Since she won the seventh International Frederick Chopin Piano Competition in 1965 at the age of 24, this Argentine concert pianist has mostly avoided the limelight; she remains, however, one of the greatest interpreters of classical music.
Whilst in The Faces, Rod Stewart pursued a solo career, which paid dividends in 1971 when he was propelled to the top of the UK charts with Maggie May and later You Wear It Well, both are included here. Enjoy!
Alicia Bridges scored big in 1978 with "I Love the Nightlife (Disco 'Round)," a celebratory disco single that reached number five on the Billboard Hot 100. It was her biggest moment in music and made her self-titled debut, released on Polydor, a definite part of the feel-good disco scene of the late '70s. The blues-tinged "Diamond in the Rough" and "Broken Woman" were mildly successful, but Bridges never regained her disco reign. She released one more album for Polydor, 1979's Play It as It Lays, then settled into a series of independent recordings and compilations, such as 1984's Hocus Pocus, 2007's Say It Sister and 2008's FauxDiva XX – that explored a wider range of inspirations. "I Love the Nightlife" has been included on dozens of disco compilations, including the soundtrack for The Last Days of Disco (which also features an update from Masters at Work's Nuyorican Soul project.
Lisa Stansfield is an English singer, songwriter and actress. This box is a perfect way to collect the "first" era of Lisa's discography at Arista! All albums are clearly remasters as 2 Cd sets with remixes and -some- rare tracks… It ends with a 3Cds remixes compilation of remixes that makes it nearly awesome! The only things missing here are some single edits (Maybe Edsel thinks of it for a new compilation?), a bunch of remixes, and some collaboration tracks that did not belongs to Arista… and obviously the "very first" Lisa's recording when she was so young…
Packaging-wise and title-wise, the Rhino label's Hip Hop: The Collection is as generic as they come, but after that, all complaints are minimal. Get it at the right price, and it doesn't even matter that the theme is mega-broad and that the T.I. hit isn't one everyone knows, because when a collection goes from Afrika Bambaataa's seminal electro-rap "Planet Rock… Don't Stop" to Missy Elliot's "Get Ur Freak On" with barely any filler in the middle, the freak is on and the planet is certainly rocked. The set jumps time periods at will, and yet the sequencing works, so consider it a time capsule or a portable party, because it's both.