This is the third and final volume in the complete recordings of Lil Green in chronological order as reissued by the Classics Blues & Rhythm Series. By 1947 Lil Green was beginning to sound more than a little like Ida Cox, even when handling songs from Tin Pan Alley rather than straight up out of the tried and true traditional blues repertoire. Comparisons could also be drawn between Lil Green and Nellie Lutcher or Julia Lee. While her "crossover" performances are worthwhile, there's nothing quite like hearing this woman savor the flavor of Bessie Smith hits like "Aggravatin' Papa," "Outside of That," and "You've Been a Good Old Wagon (But You Done Broke Down)." Green's own "Lonely Woman" has a powerful undercurrent running through it – there is even a remote possibility that Ornette Coleman was inspired by this record when conceiving his own composition of the same title in 1959. Even if the link is purely coincidental, these melodies have something wonderful in common. Green's final recordings for the Victor label are strengthened by the presence of tenor saxophonists Budd Johnson, Lem Johnson, and David Young.
Best known as a superior and advanced cool-toned trumpeter, Tom Harrell shows throughout this consistently brilliant set that he has also developed into an excellent composer and a particularly talented arranger. All ten songs and arrangements are his, and the music both swings and is quite original. Harrell doubles on flügelhorn and utilizes a wide variety of interesting musicians, including clarinetist Greg Tardy (who plays beautifully on the opening "Petals Danse"), acoustic guitarist Romero Lumbambo (heard on the more Brazilian-oriented numbers), the great free bop tenor Dewey Redman, pianist Danilo Perez, electric guitarist Mike Stern, tenorman David Sanchez, and several strings (including Regina Carter) among others.