30 Verve Collectors Edition album for sale was released Apr 26, 2011 on the Universal Import label. Import-only 30 CD box set containing some of the finest Jazz albums released on the legendary Verve label. 30 Verve Collectors Edition buy CD music Features hit albums from Jazz icons like Antonio Carlos Jobim, Ben Webster, Bill Evans, Ella Fitzgerald, Charlie Haden, Bud Powell, Herbie Hancock, John McLaughlin, Lester Young, Stan Getz, Oscar Peterson and many others. 30 Verve Collectors Edition songs Each CD comes housed in a miniature LP sleeve and all 30 discs are housed in an attractive lift-top box. Universal. 30 Verve Collectors Edition CD music contains a single disc.
Footloose was a throwback to '50s rock & roll movies, with a silly plot about a town where it was illegal to dance. It was a major hit, as was its soundtrack, which spent a grand total of ten weeks at number one and sold over seven million copies. It's easy to see why – the album delivers its mainstream pop, anthemic rock, and light dance-pop with style and an abundance of hooks. Six of the nine tracks became Top 40 hits, and three – Kenny Loggins' bouncy title song, the excellent power ballad "Almost Paradise" (a duet between Loverboy's Mike Reno and Heart's Ann Wilson), and Deniece Williams' frothy, charming "Let's Hear It for the Boy" – shot into the Top Ten. The sound and production of Footloose has dated badly – there is a reliance on synthesizers and drum machines that instantly announces that the record was made in 1984 – but that isn't necessarily a weakness. Not only does it function as a time capsule of a certain moment in pop music history, but many of the songs are catchy enough to transcend their production. There's nothing of substance on the Footloose soundtrack, but it's a light, entertaining listen. Sometimes, that can be better than something substantial.
This unusual session consists of a complex six-movement suite by J.J. Johnson featuring Dizzy Gillespie's trumpet over a brass choir (six trumpets, two trombones, two bass trombones, four French horns and two tubas), bass, drums, percussion and two harps. Often reminiscent of classical music, Johnson's writing allows plenty of room for Gillespie to improvise. The result is a rather unique set of music that is well worth searching for.
Forrest Gump (1994) is one of the most successful films ever made, winning Tom Hanks his second successive Best Actor Oscar (he won the previous year for Philadelphia) as well as claiming the Best Picture Oscar and many other awards and nominations, including several for music. A unique fable of American life from the 1950s to the 80s, the film blends comedy, drama, war, romance and groundbreaking special effects into a social and political portrait of the passing years, all seen through the eyes of the intellectually challenged but immensely likeable Forrest Gump. The soundtrack is a double album featuring 31 classic pop tunes plus a suite from Alan Silvestri's rich orchestral music, represented more completely on the companion score album. Opening with Elvis Presley's "Hound Dog", this is a fine anthology of three decades of American music, taking in everything from Joan Baez's "Blowin' In The Wind" to Aretha Franklin's "Respect", The Mammas and The Papas' "California Dreamin'" and Simon & Garfunkel's "Mrs. Robinson". Here also is Scott McKenzie with "San Francisco", plus Jefferson Airplane, the Supremes, Lynyrd Skynrd and many more. Like American Graffiti (1973), this is one of the great pop soundtracks, happily at home in just about any music collection.
Lawrence Brown played trombone off and on with Duke Ellington's orchestra for nearly 40 years. Surprisingly, he only led two albums of his own in his entire career, a set for Impulse in 1965, and this album for Clef (now Verve). Heard either as part of a quintet with tenor saxophonist Sam "The Man" Taylor or with a nonet that includes tenor saxophonist Al Cohn and pianist Hank Jones, Brown is in excellent form on the reissue. The music (not too shockingly) often sounds as if it were an Ellington small group, including such numbers as Brown's longtime feature "Rose of the Rio Grande," "Caravan," "You Took Advantage of Me," and "Blues for Duke." The original LP program is joined by two previously unreleased performances ("Time After Time" and "For All We Know"). Excellent mainstream swing of the 1950s.
Recorded between 1947 and 1952, the Charlie Parker With Strings albums showcased the legendary bebop saxophonist performing standards and ballads backed by a small classical string ensemble and jazz rhythm section. Although somewhat controversial when first released, the strings sessions are largely considered landmarks for orchestral jazz productions and rank among the best albums in Parker's discography.
Growing out of the festival in Holland of the same name, Boulevard of Broken Dreams is a retro big band reveling in tunes from and around The Great Depression - a time of broken dreams. These folks love this music. Besides the musicianship, how else can you explain these phenomena? Even though the songs are generally sad there is a level of fun energy running through the entire set.