2cd (flac) Tracks

Jackie Wilson - Best Of The Original Soul Brother (1957-1976) 2CD  Music

Posted by InnerTemple at May 3, 2010
Jackie Wilson - Best Of The Original Soul Brother (1957-1976) 2CD

Jackie Wilson - Best Of The Original Soul Brother (1957-1976) 2CD - 2006
Soul | 2CD | Flac tracks+CUE+LOG+HQ Scans (300 dpi) | 716 mb
Label: Music Club DeLuxe

The Stylistics - The Ultimate Collection (2005) (2CD)  Music

Posted by InnerTemple at June 7, 2010
The Stylistics - The Ultimate Collection (2005) (2CD)

The Stylistics - The Ultimate Collection (2005) (2CD)
R&B/Soul/Funk | 2CD | Flac tracks+CUE+LOG+HQ Scans (600 dpi) | 887mb
Label: Mercury

The Stylistics were one of the best-known Philadelphia soul groups of the 1970s. They formed in 1968, and were composed of lead Russell Thompkins, Jr., Herbie Murrell, Airrion Love, James Smith, and James Dunn. All of their US hits were ballads, graced by the soaring falsetto of Russell Thompkins, Jr. and the lush yet graceful productions of Thom Bell, which helped make the Stylistics one of the most successful soul groups of the first half of the 1970s." During the early 1970s, the band had twelve straight U.S. R&B top ten hits, including "Stop, Look, Listen (To Your Heart)", "You Are Everything", "Betcha by Golly, Wow", "I'm Stone in Love with You", "Break Up to Make Up", and "You Make Me Feel Brand New".

The Four Tops - Anthology (1986) 2CD  Music

Posted by InnerTemple at March 5, 2010
The Four Tops - Anthology (1986) 2CD

The Four Tops - Anthology (1986) 2CD
R&B | 2CD | Flac tracks/No CUE, No LOG/HQ Scans (300 dpi) | 794 mb
Label: Motown
The King's Singers, The WDR Big Band, Bill Dobbins - J.S. Bach: Christmas Oratorio (2CD) (2010) (Repost)

The King's Singers, The WDR Big Band, Bill Dobbins - J.S. Bach: Christmas Oratorio (2CD) (2010)
XLD Rip | FLAC (tracks+.cue, log) ~ 325.50 Mb (CD1) + 303.59 Mb (CD2) + 7.58 Mb (Scans) | 01:47:16
Crossover Jazz, Classical, Vocal, Big Band | Country: UK/Germany | Label: Signum Classics - SIGCD215

When Lucas Schmid, producer of the WDR Big Band, first mentioned his interest in a program of music from the Christmas Oratorio of J.S. Bach, arranged to feature this ensemble in combination with the King’s Singers, I was immediately interested and excited. Having collaborated several times with this group of uniquely gifted vocalists, including the WDR Big Band’s Bach 2000 project, I knew there was an opportunity to create something very special indeed. Bach composed the work between 1734 and 1735. Since each of the six cantatas that make up the Christmas Oratorio was originally intended for a particular Sunday in the liturgical year, the sheer quantity of music is far too much for a single performance. The first major part of my work, then, would be the musical selection.
Max Roach & Archie Shepp - The Long March (1979) {2CD Hat Hut, Nippon Crown Japan, CRCJ-2009~10 rel 1992}

Max Roach & Archie Shepp - The Long March (1979) {2CD Hat Hut, Nippon Crown Japan, CRCJ-2009~10 rel 1992}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 517 Mb | MP3 @320 -> 222 Mb
Full Artwork @ 600 dpi (png) -> 234 Mb | 5% repair rar
© 1979, 1992 Hat Hut Records / Nippon Crown Japan | CRCJ-2009~10
Jazz / Avant-Garde Jazz / Post Bop / Drums / Saxophone

The historic meeting of two truly influential and individual composers, arrangers, and instrumentalists on The Long March. The album appeared in 1979 on Swiss label Hat Hut. This date pairs Max Roach and Archie Shepp playing both solo and as a duo for one night in 1979 at the Willisau Jazz Festival. Roach's truly astonishing solo "J.C. Moses" is a tribute to Detroit jazz great J.C. Heard. The kinds of rimshots, trap stops and starts, and continuous rolling thunder take the breath away and make the listener wonder if this is really only one drummer. Next up is Shepp's solo tenor reading of Duke Ellington's "Sophisticated Lady," where he coaxes all the ballad's idiosyncrasies and fluidly combines them with his new jazz flourishes, without once disrespecting the integrity of the original.
The Move - Live At The Fillmore 1969 (2012) {2CD Right Recordings - RIGHT116}

