Here's the final of a series of excellent recordings that he made for Emarcy in the 1950s, all of which have been reissued by Emarcy in Japan. One of the greatest records ever cut by altoist Herb Geller, and one of the few to document the work of his group that included wife Lorraine Geller on piano! Lorraine's quite nice, and the rhythm by Keith Mitchell and Mel Lewis is good too – but the real wonder is Herb's alto, which cuts along in a razor-sharp mode that clearly defines him as one of the best players of his generation on the instrument! The set's one of the few times you can really hear Herb cut loose – unencumbered by overwritten arrangements, or by other players in the group – and its his work on the album that makes this record a treasure!
Here's the second of a series of excellent recordings that he made for Emarcy in the 1950s, all of which have been reissued by Emarcy in Japan. Nice job. Talking about the music this is another special West Coast Jazz gem. The album is from 1955 and the line up is Herb alto sax, his wife Lorraine Geller piano, the exceptional Conte Candoli on trumpet, Red Mitchell and Leroy Vinnegar bass (alternatively), Ziggy Vines tenor sax, Bruz Freeman drums. The music is on the medium tempo side for the most part, a nice relaxed West Coast mood emerges from the notes of this sessions through a solid swing.
The first of a series of excellent recordings that he made for Emarcy in the 1950s, all of which have been reissued by Emarcy in Japan. Other than four titles from a year before, this LP contains altoist Herb Geller's first recordings as a leader. Cut during a period when Herb was based in Los Angeles and regularly working with his wife, the talented but short-lived pianist Lorraine Geller, the music also has either Curtis Counce or Leroy Vinnegar on bass and Lawrence Marable or Eldridge Freeman on drums. Herb Geller was already in his early prime and contributed six originals. The band also performs one of Lorraine's tunes, plus five standards, all in swinging and boppish style. This LP (which has not been reissued lately) is well worth searching for.
Concierto de Música Europea del Siglo XV interpretado en el extraordinario Órgano de Papel de Leonardo da Vinci. Played by master organist and organ builder Joaquin Saura, accompanied by Grupo Música Antigua under the direction of Eduardo Paniagua. With all the information on the instrument, the program CD, an historical sketch of the times, the unpublished story of the alchemical experiment of Antorques de Plasencia, Josquin of Asura and canon Don Juan de Espina, and other curiosities and news. Made for the Exhibition "Leonardo y La Música" (PDF of the Event, included)