One of the most important missions of the work of the 441 Hz Chamber Choir is performing and promoting contemporary choral music. On a daily basis, the ensemble, under the direction of Anna Wilczewska, carries out a busy concert schedule, performing mainly contemporary music repertoire. This album is a presentation of contemporary choral music originating from countries of the North, mainly from Scandinavia. The album is filled with the diversity of creative inspiration, free references to the folklore, customs and savage northern nature, and originality of the compositional techniques. All this contributes to a broad musical panorama constructed from the works of eleven composers, which, despite this fact, constitutes a coherent, homogeneous whole, which is brilliantly performed by the ensemble.
Excellent addition to any Progressive-Folk music collection
After leaving The Young Tradition, Heather and Royston Wood (who weren’t related to each other), issued what might be called a follow-up, No Relation,
On the cover of Must Be Nice, the Vermont duo comprising Soule Monde—drummer Russ Lawton and keyboardist Ray Paczkowski- stand in wintery repose on the grounds of a lifeless grey mansion. Paczkowski looks off into the distance while a smiling Lawton holds the sarcastic title card; two trespassers delivering the musical antidote to a cold, bleak, and uninviting place.
If you’re going to listen to the Allman Brothers, make sure you have the first four records. The band made The Allman Brothers Band, Idlewild South, At Fillmore East, and three-fourths of Eat a Peach with its original lineup, before Duane Allman’s fatal motorcycle accident in 1971. The Tom Dowd-produced Idlewild South, their second album, comes off with a little less ferocity than their debut — which is perhaps the result of reaching for new sounds the second time around. “Revival,” the album’s opener, introduces Dickey Betts as a composer.