Something for those who yearn for the 80s the music or simply are the song lovers that came out in this decade. This compilation will help you get acquainted with the biggest hits that were recorded during this period. On four compact discs, dozens of songs, from pop, synthpop to rock, were collected. We find here Kylie Minogue hits, which in this decade began her great career, hits Tiny Turner, Duran Duran, ZZ Top, Fleetwood Mac. There are also interpretations of classic 80s performed by modern stars.
The 80s was the decade of the 12 inch. In the UK, all previous instalments of this series sold extremely well and received widespread critical acclaim. The Guardian called the series a "genuine act of music archaeology". From the pop dance genius of Frankie Goes To Hollywood's Relax and Donna Summer's I Feel Love through to the more alternative Lullaby by The Cure, and onto classics such as Teardrops by Womack & Womack… This 3CD compilation has it all, in its full 12" glory.
Back in New York after three years spent gigging and recording in Europe, a mature and rejuvenated James Moody resumed the endless North American scuffle to get by as a contemporary jazz musician. Volume five in the Classics James Moody chronology presents 16 rare Mercury recordings made between October 1951 and June 1953, followed by eight Prestige titles from January and April, 1954. The first four tracks feature baritone saxophonist Cecil Payne; high points include the rowdy, bristling "Moody's Home" and "Wiggle Waggle," an R&B rocker that sounds like something right up out of the King record catalog. Beginning with the material recorded on May 21, 1952, Moody is heard leading a group largely composed of players who, like him, had worked in Dizzy Gillespie's big band. Two of these individuals – trumpeter Dave Burns and baritone saxophonist Numa "Pee Wee" Moore – show up regularly in the front line of Moody's excellent recording ensembles between 1952 and 1955.
Marvin Hamlisch's first feature film score – written while he was still a college student – remains one of the great debuts in soundtrack history: a work of remarkable maturity, 1968's The Swimmer is rich in contrast and scope, communicating the film's uncommon emotional complexity in stunningly clear detail. Hamlisch proves a master of both style and mood, shifting effortlessly from the poignant simplicity of the main theme to the effervescent jazz cut "Easy Four/Bubbles" to the soaring orchestral flourishes of "Hurdles." Like the new generation of filmmakers who redefined American cinema in the late '60s and early '70s, Hamlisch achieves a note-perfect balance between tradition and innovation, acknowledging the past masters of movie music even as he expands the parameters of the form. Film Score Monthly's superlative reissue includes excellent liner notes and a series of stills from the film. Highly recommended.