The Stylistics were one of the best-known Philadelphia soul groups of the 1970s. They formed in 1968, and were composed of lead Russell Thompkins, Jr., Herbie Murrell, Airrion Love, James Smith, and James Dunn. All of their US hits were ballads, graced by the soaring falsetto of Russell Thompkins, Jr. and the lush yet graceful productions of Thom Bell, which helped make the Stylistics one of the most successful soul groups of the first half of the 1970s." During the early 1970s, the band had twelve straight U.S. R&B top ten hits, including "Stop, Look, Listen (To Your Heart)", "You Are Everything", "Betcha by Golly, Wow", "I'm Stone in Love with You", "Break Up to Make Up", and "You Make Me Feel Brand New".
Died in the Wool — variations on David Sylvian's 2009 release Manafon with the addition of 6 new pieces, including collaborations with acclaimed composer Dai Fujikura, producers Jan Bang and Erik Honoré and a stellar roster of contemporary musicians and improvisers. Released as a Double CD digipak in a hardboard slipcase. Disc Two featuring audio from the installation When We Return You Won't Recognise Us.
Official Release #103. Performed/Arranged/Conducted by Frank Zappa. Road Tapes, Venue #3 features two complete shows from Tyrone Guthrie Theater in Minneapolis, MN. The July '70 Mothers line-up featured Flo & Eddie, George Duke, Ian Underwood, Aynsley Dunbar & Jeff Simmons. FZ's vast Vault does not contain many full shows from this time period, so that alone makes this release a special one. The tapes were recorded to stereo reel-to-reel, but not without problems. Due to their historical relevance, we felt it was worth it, warts 'n all! Venue #3 does not disappoint.
Lawes's "sets" are actually suites for five or six viols with an organ playing "underneath" them. Each shortish set is broken into even shorter parts: Fantazy, Aire, Paven, etc.–and while the formula remains essentially the same, the textures and harmonies are constantly changing, with dissonances and conversations between and among the various strings giving the works great variety. On these two beautiful CDs (the first devoted to Five parts, the second to Six), Jordi Savall and Hesperion XXI play on a pair of violins, four viols, and organ, offering great contrast and flavor and making us aware of just how energetic and fascinating counterpoint can be. The colors the six (or seven) musicians get from their instruments and the interplay among them is fantastic; the playing is superb. Fans of any type of chamber music will want to hear what this underrecorded composer who died too young (43) added to the genre. It's as if he created a new language, one that seems to have been waiting to be heard. A lovely, thoughtful couple of hours of music-making.
To say that Iron Maiden's Book of Souls was ardently anticipated would be a vast understatement. Though it was (mostly) finished in 2014, vocalist Bruce Dickinson's cancer diagnosis and treatment delayed its release until he was medically cleared. While 2006's A Matter Of Life And Death and 2010's The Final Frontier showcased longer songs, Book of Souls is epic by comparison. Their first double album, it's 92 minutes long, and three of its 11 tracks are over ten minutes. Steve Harris contributed one solo composition, and co-wrote six tracks with various bandmates. Dickinson – for the first time since Powerslave – wrote two solo tunes, the album's bookends, and collaborated on two more. The music is cleanly divided between the two discs. The first is tight; it offers a bit of everything that makes Iron Maiden…well, Iron Maiden.
Musically, as Rapoon, Robin Storey has been treading dangerously close to the edges of damnation. Tin of Drum is the culmination of years of flirtation and preparation. If, indeed, there is a hell in the afterlife, Storey has created the soundtrack. This CD is as deep and as dark as it gets. Anything that is deeper and darker is no longer music. The atmospheres are bleak and hopeless. There are moments of brief respite when the spirit lifts up to merely evil. This absolute masterpiece is as scary as, well, hell! It will appeal to fans of Jeff Greinke, Laszlo Hortobagyi, and Lustmord.
Originally released in 1988, this album marked one of the truly successful world fusion creations, which Rhythm Magazine said symbolizes "the birth of a new era in music". It's a direct, transcendent exchange between six acclaimed musicians from diverse cultures, including L. Shankar, Zakir Hussain, Nicky Skopelitis, Daniel Ponce, Aiyb Dieng and producer/bassist Bill Laswell. This CD is a true American melting pot of deeply tangled roots, merging East and West to create a new music soundscape. At it's core, there's Indian music, and somewhere underneath lies flashes of the slow rustic lope of American country music.
My Chemical Romance have announced The Black Parade/Living With Ghosts, a reissue of their 2006 album The Black Parade to celebrate the 10th anniversary of its release. The band excited fans around the world earlier this month with the prospect of a potential reunion, but later confirmed that the only thing in the works was the anniversary re-release. The Black Parade/Living With Ghosts is out September 23 via Reprise in a 2xCD package 3xLP vinyl set. Living With Ghosts features unreleased demos and rare mixes from the Black Parade sessions. It also features “The Five of Us Are Dying (rough mix),” an “early version” of the song that would eventually become “Welcome to the Black Parade.”