"Us and Them: Symphonic Pink Floyd" is an instrumental album of Pink Floyd songs. The album was arranged by Jaz Coleman, produced by Youth and performed by the London Philharmonic Orchestra conducted by Peter Scholes. The album cover was painted by Roger Dean who is known for his organic paintings. He also designed albums for Asia, Uriah Heep, and Yes. The album, which features six songs taken from The Dark Side of the Moon released in 1973 and three from The Wall released in 1979, peaked at number one in the Billboard Magazine Top Classical Crossover Albums chart.
Symphonic Music of Yes is a 1993 album by London Philharmonic Orchestra, covering songs of the progressive rock band Yes, with the English Chamber Orchestra and the London Community Gospel Choir. The arrangements were by Dee Palmer (then David Palmer). Playing on the album were Yes guitarist Steve Howe and Yes drummer Bill Bruford. Some tracks also featured Yes vocalist Jon Anderson and featured the ABWH additional keyboardist Julian Colbeck.
Nonesuch Records releases the late Henryk Górecki’s final composition, Symphony No. 4, Tansman Episodes, on January 22, 2016. The recording was made during the 2014 world premiere performance at Royal Festival Hall with co-commissioner London Philharmonic Orchestra conducted by Andrey Boreyko. The piece, which pays homage to Górecki’s fellow Polish composer Alexsander Tansman, was incomplete at the time of Górecki’s 2010 death and thus missed its previously scheduled premiere. However the score had precise indications for orchestration, which Górecki’s son Mikolaj, also a composer, used to complete it. The Daily Telegraph said the piece "caps Górecki's reputation as an orchestral composer, but it also contains some surprises. The music … features some brutal juxtapositions of massively powerful music with slow, intimate passages for solo instruments, including prominent parts for piano and organ".
The 50 Greatest Pieces of Classical Music is a selection of classical works recorded by the London Philharmonic Orchestra, with conductor David Parry. The result was solely for the digital market. This is the very first time a classical collection is recorded for digital release only and was 13th place on the Billboard classical music chart with more than 135,000 units sold (and counting).
First and only available recording of this most anticipated work by one of India's best known composers, Ravi Shankar. Featuring the dazzling sitar playing of Anoushka Shankar - whose recordings on the Deutsche Grammophon label include the Grammy nominated, Live at Carnegie Hall. In this live recording of the work's premiere, David Murphy conducts the London Philharmonic Orchestra with Ravi Shankar's daughter Anoushka on sitar.
Bruckner’s majestic Symphony No. 8 overflows with lavish themes and rich sonorities, representing the composer at his grandest, whilst the Symphony’s occasional title ‘Apocalyptic’ alludes to an underlying tone of solemnity. This strong and idiomatic reading comes from a live-to-air BBC recording dating from October 1981. This is very early days in the Orchestra’s long association with Tennstedt. In true Tennstedt fashion, the sheer beauty of the sound and opulence of the textures are awe-inspiring in this triumphant interpretation. Recorded live at the Royal Festival Hall, London, on 29 October 1981.
"Most operaphiles would not consider the hyper-dynamic Sir Georg Solti to be a likely candidate to conduct La bohème, but they also probably did not expect him to do an excellent La traviata prior to the sensational Angela Gheorghiu debut performance at Covent Garden. Herbert von Karajan’s Decca-London recording with Pavarotti and Freni has traditionally and deservedly set the standard for La bohème recordings, but this one holds up surprisingly well to direct comparison…" ~Fanfare
Following a concert performance in October 1970 Jascha Horenstein went into the studio with the London Philharmonic to record Mahler’s Fourth Symphony as one of the first recordings for the then new Classics For Pleasure bargain label produced by John Boyden. The result was musically deeply satisfying though the sound on the original LP left much to be desired. This led to a poor one-star review being enshrined in the very next Penguin Guide and that must surely have contributed to killing the release on the shelves so it was never considered among the recommended versions for this work.