Essential: a masterpiece of rock music
Free Form Jazz Fusion at its Best
Weather Report’s I Sing the Body Electric is an album that I’ve only recently been able to handle and appreciate. It’s extremely free form, pulling in sounds ranging from low spoken murmurs to more classic jazz soloing to strange atonal feedback. The album is custom made for lying back with headphones, as the mix is very open and airy. I feel like I’m floating in a spacy dream. The tonality will slide from pleasant melodic major phrases to chaos almost seamlessly, tricking you into thinking there was planned structure for just a moment and then flying off again into the stratosphere.
7 is the ninth studio album by British soul and R&B singer-songwriter Seal. The album was released on 6 November 2015 by Warner Bros. Records. Limited edition includes two bonus tracks. Seal 7 followed the all-covers 2012 set Soul 2 and was the singer's first set of original material since the 2010 release Seal 6: Commitment.
Essential: a masterpiece of progressive rock music
After the lacklustre Unfortunate Cup of Tea, the next album was going to be a watershed for Horslips. In the end, they returned broadly to the formula that had brought them so much acclaim for The Tain and produced a concept album based on Irish mythology and full of great songs based on Irish traditional tunes. And it works just as well as The Tain, having brought them enormous critical acclaim. If anything, they show their amazing musicianship off even more, with Charles O’Connor’s fiddle and mandolin swopping riffs with Johnny Fean’s scything lead guitar and Jim Lockhart’s flute,whistle, pipes and keyboards.
One of the finest singers of our time and the world’s leading tenor, Jonas Kaufmann presents his personal tribute to one of opera’s most beloved composers, Giuseppe Verdi.
Features 24 bit remastering and comes with a mini-description. Paul Smith, jazz pianist, widely known as Ella Fritzgerald’s conductor and pianist, an active studio musician with a brilliant technique. Paul Smith also worked with renowned Jazz figures, such as: Dizzy Gillespie, Anita O’Day, Buddy DeFranco, Louie Bellson, Steve Allen, Louie Bellson, Stan Kenton, Mel Torme and many others. Pick of the day, Paul Smith’s rendition to Bossa Nova. This is Paul Smith Piano and Orchestra – Brazilian Detour (1966), for Warner. Paul Smith is a virtuoso piano player; he goes from the “liquid sounds” slow playing to a faster approach, hitting keys strongly. Paul Smith also leads the orchestra.
Features 24 bit remastering and comes with a mini-description. Other than two selections put out on a sampler and the soundtrack from the 1958 Newport Jazz Festival, this LP is quite significant for having the first recordings of Eric Dolphy with the Chico Hamilton Quintet. Dolphy's solos (on alto, flute and bass clarinet) are brief, but he already sounded fairly distinctive. The third version of Hamilton's popular Quintet also included the drummer/leader, cellist Nate Gershman, guitarist Dennis Budimir and bassist Wyatt Ruther. On this album, half of the tunes are played by the basic quintet, while the remaining five songs have an added string section. The West Coast jazz chamber music generally holds one's interest, but has been out of print for some time.
Essential: a masterpiece of Folk music
Brady’s first solo album, Welcome Here Kind Stranger is his second (and final) folk recording prior to his embarking on a successful, long-term foray into the realm of mainstream rock. Its title is a phrase taken from one of the album’s songs: “The Lakes of Pontchartrain”. The album was initially released (vinyl and cassette) on Dónal Lunny’s Mulligan label (LUN024) in 1978 and was voted “Folk Album of the Year” by Melody Maker magazine. The album was never officially released on CD due to a breakdown in the relationship between Brady and the Mulligan label and remained out of print for many years, until finally re-mastered and released in 2009 on Brady’s own label, PeeBee Music.
"Velvet Gloves and Spit" is the third album by Neil Diamond. His first for MCA's Uni label, it included three low-charting singles: "Brooklyn Roads" (#58), "Two-Bit Manchild" (#66) and "Sunday Sun" (#68). Upon its initial release in 1968, it only had ten songs. After the success of Diamond's next three albums, it was re-issued in 1970 with a new sleeve and now included a remake of "Shilo", a song that had previously been recorded for Bang Records, and had appeared on the preceding album, "Just For You".
The name of this Jim Black Trio could easily have been ‘Quicksilver’ because the trio epitomises everything unpredictable and swiftly responsive. Embodied in The Constant it also revels in music of the highest quality – and that demands exceptional instrumental skills. Just a few bars into the leading song on this album it becomes that the musicians in this trio have this quality in spades. This ten-part suite brings special attention to the skill that Jim Black brings to the Art of Songwriting. His singular voice is contained in the manner in which he poses altogether different challenges in terms of phrasing, architecture and pacing.