‘Sirens of Song’ is the follow up to 2012’s huge success The Golden Age Of Song, with one major difference, this album is GIRLS ONLY! It features a who’s who of both classic and contemporary female artists including Joss Stone, Laura Muvula, Eartha Kitt, Rumer, Kylie and Emeli Sande. The songs are instantly recognisable and have become staples for any discerning music lover; with tracks like Percy Sledges “ Lost Mind” covered by Rumer, Stevie Wonders” I Wish” covered by Mel C and the Clash’s “Should I Stay Or Should I Go” covered by Kylie. In addition to these covers there are some new songs written by Jools in his own inimitable style.
2016 two CD collection of recordings by the former Rolling Stones bassist, both solo and with his Rhythm Kings. With all the tracks chosen by Bill Wyman himself, these two CDs present the perfect introduction to his recordings. Disc One contains songs from Bill's solo albums, kicking off with '(Si Si) Je Suis Un Rock Star', his big hit from 1981, as well as the follow-up hits. Disc Two features songs from Bill's Rhythm Kings, the ten-piece band with revolving guest stars that he put together in the 90s after leaving the Rolling Stones, as well as tracks from Willie And The Poor Boys, Bill's 1985 all-star side-project. The guest stars include Eric Clapton, George Harrison, Jimmy Page, Paul Rodgers…
A capable purveyor of R&B, intimate ballads, or boogie-woogie piano who sang in a high, sweet voice with soul and chutzpah similar to that of Lula Reed, Lil Green or Julia Lee, Viviane Greene made a series of fine little recordings for five different labels in San Francisco and Los Angeles between late 1947 and July 1955. This compilation claims to contain all of her recorded works with the exception of her 1962 Finer Arts material. The most dazzling tracks are without question her instrumentals, for Viviane Greene was a classically trained pianist who developed her chops working steadily at nightclubs in San Francisco, Los Angeles, and Denver, Colorado. "The Unfinished Boogie," based upon Franz Schubert's Unfinished Symphony, is dynamite. "Jades of Greene" was named for the pianist's eldest daughter who was taken away by Lupus disease at the tender age of twelve. Claude Debussy's Clair de Lune appears to be the closest that this artist ever came (on record anyway) to realizing her dream of being a classical pianist. Most of the songs heard here are good time R&B entertainment or sultry love songs, some of which draw upon the standard jazz repertoire.
First time on CD! Volumes 7 + 8 in our Exotic Blues & Rhythm series were released on limited edition 10” vinyl and sold out in next to no time! Enjoy amazing and danceable tunes from the late 50s and early 60s - a handful of Popcorn dancefloor smashs, a few grinding Tittyshakers, awesome Rhythm & Blues - most of them with an exotic twist! Raw rockers, offbeat groovers, and lots more odd bits from the glory days of the indie single – pulled together here in a package that sounds as sexy as it looks! The Stag-O-Lee label has been giving us some great collections in recent years, and this one's right at the top of their stack – a really well-chosen batch of unusual singles from the early years of rock and soul – served up here on a 24 track CD that brings together all the material from the previous 10" vinyl releases Boom A Lay and Chug A Lug.
Her mountainous stature matching the sheer soulful power of her massive vocal talent, Big Maybelle was one of the premier R&B chanteuses of the 1950s. Her deep, gravelly voice was as singular as her recorded output for Okeh and Savoy, which ranged from down-in-the-alley blues to pop-slanted ballads. In 1967, she even covered ? & the Mysterians' "96 Tears" (it was her final chart appearance). Alleged drug addiction leveled the mighty belter at the premature age of 47, but Maybelle packed a lot of living into her shortened lifespan.
This final LOiseau-Lyre set presents some of the most significant Medieval & Renaissance albums recorded by one of the most authoritative Early Music labels.
The eighth and ninth studio albums (there was a live recording between them) from the Atlanta Rhythm Section got a belated U.K. CD release in 2010. These closed out the act's affiliation with Polydor Records and are condensed onto a single CD here, as well as digitally remastered. It's another in the classy series of ARS reissues from BGO, which has treated the Southern pop act's catalog with utmost respect on four previous discs that bring the group's original albums back in print for collectors and music fans who want more than the 17 hits on Polydor's well-chosen 1982 vintage Best Of. Liner notes from Campbell Devine tend to be fawning but include a comprehensive history of the band, recounting its story leading up to and even after the recording of these tunes. Musically, ARS captured a unique style halfway between the smooth West Coast pop of the late '70s and the Southern rock of the era.