Spock's Beard never ceases to amaze me. The Oblivion Particle has so much prog goodness to love, that it will just draw you in Bennett Built a Time Machine to take this release back to the 70s, because it is loaded with classic material. The band has built such a huge catalog of excellent albums, so it would be hard to call any of them the best. However, I would put The Oblivion Particle up there with the top releases as it could be their best. If you are looking for a new prog gem to add to your collection, then look no further. If you love Spock's Beard, then you will definitely love this album. I can see this release lasting with it's homage to the 70s, and that ooh so good feeling that you will get when you hear it.
I dialoghi che struttureranno il vostro apprendimento presentano il russo così come viene parlato oggi e vi faranno scoprire, sempre con un pizzico di humour, la vita quotidiana, la letteratura, la storia e le peculiarità che caratterizzano questa meravigliosa lingua. …
Testimony is the third studio album, and the first concept album, by Neal Morse. Released in 2003, this double record is in five sections detailing the composer's life and conversion to Christianity. The album features performances from ex-Dream Theater drummer Mike Portnoy and Kerry Livgren of Kansas, although the majority of instruments are played by Morse himself.
This compilation covers 20 years of live recordings made by conductor Yevgeny Mravinsky and the then-named Leningrad Philharmonic Orchestra for Erato. Mravinsky led that orchestra for nearly 50 years, from 1938 until his death. His last recording was that of Shostakovich's Symphony No. 12, made in 1984, found on Disc 3 here. His interpretations of Shostakovich and Tchaikovsky were highly regarded, so it's not surprising that several of their symphonies are here. There are also symphonies by Mozart and Beethoven in this set; tone poems by Tchaikovsky and Mussorgsky; and orchestral excerpts from operas by Wagner, Glinka, and Glazunov. The final disc contains a rare recording of a rehearsal led by Mravinsky, something few outsiders were ever allowed to witness. Even though he was an elder statesman of Russian music at the time of these recordings, there is still precision and energy in his interpretations.
The contents of the EMI box are too numerous to list but all the sonatas, variations, and most short pieces are here: absent is the London Sketchbook, which is trite juvenalia.
split CD between BLACK TEMPLE BELOW from Italy and GUEVNNA from Japan. Co-released by different labels, it will be out in 2015.
Erstwhile 10,000 Maniacs frontwoman Natalie Merchant continues her highly successful solo career with LIVE IN CONCERT, a show that was recorded at New York's Neil Simon Theater. The set opens, somewhat appropriately, with one of the songs that got Merchant's solo career off to a blazing start, "Wonder." As she usually does in live performance, Merchant plays with the lyrical phrasing of the song to add unexpected melisma and daring tonal gambits. Merchant lends the dark and ephemeral "San Andreas Fault" a lightly sultry quality not found on the studio version. Other familiar favorites include "Beloved Wife," "Carnival," and "Ophelia." Merchant revisits the Maniacs' catalog only once, for a rousing take on "Gun Shy." Two unexpected covers spice the middle of the set: a haunting and powerful reading of David Bowie's "Space Oddity," and a beautiful take on Neil Young's "After the Gold Rush".
Greatest Hits is a strange release. Sure, Tupac Shakur had more than enough hits to make a terrific compilation, but its appearance in the fall of 1998 felt a bit like another opportunity to milk his catalog, simply because of the plethora of releases, from previously unheard recordings to interview discs and bootlegs. Even with these misgivings taken into account, it has to be said that Greatest Hits does its job well. Given that it runs 25 tracks and two CDs, some may argue that it does its job a little too well, but the fact of the matter is, this contains all of his big hits, from "Keep Ya Head Up" and "Dear Mama" to "California Love" and "I Ain't Mad at Cha." Some may argue that it would have been more effective if it was sequenced in chronological order, but this remains the best place for casual listeners to get all the 2Pac they need.