33 Artist in 3 Acts

33 Artists in 3 Acts  eBooks & eLearning

Posted by ksveta6 at Aug. 13, 2015
33 Artists in 3 Acts

33 Artists in 3 Acts by Sarah Thornton
2014 | ISBN: 0393240975 | English | 448 pages | EPUB | 2 MB
Franz Schreker - BOB, Blunier - Irrelohe, Opera In 3 Acts (2011, MDG "Live" # 937 1687-6) {Hybrid-SACD // EAC Rip} [RE-UP]

Franz Schreker - Irrelohe, Opera In 3 Acts
Beethoven Orchester Bonn / Stefan Blunier / Chor und Extrachor des Theater Bonn
EAC+LOG+CUE | FLAC: 500 MB | Full Artwork | 5% Recovery Info
Label/Cat#: MDG "Live" # 937 1687-6 | Country/Year: Germany 2011
Genre: Classical | Style: Opera, Late Romantic

…The vivid MDG recording is slightly distanced, so the volume needs to be increased considerably for its fine qualities to become evident. Balances between voices and orchestra are excellent, and for those listening in multi-channel the surround speakers have been used to great effect for the off-stage brass, distant bells and chorus in the Act 3 cataclysmic immolation of Irrelohe castle. There is no applause or audience noise but the movement of singers on the stage is clearly defined with very few extraneous sounds being captured by the microphones. This is the latest addition to the Schrecker discography and will be welcomed by all admirers of the composer and can be confidently recommended.
Franz Schreker - BOB, Blunier - Irrelohe, Opera In 3 Acts (2011, MDG "Live" # 937 16) {Hybrid-SACD // ISO & HiRes FLAC} [RE-UP]

Franz Schreker - Irrelohe, Opera In 3 Acts
Beethoven Orchester Bonn / Stefan Blunier / Chor und Extrachor des Theater Bonn
SACD ISOs: 7,05 GB (Stereo + MCH DSD) | FLAC @ 24bit/88.2kHz: 2,09 GB | Full Artwork | 5% Rec. Info
Label/Cat#: MDG "Live" # 937 1687-6 | Country/Year: Germany 2011
Genre: Classical | Style: Opera, Late Romantic

…The vivid MDG recording is slightly distanced, so the volume needs to be increased considerably for its fine qualities to become evident. Balances between voices and orchestra are excellent, and for those listening in multi-channel the surround speakers have been used to great effect for the off-stage brass, distant bells and chorus in the Act 3 cataclysmic immolation of Irrelohe castle. There is no applause or audience noise but the movement of singers on the stage is clearly defined with very few extraneous sounds being captured by the microphones. This is the latest addition to the Schrecker discography and will be welcomed by all admirers of the composer and can be confidently recommended.
Franz Schreker - BOB, Blunier - Irrelohe, Opera In 3 Acts (2011) {Hybrid-SACD // ISO & HiRes FLAC}

Franz Schreker - Irrelohe, Opera In 3 Acts
Beethoven Orchester Bonn / Stefan Blunier / Chor und Extrachor des Theater Bonn
SACD ISOs: 7,05 GB (Stereo + MCH DSD) | FLAC @ 24bit/88.2kHz: 2,09 GB | Full Artwork | 5% Rec. Info
Label/Cat#: MDG "Live" # 937 1687-6 | Country/Year: Germany 2011
Genre: Classical | Style: Opera, Late Romantic

…The vivid MDG recording is slightly distanced, so the volume needs to be increased considerably for its fine qualities to become evident. Balances between voices and orchestra are excellent, and for those listening in multi-channel the surround speakers have been used to great effect for the off-stage brass, distant bells and chorus in the Act 3 cataclysmic immolation of Irrelohe castle. There is no applause or audience noise but the movement of singers on the stage is clearly defined with very few extraneous sounds being captured by the microphones. This is the latest addition to the Schrecker discography and will be welcomed by all admirers of the composer and can be confidently recommended.
Eugen D'Albert - BOB / Blunier - Der Golem: Opera in 3 Acts (2010) {Hybrid-SACD // EAC Rip} [RE-UP]

Eugen D'Albert - Der Golem: Opera in 3 Acts
Mark Morouse / Beethoven Orchester Bonn / Chor des Theater Bonn / Stefan Blunier
EAC+LOG+CUE | FLAC: 467 MB | Full Artwork | 5% Recovery Info
Label/Cat#: MDG "Live" # 937 1637-6 | Country/Year: Germany 2010
Genre: Classical | Opera, Early 20th Century

