2d Compositing

Lynda - Photoshop Masking and Compositing: Hair  eBooks & eLearning

Posted by house23 at March 27, 2016
Lynda - Photoshop Masking and Compositing: Hair

Lynda - Photoshop Masking and Compositing: Hair
MOV | AVC 163kbps | English | 960x540 | 15fps | 3h 06mins | AAC stereo 128kbps | 1 GB
Genre: Video Training

In this installment of his popular Masking & Compositing series, Photoshop guru Deke McClelland shows how to select hair—down to the individual strands—and composite portraits against new backgrounds. The course covers how to mask out hair, paint in detail, blend hair, merge channels, and match light sources. Deke also explores special techniques for working with both dark and light hair, as well as extracting hair from complex backgrounds.
After Effects Compositing Essentials: Tracking and Stabilization

After Effects Compositing Essentials: Tracking and Stabilization
Duration: 2h 8m | Video: AVC (.mp4) 1280x720 15fps | Audio: AAC 48KHz 2ch | 1.6 GB
Genre: eLearning | Intermediate | Language: English

Tracking is one of the most powerful ways to make your After Effects work more sophisticated, and one of the hardest to get right. The human eye has an uncanny ability to sense the accuracy of motion. But once you learn to take advantage of the automated 3D tracker, automated motion stabilizer, and 2D point tracker in After Effects—as well as third-party scripts and planar tracking with mocha—a world of possibilities is opened.

2D Tracking and Compositing in Blender (Repost)  

Posted by Polik88 at June 3, 2015
2D Tracking and Compositing in Blender (Repost)

2D Tracking and Compositing in Blender
English | MP4 | 1280x720 | AVC 1079 Kbps 30.000 fps | AAC 53.2 Kbps 44.1 khz | 1h 50mn | 1.2 GB
Sample Files: present
Genre: Video Training

For a compositor, tracking is one of the most fundamental skills you can have. Everything depends on it, from rotoscoping and adding in simple things like lens flares, to more complex things like removing objects from a scene and advanced corner pinning.
 Découverte de Nuke 8 Le compositing et trucages 2D et 3D avec Nuke

Découverte de Nuke 8 Le compositing et trucages 2D et 3D avec Nuke | 1.17 GB
Duration : 3 h. 04 min | Video: AVC (.mp4) 1280x720 25fps | Audio: AAC 44.1KHz 1ch
Genre: eLearning | Guillaume Amauger | 23 janv. 2014

Vous avez toujours voulu savoir comment sont faits les effets spéciaux de vos films et séries préférés? Partez à la découverte de la post-production, du compositing et des effets spéciaux avec Nuke version 8. Guillaume Amauger vous expliquera comment se composent l’interface, les principaux nodes ainsi que les nouveautés inhérentes à cette version. Vous aurez toutes les clés pour être autonome sous Nuke 8 !
Lynda - After Effects Compositing Essentials: Advanced Matching and Looks

Lynda - After Effects Compositing Essentials: Advanced Matching and Looks | 2.08GB
Duration: 2h 09m | Video: AVC (.mp4) 1280x800 30fps | Audio: AAC 44.1KHz 1ch
Genre: eLearning | Level: Intermediate | Language: English

Incorporating a 3D camera into an otherwise 2D shot, or mixing 3D and 2D layers together brings 3D reality to the 2D screen. But there's more to it than simply adding a camera or camera track to a composition.
Creative Development: Realistic Compositing in Fusion with Terry Riyasat

Creative Development: Realistic Compositing in Fusion with Terry Riyasat
Advanced | 1h 54m | 1.31 GB | Required Software: Syntheyes 2011, modo 501, Fusion 6.3
English | .flv 578 kbps | 1280 x 720 15fps | aac 44,1kHz stereo
Genre: eLearning

In this Fusion tutorial we will learn about compositing in Fusion by utilizing its 3D space to complete a production quality shot. Throughout these lessons will work through a pipeline from tracking to rendering and finally compositing CG elements into a live action plate. Over the course of the tutorial we will find the most efficient way to communicate through the different programs to achieve our final result. We will examine how essential the 3D space within linear space of a compositing package is and use it to our advantage. By the end of the tutorial you will have and understanding of how to create custom passes from within your compositing package. You'll also be able to work within a linear workflow to take your color corrections to the next level.

video2brain - Compositing in Premiere Pro  

Posted by U.N.Owen at Oct. 9, 2011
video2brain - Compositing in Premiere Pro

video2brain - Compositing in Premiere Pro | 722 MB
Duration: 2h 18m | Video: AVC (.mp4) 1024x576 | Audio: AAC 44.1KHz Mono
Genre: eLearning | Language: English | Level: Intermediate

Produce Advanced Sequences Without Leaving Your Editor
Premiere Pro CS5.5 is primarily a nonlinear editing system designed for fast cutting of multiple media types, but it is also an advanced special effects and compositing tool. In this course, master editor Maxim Jago describes the tools and options available to create complex compositions using just Premiere Pro, without involving After Effects or Photoshop. You’ll learn how to adjust opacity, use garbage mattes and track mattes, and create nested sequences, as well as how to work with chroma keys, luma keys, and the Ultra Keyer. By the end of this course, you will be able to layer multiple media elements to produce advanced sequences as compositions.
After Effects Tutorial - Compositing 2D Elements with Footage (Reup)

After Effects Tutorial - Compositing 2D Elements with Footage
FLV | 784 x 656 | 1h 22min | 401 MB
Gender: elearning

A great tutorial using After Effects - This is really helpful training for you. I hope you like it ! Enjoy !
Digital Tutors - Compositing 2D Elements with Footage in After Effects

Digital Tutors - Compositing 2D Elements with Footage in After Effects
English | FLV | 782x646 | 15 fps | VP6F 1000 kbps | MP3 96 kbps | 397 MB
Genre: eLearning

In this series of lessons we'll learn how to composite 2d elements over live footage. We'll create an appealing final video using a few simple images a variety of compositing and animation techniques.

We'll begin this project by importing our elements and tracking various features of the face, including a difficult track through an eye blink. We'll learn how to create a tracked and animated mask to match our eye movement. To combine all of the elements and give them visual appeal, we'll learn how to use several different effects not only by themselves, but also together to create various looks. We'll learn how we can create animation using expressions. And finally, combine all our layers using compositing math to correctly mix everything together.

Digital Tutors - Multi-channel Compositing in Nuke  

Posted by Alexpal at June 21, 2010
Digital Tutors - Multi-channel Compositing in Nuke

Digital Tutors - Multi-channel Compositing in Nuke
Project Files Included | 357 MB

In this series of lessons we'll learn how to composite with the channels system inside The Foundry's compositing software, Nuke. We will start using a single multi-channel EXR file created in our 'Introduction to Channels in Nuke' course and finish with a composited render.
We'll begin this course by learning how we can use the Merge node with a multi-channel pipeline. We'll then learn how we can isolate nodes such as color correct to only work on a single channel. After we merge our basic passes, we'll do some basic color correcting and masking. At this point, we'll learn how to use the Backdrop and Dot nodes to organize our node tree. After that, we'll add in the final passes and composite our render on top of a photograph while keeping our shadow. We'll then make final tweaks to our image and add a light wrap, erode and grade node to make our two layers fit together better. This series of lessons will illustrate the basics of compositing a 3D render using the channel workflow inside of Nuke. For further information on creating and working with channels, check out our 'Introduction to Channels in Nuke' course.