Documentary chronicling the famed street artist's "31 works of art in 31 days" in New York city.
This is the fourth solo album from rock and roll wunderkind Al Kooper. He congregates two very distinct bands - one in London and the other in Los Angeles - to accompany some of his most emotive compositions to date. This is ironic when considering the title track is a paean to the Big Apple. The UK aggregate consists of musicians from Hookfoot, including Herbie Flowers (bass), Caleb Quay (guitar) and Roger Pope (drums). The band were fresh from several collaborations with Elton John, most notably his third studio effort Tumbleweed Connection.
Raven presents, on a great value Double CD, three landmark albums by legendary multi-instrumentalist, producer and solo artist Al Kooper. Few American musicians have pursued a more diverse or fascinating career than Kooper. As well as having played organ on Bob Dylan's timeless 'Like a Rolling Stone', formed Blood Sweat & Tears and produced Lynyrd Skynyrd, Kooper has issued more than a dozen solo albums and continues to record. Easy Does It (1970), New York City (You're a Woman) (1971) and A Possible Projection of the Future (1972) were his 5th, 6th and 7th albums recorded for Columbia and incorporate soul, pop, country and jazz elements with seamless ease. All showcase Kooper's incredible musicianship at its creative and innovative peak. Also features a stellar cast of session musicians including Herbie Flowers, Joe Beck, Rick Marotta, Carol Kaye, Sneaky Pete Kleinow, Rita Coolidge etc.
This is a documentary about Blondie's early years in New York, the making of the album Parallel Lines, and their rise to mainstream popularity. It includes interviews with members of the band and their producer.
The cold rain and snow have started to fade away and with it, we're dusting off a super hot one from a soaring seven nights at New York's old Academy of Music. On the brink of their revelatory Europe '72 tour, the Grateful Dead brought their sevenfold merriment to winter-worn Manhattan and boy, did they warm things up! Particularly on March 26 when the dual piano/Hammond combo of Godchaux and McKernan was in full effect and Alabama singer Donna Jean Godchaux began to find her vocal footing in the band's rich harmonies.