9ª Sinfonia

Richard Tognetti, Christopher Moore - Mozart: Violin Concertos Nos. 3 & 5, Sinfonia Concertante (2010)

Richard Tognetti, Christopher Moore - Mozart: Violin Concertos Nos. 3 & 5, Sinfonia Concertante (2010)
EAC | FLAC (image+.cue, log) - 396 MB | MP3 (CBR 320 kbps) - 193 MB | Covers + Digital Booklet | 79:52
Genre: Classical | Label: BIS | Catalog: 1754

The Australian Chamber Orchestra and its enterprising leader, violinist Richard Tognetti, wade with these popular Mozart works into a field with plenty of competition, and the results, as usual with this popular group, range from good to superb. The performances are generally oriented toward historical practice; the string players use gut strings, tuned slightly below modern concert pitch, and the oboes and horns are historically appropriate instruments. In general matters of attack and phrasing, the players do not diverge too far from modern practice, and Tognetti, in his own notes (in English, German, and French), points out that even if treatises of the period laid down certain procedures in regard to these matters, the notoriously capricious Mozart might well have done something completely different.

White God - Sinfonia per Hagen (2014)  Video

Posted by JohnSmith at Sept. 8, 2015
White God - Sinfonia per Hagen (2014)

White God - Sinfonia per Hagen / Fehér isten (2014)
BRRip | MKV / AVC@1025 kb/s | 720x304 | 2h 0mn | 998 MB | Italian: AC3, 128 kb/s (2 ch)
BRRip | AVI / XviD@1737 kb/s | 720x304 | 2h 0mn | 1.85 GB | Italian: AC3, 448 kb/s (6 ch)
BDRip 720p | MKV / AVC@4459 kb/s | 1280x536 | 2h 0mn | 4.14 GB | Italian: AC3, 448 kb/s (6 ch) | Subtiltes: Italian
Genre: Drama

In base alle nuove disposizioni governative, per il possesso dei cani di razza mista in Ungheria si deve pagare una tassa. Per evitare il pagamento, le famiglie di Budapest cominciano a liberarsi dei loro cani di razza mista e lo stesso destino sembra toccare anche ad Hagen, il cane di una dodicenne di nome Lili. Figlia di genitori divorziati, Lili viene mandata a vivere per un periodo dalla madre e ad occuparsi dello "smaltimento" del cane è il padre.
Prague Sinfonia Orchestra, Christian Benda - Georg Anton Benda: Sinfonias: Sinfonias (2016) [Official Digital Download 24/96]

Prague Sinfonia Orchestra, Christian Benda - Georg Anton Benda: Sinfonias: Sinfonias (2016)
FLAC (tracks) 24-bit/96 kHz | Time - 47:36 minutes | 870 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Music in the family: Conductor Christian Benda interprets the music of his Bohemian ancestor Georg Anton Benda (1722-1795). This appealing cross section of the symphonies of Georg Anton Benda, who was highly respected by Mozart, which includes six rarely performed symphonies in three movements. All pieces performed by the Prague Sinfonia Orchestra and conducted by Christian Benda.

Kiri Te Kanawa: Sorceress - A Handel Celebration [1994]  Music

Posted by Aregak at Feb. 24, 2017
Kiri Te Kanawa: Sorceress - A Handel Celebration [1994]

Kiri Te Kanawa: Sorceress - A Handel Celebration (Christopher Hogwood; The Academy of Ancient Music) [1994]
EAC Rip | FLAC, TRACKS+CUE, LOG | Covers | 1cd, 298 MB
Classical | Label: Philips; Polygram Records | Catalog Number: 434 992-2 | TT: 77:55

Dame Kiri Janette Te Kanawa ONZ DBE AC (born 6 March 1944) is a New Zealand/Māori soprano who has had a highly successful international opera career since 1968. Acclaimed as one of the most beloved sopranos in both the United States and Britain she possesses a warm full lyric soprano voice, singing a wide array of works in multiple languages from the 17th to the 20th centuries. She is particularly associated with the works of Mozart, Strauss, Verdi, Handel and Puccini…
Royal Stockholm PO, Sakari Oramo - Carl Nielsen: Symphony No.1 in G minor; Symphony No.3 'Sinfonia espansiva' (2014)

Carl Nielsen - Symphony No.1 in G minor; Symphony No.3 'Sinfonia espansiva' (2014)
Royal Stockholm Philharmonic Orchestra; Sakari Oramo, conductor

EAC | FLAC | Image (Cue&Log) ~ 327 Mb (incl 5%) | Mp3 (CBR320) ~ 179 Mb (incl 5%) | Scans included
Genre: Classical | Label: BIS | # BIS-2048 SACD | Time: 01:12:28

The second installment in Sakari Oramo's superb hybrid SACD cycle of the symphonies of Carl Nielsen on BIS presents the Symphony No. 1 in G minor and the Symphony No. 3, "Sinfonia espansiva," two ruggedly independent works that reflect the composer's late Romantic style yet point to the modernism to come. While the Symphony No. 1 was influenced by Brahms and offers a rich harmonic language, propulsive rhythms, and a fairly homogenous orchestral palette, the Symphony No. 3 is striking for its reliance on unfolding counterpoint and long-breathed lines, and most notable for the use of wordless parts for soprano and baritone voices in the pastoral slow movement. These performances by Oramo and the Royal Stockholm Philharmonic Orchestra are exceptional for their stunning power and spacious feeling, though the crisp details and focused sound quality will be the biggest draw for audiophiles.
Ophélie Gaillard - Carl Philipp Emanuel Bach Vol. 2 (2016) [TR24][OF]

