Twelve Inch Eighties is the new 3CD range by Crimson Productions, compiling extended alternate mixes of some of the biggest hit singles of the 80s. Each themed release is housed in a sleek 3CD digipak with abstract imagery representative of early dance label releases. These carefully selected titles across the range will bring together the finest eighties pop, dance and disco, amongst other genres, in all their full 12” single glory. Rhythm Is Gonna Get You is the latest title in the range and collects even more classic Pop anthems from the 80s in all their alternatively mixed beauty.
A bombastic party courtesy of Legacy Records. The festivities begin with an unedited "Wake Up Everybody" by Harold Melvin & the Bluenotes, flows into Isley, Jasper, Isley's "Caravan of Love," and then switches to adult theme ballads, the stature of "Me & Mrs. Jones," "Kiss and Say Goodbye," and Bill Withers' "Ain't No Sunshine." Brenda & the Tabulations' breezy but despairing "One Girl Too Late" is delightful. The Intruders' "Cowboy to Girls" and Major Lance's calypso-ish "Hey Little Girl" are irresistible. Includes Labelle's potent "Lady Marmalade" and MFSB's contagious, six-plus minute "Love Is the Message."
Letting the good times roll again, with this second visit to the dynamic South Louisiana R&B scene there is no waver in the quality of music. We’ve added the work of another Louisiana record man, Sam Montel from Baton Rouge, to the vast stockpile of material in the vaults of J.D. Miller, Eddie Shuler, Floyd Soileau and Jake Graffagnino. Sam (originally Montalbano) got into the music business when his childhood friend Jimmy Clanton hit the charts. Sam became his road manager and the whole scene got into his blood. He decided to start his own record label when only 18 years old. His first release, Lester Robertson’s ‘My Girl Across Town’, is included here, as is a previously unissued outing from Robertson.
The forgotten sound of South Louisiana. Setting out on the “By The Bayou” journey, I didn’t envisage reaching CD 12. The project started as a vehicle for white Louisiana rockers, but exploration of the tape vaults of J.D. Miller and the catalogues of Eddie Shuler’s Goldband, Floyd Soileau’s Jin, Sam Montelbano’s Montel and Joe Ruffino’s Ric and Ron labels revealed more than enough great vocal group material to fill a dedicated CD. So here is a collection of chanting rockers and sweet harmonies, rather overlooked as ingredients which go into the rich gumbo of South Louisiana music of the 50s.