On the cover of Must Be Nice, the Vermont duo comprising Soule Monde—drummer Russ Lawton and keyboardist Ray Paczkowski- stand in wintery repose on the grounds of a lifeless grey mansion. Paczkowski looks off into the distance while a smiling Lawton holds the sarcastic title card; two trespassers delivering the musical antidote to a cold, bleak, and uninviting place.
An inspiring collection of voodoo blues lines, rhythms and artist-inspired licks "Let me live 'neath your spell. Do do that voodoo that you do so well." Cole Porter didn't play guitar but he did recognize the power of voodoo. Thankfully Steve Trovato not only plays guitar but is also a highly respected educator and witch doctor of the blues.
The 14-track album, 50 Years of Blonde on Blonde, was recorded LIVE at the CMA Theater located inside the historic Country Music Hall of Fame and Museum located in Nashville, TN in May 2016. Mixed by GRAMMY Award-winning Ted Hutt and Ryan Mall. "Fifty years is a long time for a place like Nashville, Tennessee. Time rolls on slowly around here like flotsam and jetsam in the muddy Cumberland River. But certain things have accelerated the pace of our city. And certain people have sent the hands of the clock spinning. Bob Dylan is the greatest of these time-bending, paradigm-shifting Nashville cats," says Ketch Secor, the primary vocalist of the Old Crow Medicine Show. "By deciding to record his newly found rock n' roll voice in 1966 Nashville, Bob swung the gates of Country music wide open; so wide, in fact, that 50 years later there was still enough of a crack left for Old Crow Medicine Show to sneak its banjos and fiddles through the gates with string band swagger."
The Show Must Go On offers a definitive collection of Sayer's 1970s bubbly dance-pop hits like "You Make Me Feel Like Dancing," "When I Need You," and "More Than I Can Say." A number of rare singles are also included, as is the unreleased cut "Tonight the Sky's About to Cry".
Learn how to play 50 tasty blues-rock licks inspired by Stevie Ray Vaughan “That kid woke the blues back up.” - Buddy Guy 500 years from now, the blues will still be very much alive. As they are prone to do today, musicologists, critics and blues aficionados will still be crafting top-ten blues guitarist lists and debating who was the greatest of them all. Meanwhile, students of guitar just like us will be copping SRV licks because there will never be an artist who has had as much impact and influence on electric blues guitar as Stevie Ray Vaughn.
50 of the baddest, bopping-est, funkiest and bluesiest licks you must know The path from pentatonic sameness to heavy jazzed blues cat-itude often appears strewn with mystifying theoretical explanations and effete bossa renditions of "The Days of Wine and Roses." Feh! David Hamburger's 50 Jazz-Blues Licks You MUST Know cuts right to the chase, offering up some of the baddest, bopping-est, funkiest and bluesiest ways to navigate through any shuffle, boogaloo, minor blues or jazz-blues chord changes.