The string quartets of Danish music's eccentric outsider Rued Langgaard (1893-1952) are passionate works of the composer's youth, representing both his nostalgically romantic side and his profoundly visionary modernity. For the first time on CD, this recording series presents all 9 quartets in the award-winning young Nightingale String Quartet's distinctly dramatic interpretation based on the revised Rued Langgaard Edition.
Vol. 2 in BIS' complete Sibelius Edition is given over the Finnish master's chamber music for strings and for strings and piano. Fifty years earlier, this release would've included only the "Voces intimae" string quartet. But BIS' 2007 release includes all four quartets and all four piano trios, plus 35 other works or substantial fragments lasting between 13 seconds to 32 minutes. One thing is instantly clear: Sibelius scholarship has made enormous strides since the mid-twentieth century.
At 1st sight, they appear to have nothing in common – but disregarding the stylistic elements & a difference of 2 centuries, you soon recognize that both are in a sense, musical architects, who as piano virtuosos were equally interested in miniature forms & inspired by folk music. On the 1 hand you have Scarlatti, who, after moving to Spain in 1729 composed almost exclusively for harpsichord & integrated elements of Spanish folklore into his compositions in an experimental way; on the other hand Bartk, who boosted the recognition of the rich native Hungarian peasant songs to an independent folk art, & was also influenced by Arabic folk music.