Ophélie Gaillard - Carl Philipp Emanuel Bach Vol. 2
Classical | FLAC (tracks) 24-bit/96 kHz | 80:59 min | 1.48 GB | Digital booklet
Label: Aparté | Tracks: 15 | Rls.date: 2016

After the success of their first volume Ophélie Gaillard and Pulcinella propose a second disc devoted to Johann Sebastian Bach's most talented and surprising son, Carl Philipp Emanuel (1714-1788). The Sinfonia in C major expresses multiple emotions, ranging from irrepressible suffering in the Adagio to joyous release and insouciance in the concluding Allegretto, tinged with near-Mozartian grace. The Cello Concerto in B flat reveals the influence of the waning Baroque era and Vivaldi in particular.
Arcangelo, Jonathan Cohen - Haydn: Sinfonia Concertante, Mozart: Oboe & Bassoon Concertos (2015)

Arcangelo, Jonathan Cohen - Haydn: Sinfonia concertante, Mozart: Oboe & Bassoon Concertos (2015)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet| 57:44 | 271 MB
Genre: Classical | Label: Hyperion | Catalog: CDA 68090

Haydn's Sinfonia Concertante in B flat major for violin, cello, oboe, and bassoon, Hob. 1/105, is among his most recorded works, and among his most utterly joyful. But it has rarely reached the heights of ebullience achieved in this historical-instrument reading by the small British ensemble Arcangelo and its conductor, Jonathan Cohen. The list of things to be enthusiastic about is long, but it begins with the differentiation of the instruments in the solo passages, with the period oboe and bassoon of Alfredo Bernardini and Peter Whelan, respectively, having the depth of texture to stand up to the brilliant Stradivarius violin and Guarneri cello of Ilya Gringolts (a renowned soloist in his own right) and Nicolas Altstaedt.
Fanny Clamagirand, Sinfonia Finlandia Jyväskylä, Patrick Gallois - Saint-Saëns: Violin Concertos (2010)

Fanny Clamagirand, Sinfonia Finlandia Jyväskylä, Patrick Gallois - Saint-Saëns: Violin Concertos (2010)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 01:12:24 | 365 MB
Genre: Classical | Label: Naxos | Catalog: 8.572037

Though it was the least well received by its intended dedicatee – Pablo de Sarasate – the third violin concerto of Camille Saint-Saëns has endured as one of his most popular concertos along with the A minor Cello Concerto and the Third Piano Concerto. The earlier two violin concertos, each written some 20 years before, are still noteworthy, lively concertos, but lack the same emotional impact and maturity of the seasoned B minor Concerto. What they may lack in depth is made up for with pyrotechnic virtuosic displays, perhaps explaining Sarasate's fondness. This Naxos album places the B minor Concerto first, ending with the C major Concerto, a program order that curiously seems to place the bigger "bang" finish at the beginning, closing with a less emphatic note.
Steven Isserlis,  Roger Norrington - Joseph Haydn: Cello Concertos in C & D; Sinfonia Concertante (1998)

Joseph Haydn - Cello Concertos in C & D; Sinfonia Concertante (1998)
Steven Isserlis, cello; The Chamber Orchestra of Europe; Sir Roger Norrington, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 358 Mb (incl 5%) | Mp3 (CBR320) ~ 196 Mb (incl 5%) | Scans included
Genre: Classical | Label: RCA Red Seal | # 09026 68578 2 | Time: 01:15:22

What a versatile artist Steven Isserlis is. Having made his name as a sympathetic interpreter of a wide variety of romantic and modern music, here he shows he can be just as persuasive in eighteenth-century repertoire. His stylistic awareness is evident in beautiful, elegant phrasing, selective use of vibrato and varied articulation, giving an expressive range that never conflicts with the music’s natural language. In the cello concertos he is helped by an extremely sensitive accompaniment, stressing the chamber musical aspects of Haydn’s pre-London orchestral writing. The soft, intimate sonority at 3'06'' in the first movement of the D major is a typical example. The Adagios are taken at a flowing speed, but Isserlis’s relaxed approach means they never sound hurried. The Allegro molto finale of the C major Concerto, on the other hand, sounds poised rather than the helter-skelter we often hear. In his understanding of the music, Isserlis is a long way ahead of Han-na Chang, whose version places the emphasis on fine, traditional-style cello playing. Mork’s vivacious, imaginative performances characterize the music very strongly, but my preference would be for Isserlis’s and Norrington’s lighter touch and greater refinement.
Thirteen Strings Chamber Orchestra, Kevin Mallon - Franz Ignaz Beck: Symphonies, Op.2 (2015)

Thirteen Strings Chamber Orchestra, Kevin Mallon - Franz Ignaz Beck: Symphonies, Op.2 (2015)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 69:45 | 323 MB
Genre: Classical | Label: Naxos | Catalog: 8573323

Franz Ignaz Beck is increasingly acknowledged as one of the most forward-looking and inventive of mid-eighteenth-century symphonists. A student of the celebrated Johann Stamitz, Beck was trained in Mannheim, a focal point of new approaches to orchestral writing. Although small in scale, his Op. 2 set includes some of the most striking and harmonically daring works of their kind from the period.