6 Cello Sonatas

Antonio Vivaldi - Wispelwey & Florigelium - 6 Cello Sonatas (1994)

Antonio Vivaldi - Pieter Wispelwey & Florigelium - 6 Cello Sonatas
EAC+LOG+CUE | WV: 280 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Channel Classics # CCS 6294 | Country/Year: Europe 1994
Genre: Classical | Style: Baroque

…Wispelwey plays an English instrument by Barak Norman (1710) whose bright, immediate timbre is a welcome asset in these sonatas. An involving issue, enhanced by discreetly balanced and mercifully uncoloured recorded sound.

Francesco Geminiani - 6 Cello Sonatas opus 5 - Jaap ter Linden  Music

Posted by zamorna at Dec. 30, 2009
Francesco Geminiani - 6 Cello Sonatas opus 5 - Jaap ter Linden

Francesco Geminiani - 6 Cello Sonatas opus 5 - Jaap ter Linden
Classical, Baroque | 1 CD | EAC | FLAC, CUE, LOG | Scans | 306 MB | RS
Recorded: Apr. 2007, Hervormde Kerk, Rhoon, NL
Released: 2008 | Label: Brilliant 93646 | TT: 54:32

Jaap ter Linden - cello, Lars Ulrik Mortensen - harpsichord,
Judith Maria Becker - cello continuo

In this set of six sonatas for cello and continuo, Geminiani [1687-1762] follows the Corellian model […] of movements—except for the last, which is in three movements. Geminiani’s writing for the solo instrument shows an advance on Corelli in the brilliant figuration in the fast movements. Slow movements can sometimes be a bit perfunctory, lasting less than a minute, though this is not always the case. Geminiani apparently enjoyed working with the sonorities created by two cellos, and in his contrapuntal movements sometimes allows the solo and continuo cellos to cross lines.
Jaap ter Linden […] handles Geminiani’s elaborate music with ease. His smooth and rounded tone serves the music well. The continuo players provide able accompaniment. The performers are recorded in close perspective in excellent sound. (Ron Salemi, Fanfare)
Federico Bracalente & Nicola Procaccini - Pericoli: Cello Sonatas (2017)

Federico Bracalente & Nicola Procaccini - Pericoli: Cello Sonatas
Classical | WEB FLAC (tracks) & d. booklet | 57:42 min | 336 MB
Label: Brilliant Classics | Tracks: 18 | Rls.date: 2017

First recording of Pericoli's 6 Cello Sonatas.Little is known about the life of Pasquale Pericoli, who lived and worked in the second half of the 18th century. He is known to have produced operas in Stockholm for some years, he himself claimed to be of Neapolitan origin.His Neapolitan roots certainly are betrayed in his 6 Cello Sonatas, in which the formal structure of the Sonata (albeit in embryonic form, not yet fully developed as in the Classical Period) is imbued with melodic charm and cantabile, the cello seeming to sing instead of play.
Federico Bracalente & Nicola Procaccini - Pericoli: Cello Sonatas (2017)

Federico Bracalente & Nicola Procaccini - Pericoli: Cello Sonatas
Classical | MP3 CBR 320 kbps | 57:42 min | 134 MB
Label: Brilliant Classics | Tracks: 16 | Rls.date: 2017

First recording of Pericoli's 6 Cello Sonatas.Little is known about the life of Pasquale Pericoli, who lived and worked in the second half of the 18th century. He is known to have produced operas in Stockholm for some years, he himself claimed to be of Neapolitan origin.His Neapolitan roots certainly are betrayed in his 6 Cello Sonatas, in which the formal structure of the Sonata (albeit in embryonic form, not yet fully developed as in the Classical Period) is imbued with melodic charm and cantabile, the cello seeming to sing instead of play.
Andrea Favalessa & Maria Semeraro - R. Strauss, Thuille: Cello Sonatas (2017)

Andrea Favalessa & Maria Semeraro - R. Strauss, Thuille: Cello Sonatas
Classical | MP3 CBR 320 kbps | 64:28 min | 148 MB
Label: Brilliant Classics | Tracks: 07 | Rls.date: 2017

Between Richard Strauss and Ludwig Thuille (born in 1864 and 1861 respectively) existed a strong friendship and mutual respect. Their two youthful cello sonatas share the same idiom: passionate and lateromantic soaring themes, a profound lyricism and a virtuoso writing for both cello and piano.

