuned slightly below modern concert pitch, and the oboes and horns are historically appropriate instruments. In general matters of attack and phrasing, the players do not diverge too far from modern practice, and Tognetti, in his own notes (in English, German, and French), points out that even if treatises of the period laid down certain procedures in regard to these matters, the notoriously capricious Mozart might well have done something completely different.
Sony Classical will reissue its recordings by Tafelmusik, the GRAMMY-nominated period-instrument orchestra, in a new box set of 47 CDs. Originally released between 1989 and 1998, the recordings of the famed orchestra's Baroque and Classical repertoire are all being issued together for the first time in a single Sony Classical box set.
Here's a Symphony of Psalms that successfully captures the spirit and letter of the work–reverence, jubilation, and celebration, as well as specifics of orchestral color and texture. Boys' voices–supposedly Stravinsky's original choice–contribute their share to the bright choral timbre, an effect that works very well. We also get first-rate performances of the Mass and the rarely recorded Canticum sacrum.
A high point of the Moroccan music festival is without doubt the Mawazine Festival in Rabat, Morocco. Al Di Meola’s fantastic appearance in 2009 also represented a summit of different cultures and religions – Al Di Meola (guitar), Peo Alfonsi (2nd guitar), Fausto Beccalossi (accordion), Gumbi Ortiz (percussion), Victor Miranda (bass), Peter Kaszas (drums), and with special guests from Morocco, Said Chraibi (oud), Abdellah Meri (violin) and Tarik Ben Ali (percussion). On his third trip to Morocco, the public gave this exceptional guitarist a rousing reception and showed ist openness towards Western music – and Al Di Meola wowed the audience with a special repertoire.
Famed for his subtle shadings and irreproachable technique, Walter Gieseking was one of the most extraordinary pianists of his time.
I Solisti Veneti is one of the first rank of small Italian chamber orchestras with modern instruments. Founded in Padua in 1959 by Claudio Scimone, it has made a reputation especially with Italian Baroque music, recording many works by Antonio Vivaldi, Tomaso Albinoni, Francesco Geminiani, Benedetto Marcello and Giuseppe Tartini. Giuliano Carmignola and Piero Toso were two of the soloists in the ensemble. The group has made over 300 recordings, many on the Erato record label. A number of these were first-ever recordings of works of Vivaldi, Albinoni and Rossini.