Silvio Rodríguez is one of the founders of the "Nueva Trova" sound. This was a fusion of musical genres that originated in the 1960s in revolutionary age Cuba.
When Ozzy Osbourne, Tony Iommi, Terry “Geezer” Butler and Bill Ward formed Black Sabbath in 1969, they created a signature sound that set the blueprint for heavy music and influenced generations of disciples for years to come. Black Sabbath - Complete Studio Albums: 1970-1978, features the band’s collected studio works for Warner Bros. Records from the 1970’s, including their iconic eponymous debut, Black Sabbath (1970), the multi-platinum landmark Paranoid (1970), the platinum albums Master Of Reality (1971), Vol. 4 (1972), and Sabbath Bloody Sabbath (1973), and the gold-certified Sabotage (1975), Technical Ecstasy (1976), and Never Say Die! (1978).
Originally comprised of Gerry Beckley, Dewey Bunnell, and Dan Peek, America was one of the most successful groups of the 1970s. The band blended elements of folk and rock with distinctive three part harmonies. Their best known hits include "A Horse with No Name," "Sister Golden Hair," "Ventura Highway," "Tin Man," "Daisy Jane," and "Lonely People". The band won a 1972 Grammy for Best New Artist following the release of their second album, Homecoming, and was inducted into the Vocal Group Hall of Fame. This definitive collection includes the following albums: America, Homecoming, Hat Trick, Holiday, Hearts, Hideaway, and Harbor. This Hi-Res collection is not to be missed!
Features 24 bit remastering and comes with a mini-description. A wonderful live set from Gary Burton – originally issued only in Japan, but a wonderful record that stands strongly with Gary's classic early 70s work for Atlantic and ECM Records! The group's a quartet – and has Gary's vibes alongside warm guitar lines from Sam Brown – a player whose sense of tone and timing really echoes that of Burton – cascading fresh sounds one minute, laying back in waves the next – always hitting the right balance of space and tone to keep things right.
Cut straight on the heels of Bad Company’s 1974 debut — just a matter of three months later; not quite long enough to know how big a success the first LP would be — Straight Shooter is seemingly cut from the same cloth as its predecessor.
Neil Young’s association with Crazy Horse could have ended after the death of Danny Whitten in 1972, but just three years later, Young recruited guitarist Frank “Poncho” Sampedro into the band and cut Zuma. Many fans see it as the high-water mark of his long career with Crazy Horse; songs like “Cortez the Killer” have been a regular part of his setlist for years since. “I’ve got all these songs about Peru, the Aztecs and the Incas,” Young told Cameron Crowe in 1975. “Time travel stuff.
Essential: a masterpiece of Rock music
Who would have thought old Phil Mogg, Pete Way and Co. would be responsible for one the greatest psychedelic long players ever released?, but yes folks this record called “UFO 2/Flying” is a head trip of the highest order that every space rock freak MUST own!!!
UFO started out in 1968 and were at one time known as The Good, The Bad and the Ugly, they later called themselves Acid finally settling on UFO which was a tribute to the legendary UK nightclub. The group cut their teeth playing covers by people like The Yardbirds, Kinks, John Lennon and The Small Faces among others, somehow they got the attention of Equals guitarist Eddy Grant who was branching out into production and talent procurement, Grant invited the group to record at Orange Studios and the group managed to land a recording deal with the tiny Beacon imprint. A debut album “UFO 1” was issued in 1970 to little fanfare ( though it has been reported UK DJ Jon Peel thought highly of the group.)
Excellent addition to any prog rock music collection
I consider this album to be the most sentimental one from Steve Hackett, and it is also among his best ones. It has some similitudes with the previous one “Spectral mornings”, but I find the sound of “Defector” more mature, more refined. The “Steppes” track, in the beginning, is a bit long and repetitive, but the combination of the floating keyboards and the extremely sustained guitar notes at the end, like on the “Spectral Mornings” and “Every day” tracks, produces a very rich, powerful, intense and moving soundscape. Like the on “Spectral mornings” album, “Defector” contains some ordinary moments, like the “Please don’t touch-esque” “Time to get out” and the insipid “Slogans”. Fortunately, there are more good tracks than bad ones, and Hackett goes into sentimental moods here, like on the peaceful “Leaving”.