Nina Kotova - Rachmaninov & Prokofiev: Cello Sonatas (2017)  Music

Posted by SERTiL at Jan. 13, 2017
Nina Kotova - Rachmaninov & Prokofiev: Cello Sonatas (2017)

Nina Kotova - Rachmaninov & Prokofiev: Cello Sonatas
Classical | MP3 CBR 320 kbps | 67:47 min | 156 MB
Label: Warner Classics | Tracks: 09 | Rls.date: 2017

Cellist, Nina Kotova, praised by Gramophone magazine as a “strong and individual artist [whose] depth of feeling and technical control are never in doubt,” here partners with pianist Fabio Bidini in two landmark Russian sonatas from the 20th century, Rachmaninov’s in G minor and Prokofiev’s in C major, and in two smaller pieces by Tchaikovsky.
Alisa Weilerstein, Inon Barnatan - Rachmaninov, Chopin: Cello Sonatas (2015)

Alisa Weilerstein, Inon Barnatan - Rachmaninov, Chopin: Cello Sonatas (2015)
Classical | MP3 320kbps CBR | 1 CD | 198 MB
Label: Decca | Catalog Number: 002375302 | Rls.date: 2nd Oct 2015

Together with long-term duo partner Inon Barnatan, best-selling Decca cellist Alisa Weilerstein records two of the giants of ‘cello chamber music: the Rachmaninov and Chopin sonatas. Alisa Weilerstein’s debut on Decca with the Elgar Cello Concerto (conducted by Daniel Barenboim; his first recording of this outstanding work since his earlier recording with the legendary Jacqueline du Pre) was received rapturously by critics worldwide; and her subsequent recording of the Dvorak cello concerto no less well-received.

Isserlis, Mustonen - Martinu: Cello Sonatas No 1-3 (2015)  Music

Posted by peotuvave at Oct. 2, 2015
Isserlis, Mustonen - Martinu: Cello Sonatas No 1-3 (2015)

Isserlis, Mustonen - Martinu: Cello Sonatas No 1-3 (2015)
EAC Rip | Flac (Tracks + cue + log) | 328 MB | MP3 320Kbps CBR | 186 MB | 1 CD | Full Scans
Genre: Classical | Label: Bis | Catalog Number: 2042

Bohuslav Martinů produced a huge catalogue of chamber music for a variety of instruments. The cello seems to have occupied a special place in his heart, however, and the three cello sonatas were probably of great significance to him; each of them has an entirely distinct character and appears to owe something to extra-musical events. The most dramatic of the three, the First Sonata was written in Paris in May 1939, shortly after Martinů’s Czech homeland had fallen to the Nazis. Having fled Paris in 1940, Martinů composed Sonata No.2 shortly after reaching safety in the USA, and the work celebrates the rhythms and the verve of the new world. Although written in memory of a deceased friend, the Third Sonata is still more celebratory: even the slow movement is pastoral rather than tragic, while the finale – or at least its ending – ‘would hardly be out of place at a rodeo’, as Steven Isserlis writes in his own liner notes to this disc.
Jacqueline du Pre, Daniel Barenboim - Brahms: Cello Sonatas 1 & 2 (1968/2012) [24bit/96 kHz]

Jacqueline du Pré, Daniel Barenboim - Brahms: Cello Sonatas 1 & 2 (1968/2012)
FLAC (tracks) 24 bit/96 kHz | Time - 54:26 minutes | 1,05 GB
Studio Master, Official Digital Download | Artwork: Front cover
Features 2011 EMI Remaster

Acclaimed instrumentalists, Jacqueline du Pre and Daniel Barenboim, perform earlier masterpieces by Brahms. These sonatas written for cello and piano invoke the romantic style, interpreted superbly by the pair. The performances are expressive, graceful and reveal the pieces’ sheer tonal beauty. A vital addition to any music lover's library.
Paul Watkins, Huw Watkins - Martinu: Cello Sonatas Nos. 1, 2 & 3 (2010)

Paul Watkins, Huw Watkins - Martinu: Cello Sonatas Nos. 1, 2 & 3 (2010)
EAC Rip | Flac (Image + cue + log) | 271 MB | MP3 320Kbps CBR | 167 MB | 1 CD | Full Scans
Genre: Classical | Label: Chandos | Catalog Number: 10602

Paul Watkins is one of the world’s finest cellists. He is much in demand throughout the world and although he has made several recordings for Chandos in the past, this is his first as an exclusive artist. He is accompanied by his brother Huw Watkins, with whom he has developed an extremely rewarding musical partnership. The three cello sonatas of the Czech composer Bohuslav Martinu span the period 1939 – 52 and are full of rewarding musical invention. The experience of his long exile was often expressed in his music, particularly here in the Third Sonata and in the Variations on a Slovak Theme. If in the First, competed in 1939, the unease occasioned by World War II may be detected in the first two movements, the energetic finale, driven by Martinu’s motoric rhythms, prompted the composer to remark of its first performance: ‘It came as a last greeting, a beam of light from a better world (which is the opinion of others, not my own). For several minutes we realised what music could give us and we forgot about reality.’