It is no exaggeration to call Little Walter the Jimi Hendrix of the electric harp: he redefined what the instrument was and what it could do, pushing the instrument so far into the future that his music still sounds modern decades after it was recorded. Little Walter wasn't the first musician to amplify the harmonica but he arguably was the first to make the harp sound electric, twisting twitching, vibrant runs out of his instrument; nearly stealing the show from Muddy Waters on his earliest Chess recordings; and so impressing Leonard Chess that he made Muddy keep Walter as his harpist even after Waters broke up his band. Chess also made Walter into his studio's house harpist and started to release Little Walter solo records with the instrumental "Juke" in 1952. "Juke" became a smash hit and turned Little Walter into a star, making him a steady presence on the '50s R&B charts.
This set features the band’s first four Beggars Banquet-released albums — The Icicle Works (1984), The Small Price of a Bicycle (1985), If You Want to Defeat Your Enemy, Sing His Song (1987) and Blind (1988 )— each expanded with bonus tracks (more than 30 in total), plus a live set recorded in 1986 (minus the two encore songs, since they didn’t fit on the CD).
This Teldec collection was a project close to György Ligeti’s heart – the pioneering Hungarian composer was actively involved in the recording process up until his death in 2006. The artists had long-standing relationships with Ligeti and his work, both in the studio and in concert: pianist Pierre-Laurent Aimard, the Berlin Philharmonic, the Schönberg and Asko Ensembles led by Reinbert de Leeuw.
This is the second of Brilliant's box sets devoted to Russian recordings from Evgeny Kissin. Labeled as early, these live concert performances from 1984 to 1990 carry us from the day after Kissin turned 13 (Mozart Cto. #12 K. 414) to age 18 (Mozart Cto. #20, K. 466), with most readings clustering in the range of 1985-89. Russians were well aware of the marvel in their midst; the pianist's American breakthrough occurred in 1990 when he debuted at Carnegie Hall's centennial season.
This brilliant CD series entitled "Didn't It Blow Your Mind, Soul Hits Of The 70s" is a 20-volume anthology of excellent R&B music from the 1970s. Each CD features several artists of the R&B genre, performing songs that helped to shape their generation. This is like having your very own 70s Soul Music party. Great R&B classics don't get any better than this, and Rhino brings it to you in one amazing, top-knotch series.
As soul music moved into the early '70s, it became dominated by smoother sounds and polished productions, picking up its cues from Motown, Chicago soul, and uptown soul. By the beginning of the decade, soul was fracturing in a manner similar to pop/rock, as pop-soul, funk, vocal groups, string-laden Philly soul, and sexy Memphis soul became just a few of the many different subgenres to surface. Often, the productions on these records were much more polished than '60s productions, boasting sound effects, synthesizers, electric keyboards, echoes, horn sections, acoustic guitars, and strings.
This set of CD is EMI's ultra-low-cost boxed series, although the ultra-low prices, but this series there are still many excellent recordings, such as Ke Luotan's Beethoven Symphony Complete Works, Chiclini's Saty Piano works and so on. In this set of Mahler songs, it is worth noting that Teng Shi Te Te Te's "song of the earth", in its symphony is not included. In addition, the Baker Jazz singing "Luke Te song" and Fisher - Di Si test and Barenboim cooperation piano version of "Junior Magic" is also a very good version. But unfortunately did not include Canta "lament the song", but rather repeated the collection of the symphony of Teng Tate's total in the first 2,3,4 contains vocal movement, so it can not be called A song collection.