Although a vinyl box set appeared during the early 1980s, and several of the mixes therein were subsequently appended to CD reissues of Soft Cell's regular albums, 1999's three-CD The Twelve Inch Singles represented the first ever corralling of the duo's entire extended remix output, and with it, undying evidence for Soft Cell's claim to immortality. Great 45s and terrific albums told only part of the story, after all. Across their earliest 12" singles, the sequence that led from "Memorabilia" to "Torch," Soft Cell utterly rejuvenated a format that had been growing increasingly stale and uninspired, not only offering purchasers more music for their money, but ensuring that it was music they'd actually want, as opposed to an extra few minutes of beat nailed onto the outro.
These 1964 sessions marked jazz violinist Jean-Luc Ponty's recording debut as a leader. In spite of his choice of instrument, he was mainly influenced by bop musicians (especially saxophonists and trumpeters) rather than fellow Frenchmen, swing violinist Stéphane Grappelli. At this stage in his career, he chose mostly compositions by European musicians of his generation, along with tunes American jazz compositions that had stood the test of time.