75 Blue Note

Art Blakey - The Complete Blue Note Recordings Of Art Blakey's 1960 Jazz Messengers (1992) {6CD Mosaic MD6-141}

Art Blakey - The Complete Blue Note Recordings Of Art Blakey's 1960 Jazz Messengers (1992) {6CD Mosaic MD6-141}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.50 Gb | MP3 @320 -> 928 Mb
Full Artwork @ 300 dpi (jpg) -> 65 Mb | 5% repair rar
© 1960-61, 1992 Blue Note / Mosaic | MD6-141
Jazz / Hard Bop

Drummer Art Blakey led many great editions of the Jazz Messengers from the inaugural mid-'50s sessions until his death in the '90s. While arguments rage regarding which was his best, there is no doubt that the 1960-1961 unit figures in the debate. This wonderful six-disc set, notated with care and painstaking detail by Bob Blumenthal, covers studio and live sessions from March 6, 1960, to May 27, 1961, with the same personnel on all but two songs. Producer Michael Cuscuna used only first issue dates, and while he included some alternate takes, he did not litter the discs with second-rate vault material. They smoothly detail the band's evolution, cohesion, and maturation. This set, as with all Mosaic boxes, goes beyond essential. Get it post haste.

Us3 - Hand On The Torch (1993) {Blue Note}  Music

Posted by TestTickles at Aug. 26, 2017
Us3 - Hand On The Torch (1993) {Blue Note}

Us3 - Hand On The Torch (1993) {Blue Note}
EAC Rip | FLAC with CUE and log | scans | 376 mb
MP3 CBR 320kbps | RAR | 147 mb
Genre: hip-hop, rap, jazz, reggae, dancehall

Hand On The Torch is the 1993 debut album by Us3, a project created by Mel Simpson and Geoff Wilkinson. They had a hit with the song "Cantaloop (Flip Fantasia)" and a minor hit with "Tukka Yoot's Riddim", plus non-hits "I Got It Goin' On" and "Eleven Long Years". This was released by Blue Note.

Soulive - Next (2002) {Blue Note}  Music

Posted by TestTickles at Aug. 3, 2017
Soulive - Next (2002) {Blue Note}

Soulive - Next (2002) {Blue Note}
EAC Rip | FLAC with CUE and log | scans | 556 mb
MP3 CBR 320kbps | RAR | 206 mb
Genre: jazz, jazz funk, jazz soul, hip-hop, rap

Next is the 2002 album by Soulive. The group had expanded from a trio to a quartet when this was recorded, which also features help from singers Dave Matthews & Amel Larrieux and rappers Black Thought of The Roots and Talib Kweli of Black Star fame. This was released by Blue Note.
The Oscar Peterson Trio - The Legendary Oscar Peterson Trio Live At The Blue Note (1990)

The Oscar Peterson Trio - The Legendary Oscar Peterson Trio Live At The Blue Note (1990)
EAC Rip | FLAC (Img) + Cue + Log ~ 374 Mb | MP3 CBR320 ~ 187 Mb
Scans Included (JPG, 600 dpi) | RAR 5% Recovery
Jazz, Bop | Telarc #CD-83304

Pianist Oscar Peterson had a reunion with guitarist Herb Ellis and bassist Ray Brown at a well-publicized get-together at New York's Blue Note in March 1990. The trio (his regular group of the late '50s) was augmented by Peterson's late-'60s drummer Bobby Durham for spirited performances. Rather than using their complex arrangements of the past, the pianist and his alumni simply jammed through the performances and the results are quite rewarding. On the first of four CDs released by Telarc, the quartet performs "Honeysuckle Rose," a ballad medley, three of the pianist's originals and "Sweet Georgia Brown." As this and the other CDs in the series show, the magic was still there.
Blue Mitchell - The Complete Blue Note Blue Mitchell Sessions 1963-67 (1998)

Blue Mitchell - The Complete Blue Note Blue Mitchell Sessions 1963-67 (1998)
EAC Rip | FLAC (Tracks) +cue, log, artworks, digital booklet - 1.53 GB | MP3 CBR 320 kbps - 567 MB | 04:06:31
Jazz | Label: Mosaic | Release Year: 1998

Recorded after his four year stint as a member of the Horace Silver quintet - The sessions are Step Lightly, The Thing To Do, Down With It, Bring It Home To Me, Boss Horn, and Heads Up - Other horn soloists include Joe Henderson and Leo Wright on the first session and Junior Cook on the other five, although he does not solo on all the tunes on the final two which are octet and nonet sessions repectivly, under the direction of Duke Pearson. There are good songs throughout the collection - 2 versions of Step Lightly, Sweet and Lovely, Cry Me A River, Mona's Mood, Perception, Alone Alone and Alone, Portrait of Jennie, I Should Care, Tones for Joan's Bones, The Folks Who Live On The Hill.
Sam Rivers - The Complete Blue Note Sam Rivers Sessions 1964-67 (1996) {3CD Box Set Mosaic MD3-167}

