The Elektra Years 1978–1987 is a boxed set containing the six albums released by the new wave rock band The Cars during that time period. Each album was newly remastered by Ted Jensen, under the supervision of Ric Ocasek. It was released in 2016 on Elektra Records on CD, digital and vinyl formats.
18 hits including Mighty Quinn, Ha Ha the Clown, the Vicar's Daughter, I Wanna Be Rich and more. This is the definitive compilation covering the Mike D'Abo era. This compilation is book-ended by two Bob Dylan songs (Mighty Quinn, Just like a woman), both of which were among the seven top ten UK hits that Manfred Mann clocked up with Mike D'Abo as lead singer between 1966 and 1969 following the departure of the original lead singer, Paul Jones.
This superb release brings together the three albums The Fall recorded for the Fontana label between 1990 and 1992 - Extricate, Shift-Work and Code: Selfish. With extensive liner notes by music writer Daryl Easlea, the set features all the bonus tracks, including B-sides, remixes and BBC sessions, previously included in the 2007 deluxe reissues of each album.
Features the latest remastering. Includes a Japanese description, lyrics, and bonus tracks. Features original cover artwork. The complete recordings done by John Coltrane for Bethlehem Records – mostly cut during December of 1957, and issued on the albums The Winner's Circle and Art Blakey Big Band! Both albums were a bit unusual for the label – in that The Winner's Circle was sort of a blowing/jam session type record, cut with some of the big poll winners of the year, but with shorter tracks than the usual Prestige-styled set of that nature. The lineup includes Donald Byrd, Al Cohn, Eddie Costa, Oscar Pettiford, and Philly Joe Jones – and Coltrane's a bit buried in the group, but gets out some nice licks from time to time.
The first 2 albums from the UK's psychedelic trailblazers Nirvana reissued together in a 2CD package, featuring 52 tracks with 27 previously unreleased outtakes, demos and alternative versions. This is an essential package for fans of 60s psych with a 5000 word sleeve-note from Total Rock's Malcolm Dome.
This 19-track compilation focuses on Elmore James' crucial sessions recorded for the Modern Records subsidiaries Meteor and Flair between 1952 and 1956. At the time of these recordings, the distorted amplified sound of James' slide guitar with his unmistakable electrified Robert Johnson lick was helping map out the postwar blues idiom with such classics as "I Believe," "Blues Before Sunrise," "Wild About You," "Mean & Evil," and the extraordinary reworking of Robert Johnson's "Dust My Broom" into "Dust My Blues." Even though roughly half of these tracks appear on the equally recommended 1986 Ace release Let's Cut It: The Very Best of Elmore James, this set is a great introduction to the dynamic slide guitarist's earliest recordings.