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The cold rain and snow have started to fade away and with it, we're dusting off a super hot one from a soaring seven nights at New York's old Academy of Music. On the brink of their revelatory Europe '72 tour, the Grateful Dead brought their sevenfold merriment to winter-worn Manhattan and boy, did they warm things up! Particularly on March 26 when the dual piano/Hammond combo of Godchaux and McKernan was in full effect and Alabama singer Donna Jean Godchaux began to find her vocal footing in the band's rich harmonies.
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Michala Petri adds her characteristic spright to this recording and the largos are pleasant as well. The concerto in F includes a bassoon part which adds bottom to the works on this CD as a contra to the higher-pitched recorder.The Philips recording quality on this CD is near flawless as well– there is a nice balance between the woodwinds on the one hand and the strings and the occassional harpsichord on the other. Overall quite a worthwhile and enjoyable addition to one's baroque-period collection.