Perennial North Carolina post-punk favorites Superchunk just released their new LP What A Time To Be Alive in February, 2018 on Merge Records. They are releasing "What a Time to Be Alive" (Acoustic Version), a 7" colored vinyl single with acoustic versions of two tracks from the new LP. The B-side, "Erasure," includes a guest performance by Katie Crutchfield of Waxahatchee.
Shostakovich’s atmospheric Eleventh Symphony recounts the events surrounding the First Russian Revolution of 1905, while reflecting on the brutality of the later Soviet regime. Its cinematic depiction of winter cold and military might is utterly compelling, and never more so than under the baton of the composer’s friend Mstislav Rostropovich.
In October 2016, to bring his acclaimed Mendelssohn symphonies cycle to a rousing conclusion, Sir John Eliot Gardiner and the London Symphony Orchestra – accompanied by Lucy Crowe, Jurgita Adamonytė, Michael Spyres and the Monteverdi Choir – gave two performances of the composer’s symphony-cantata, ‘Lobgesang’. Also known as ‘Hymn of Praise’, it sits slightly uneasily with Mendelssohn’s four other symphonies, with its extended last movement involving soloists and chorus. However, the idea was not without precedent – the work has its roots in both Beethoven’s Ninth Symphony (‘Choral’), and Berlioz’s Roméo et Juliette.
Soft Machine were one of first and one of the greatest jazz/rock bands of all time. Their importance and influence was especially great in Europe, where they influenced several generations of bands, and their influences can still be heard to this day in bands like Jaga Jazzist and beyond. Grides presents the most famous version of the band (Elton Dean, Hugh Hopper, Mike Ratledge, Robert Wyatt) recorded live at the Concertgebouw in Amsterdam on October 25, 1970, in a high-quality, previously unreleased recording, just a few months after the release of Third and at the peak of their popularity.