…The opera is very much worth hearing—and owning (though I wish MD&G had supplied an English translation of the libretto). The performances are for the most part on target. (…) So I guess this must be a qualified recommendation, but a recommendation nonetheless, given the quality of D’Albert’s music.
Eugen D'Albert - BOB / Blunier - Der Golem: Opera in 3 Acts (2010) {Hybrid-SACD // EAC Rip}

Eugen D'Albert - Der Golem: Opera in 3 Acts
Mark Morouse / Beethoven Orchester Bonn / Chor des Theater Bonn / Stefan Blunier
EAC+LOG+CUE | FLAC: 467 MB | Full Artwork | 5% Recovery Info
Label/Cat#: MDG "Live" # 937 1637-6 | Country/Year: Germany 2010
Genre: Classical | Opera, Early 20th Century

…The opera is very much worth hearing—and owning (though I wish MD&G had supplied an English translation of the libretto). The performances are for the most part on target. (…) So I guess this must be a qualified recommendation, but a recommendation nonetheless, given the quality of D’Albert’s music.
Eugen D'Albert - BOB / Blunier - Der Golem: Opera in 3 Acts (2010) {Hybrid-SACD // ISO & HiRes FLAC}

Eugen D'Albert - Der Golem: Opera in 3 Acts
Mark Morouse / Beethoven Orchester Bonn / Chor des Theater Bonn / Stefan Blunier
2xSACD ISO: 6,53 GB (Stereo + MCH DSD) | FLAC @ 24bit/88.2kHz: 1,96 GB | Full Artwork | 5% Rec. Info
Label/Cat#: MDG "Live" # 937 1637-6 | Country/Year: Germany 2010
Genre: Classical | Opera, Early 20th Century

…The opera is very much worth hearing—and owning (though I wish MD&G had supplied an English translation of the libretto). The performances are for the most part on target. (…) So I guess this must be a qualified recommendation, but a recommendation nonetheless, given the quality of D’Albert’s music.
Franz Schreker - BOB, Blunier - Irrelohe, Opera In 3 Acts (2011) {Hybrid-SACD // EAC Rip}

Franz Schreker - Irrelohe, Opera In 3 Acts
Beethoven Orchester Bonn / Stefan Blunier / Chor und Extrachor des Theater Bonn
EAC+LOG+CUE | FLAC: 500 MB | Full Artwork | 5% Recovery Info
Label/Cat#: MDG "Live" # 937 1687-6 | Country/Year: Germany 2011
Genre: Classical | Style: Opera, Late Romantic

…The vivid MDG recording is slightly distanced, so the volume needs to be increased considerably for its fine qualities to become evident. Balances between voices and orchestra are excellent, and for those listening in multi-channel the surround speakers have been used to great effect for the off-stage brass, distant bells and chorus in the Act 3 cataclysmic immolation of Irrelohe castle. There is no applause or audience noise but the movement of singers on the stage is clearly defined with very few extraneous sounds being captured by the microphones. This is the latest addition to the Schrecker discography and will be welcomed by all admirers of the composer and can be confidently recommended.

The devil to pay : a musical comedy in 3 acts  eBooks & eLearning

Posted by Pas2059 at April 30, 2011
The devil to pay : a musical comedy in 3 acts

The devil to pay : a musical comedy in 3 acts
Publisher: University of Illinois Urbana-Champaign | ISBN: not set | edition 1917 | PDF | 80 pages | 5.2 mb

Opening Act I – Women hater – My friend Kaiser Will – Makes and snakes – Moving day – Quarantine – Has the mail? – Polo slaves – Chevrons – All right, sir! – Yearling writ – Opening Act III – Thirty hours a day – Captain Killer – First class bucks – One hundred days till June
Ernst Krenek - Karl V.: Stage Work with Music in two parts (2001, MDG "Gold" # 337 1082-2) [RE-UP]

Ernst Krenek - Karl V. - Stage Work with Music in two parts
Czech Philharmonic Chorus of Brno / Orchester der Beethovenhalle Bonn / Marc Soustrot
2xCD | EAC+LOG+CUE | FLAC: 520 MB | Full Artwork (incl. Libretto): 460 MB | 5% Recovery Info
Label/Cat#: MDG "Gold" # 337 1082-2 | Country/Year: Germany 2001
Genre: Classical | Style: Opera, Early 20th Century

Krenek’s Karl V is the kind of opera that can be appreciated on several different levels. (…) Remarkably, it’s the earliest large-scale opera to use the 12-note system, though Krenek triumphantly refutes the notion that adherence to this technique inhibits creativity and emotional power. The composer’s widow has claimed that this performance, recorded in connection with the Beethoven Festival in Bonn last year, is by far the finest she has ever heard. With wonderful singing from David Pittman-Jennings as Karl and superb commitment from conductor Marc Soustrot and his fine orchestra, there is little reason to disagree with this verdict.