The Move - Live At The Fillmore 1969 (2012) {2CD Right Recordings - RIGHT116}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 627 Mb | MP3 @320 -> 273 Mb
Artwork @ 300 dpi (jpg) -> 5 Mb | 5% repair rar
© 1969, 2012 Right Recordings | RIGHT116
Rock / Psychedelic Rock / British Invasion / British Psychedelia

Although the Move made barely a ripple in the U.S., they actually did a short tour in fall 1969, marking their only visit to the States. This double CD has live recordings made from their performances at the Fillmore in San Francisco on October 17 and 18 of 1969, most of them coming from the earlier of the two dates. Apparently its appearance was delayed for quite some time owing to concerns about its fidelity, but with the help of "advances in studio technology" trumpeted in the liner notes, it's finally been prepared in a shape deemed acceptable for release. Thank goodness it's passed muster, because the fidelity is more than acceptable, and it's a quite historically interesting document.

VA - Free Soul. The Treasure Of West End [2CD Set] (2014)  Music

Posted by JET 1 at Feb. 12, 2018
VA - Free Soul. The Treasure Of West End [2CD Set] (2014)

VA - Free Soul. The Treasure Of West End [2CD Set] (2014)
EAC Rip | FLAC (Tracks) +CUE, LOG | 1.13 GB | Scans
Genre: Disco, Soul, Funk | Label: Octave Lab [Japan] | Catalog Number: OTLCD-5086

West End Records is an American music record label based in New York City. Led by co-founder Mel Cheren, West End was one of the most prominent labels in dance music’s history, along with Prelude Records, Salsoul Records, and Casablanca Records.
Judee Sill - Dreams Come True (1968-74) {2CD Water ‎- water140 rel 2005}

Judee Sill - Dreams Come True (1968-74) {2CD Water ‎- water140 rel 2005}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 352 Mb | MP3 @320 -> 158 Mb
Full Artwork @ 300 dpi (jpg) -> 139 Mb | 5% repair rar
© 1968-74, 2017 Water / Judee Sill / Runt ‎| water140
Folk Rock / Singer-Songwriter

Singer/songwriter Judee Sill died of a heroin overdose in 1979 before she completed her third album. The eight songs that were to comprise that album are included here, freshly mixed by producer Jim O'Rourke (Wilco, Sonic Youth). This two disc set also includes many Sill rarities from the '60s and '70s. Super deluxe packaging featuring a 72 page booklet!

Adam Harasiewicz - Chopin: 57 Mazurkas (2CD) (2010)  Music

Posted by Domestos at Feb. 12, 2018
Adam Harasiewicz - Chopin: 57 Mazurkas (2CD) (2010)

Adam Harasiewicz - Chopin: 57 Mazurkow / Mazurkas (2CD) (2010)
XLD Rip | FLAC (tracks+.cue, log) ~ 198.31 Mb + 191.85 Mb | 67.57 + 64.36 | Scans included
Classical | Label: Narodowy Instytut Fryderyka Chopina - NIFCCD 208-209

Adam Harasiewicz is the winner of the first prize at the International Fryderyk Chopin Piano Competition in 1955. He has been the juror in many international piano competitions in Poland [The International Fryderyk Chopin Piano Competition - 1995, 2000, 2005, 2010]. The set "57 Mazurkas" is the fruit of Adam Harasiewicz's long-term cooperation with the Polish Radio and the Fryderyk Chopin Institute. The presented inspiring album was shaped during the seventeen years of concept forming of each of the mazurkas' final interpretation. Spontaneity, full concentration and capturing the nature of the whole recording in one moment were of the utter importance for the pianist.
Cristobal Galan (c.1620-1684) - Canto Del Alma - La Grande Chapelle, Albert Recasens (2010) {2CD Lauda - LAU010}

Cristóbal Galán (c.1620-1684) - Canto Del Alma - La Grande Chapelle, Albert Recasens (2010) {2CD Lauda - LAU010}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 432 Mb | MP3 @320 -> 233 Mb
Full Artwork @ 300 dpi (jpg) -> 101 Mb | 5% repair rar
© 2010 Lauda | LAU010
Classical / Baroque / Сappella

Cristóbal Galán was born in Madrid (Spain) around 1625; nothing is known about his musical education or the early stages of his career. Between 1653 and 1664 he acted as "maestro de capilla" in various churches. From 1664 to 1667 he was director of the choir at Segovia Cathedral, and then he was appointed director of music at the convent of the Descalzas Reales. The queen regent wanted him to become director of music at the royal chapel, but this met strong resistance. It was only in 1680 that he obtained this position. It didn't bring him much luck, as he felt that he wasn't appreciated enough. Payments were also often delayed, mainly because of the bad economic state of Spain in the last decades of the 17th century. Not only Galán, but all musicians suffered from this situation.