Sam Rivers - The Complete Blue Note Sam Rivers Sessions 1964-67 (1996) {3CD Box Set Mosaic MD3-167}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.27 Gb | MP3 @320 -> 465 Mb
Full Artwork @ 300 dpi (png) -> 335 Mb | 5% repair rar
© 1964-67, 1996 Blue Note / EMI-Capitol Music / Mosaic Records | MD3-167
Jazz / Post Bop / Avant-Garde Jazz / Saxophone

From the time of his first Blue Note recording in 1964 to his final session for the label in 1967, Sam Rivers made stunning progress as an avant-garde innovator. Starting with an inside/outside hard bop foundation, Rivers quickly took his music as far out as he could while maintaining a recognizable structure; his work fearlessly explored wildly dissonant harmonies and atonality, dense group interaction, cerebral rumination, and passionately intense, free-leaning solos.
Bobby Hutcherson - Head On (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81099}

Bobby Hutcherson - Head On (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81099}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 508 Mb | MP3 @320 -> 186 Mb
Full Artwork @ 600 dpi (png) -> 250 Mb | 5% repair rar | 24bit 192kHz remaster
© 1971, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81099
Jazz / Post Bop / Vibraphone

Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24 bit remastering. Featuring the work of obscure composer/pianist Todd Cochrane, vibraphonist Bobby Hutcherson's 1971 album Head On is a highly cerebral and atmospheric affair that is somewhat different than his other equally experimental '70s work. Although the album does feature more of the avant-garde jazz that Hutcherson was exploring during this period, Cochrane's material is heavily influenced by contemporary classical music, and accordingly Head On is more of an exercise in reflective, layered jazz than rambunctious freebop – though it does offer some of that, too.
Bobby Hutcherson - Oblique (1967) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5016}

Bobby Hutcherson - Oblique (1967) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5016}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 246 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (png) -> 232 Mb | 5% repair rar | 24bit 192kHz remaster
© 1967, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5016
Jazz / Post Bop / Vibraphone

Reissue. Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). Bobby Hutcherson's second quartet session, Oblique, shares both pianist Herbie Hancock and drummer Joe Chambers with his first, Happenings (bassist Albert Stinson is a newcomer). However, the approach is somewhat different this time around. For starters, there's less emphasis on Hutcherson originals; he contributes only three of the six pieces, with one from Hancock and two from the typically free-thinking Chambers. And compared to the relatively simple compositions and reflective soloing on Happenings, Oblique is often more complex in its post-bop style and more emotionally direct (despite what the title may suggest).
Lee Morgan - The Sidewinder (1963) {2013 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81011}

Lee Morgan - The Sidewinder (1963) {2013 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 368 Mb | MP3 @320 -> 120 Mb
Full Artwork @ 600 dpi (png) -> 247 Mb | 5% repair rar | 24bit 192kHz remaster
© 1963, 2013 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81011
Jazz / Hard Bop / Trumpet

Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). Carried by its almost impossibly infectious eponymous opening track, The Sidewinder helped foreshadow the sounds of boogaloo and soul-jazz with its healthy R&B influence and Latin tinge. While the rest of the album retreats to a more conventional hard bop sound, Morgan's compositions are forward-thinking and universally solid. Only 25 at the time of its release, Morgan was accomplished (and perhaps cocky) enough to speak of mentoring the great Joe Henderson, who at 26 was just beginning to play dates with Blue Note after getting out of the military.
Lee Morgan - The Rajah (1966) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5023}

Lee Morgan - The Rajah (1966) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5023}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 308 Mb | MP3 @320 -> 108 Mb
Full Artwork @ 600 dpi (png) -> 252 Mb | 5% repair rar | 24bit 192 kHz remaster
© 1966, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5023
Jazz / Hard Bop / Trumpet

Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). This long-lost Lee Morgan session was not released for the first time until it was discovered in the Blue Note vaults by Michael Cuscuna in 1984; it has still not been reissued on CD. Originals by Cal Massey, Duke Pearson ("Is That So") and Walter Davis, in addition to a couple of surprising pop tunes ("What Not My Love" and "Once in My Lifetime") and Morgan's title cut, are well-played by the quintet (which includes the trumpeter/leader, Hank Mobley on tenor, pianist Cedar Walton, bassist Paul Chambers and drummer Billy Higgins).