24bit Complete

Black Sabbath – Paranoid (1970) Vertigo (Swirl)/6360 011 – Original DE Pressing - LP/FLAC In 24bit/96kHz

Black Sabbath – Paranoid
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Pressed, Lacquer Cut At Deutsche Grammophon Gesellschaft Pressing Plant
Label: Label: Vertigo/6360 011 | Released: 1970 | Genre: Hard-Rock

Paranoid was not only Black Sabbath’s most popular record (it was a number one smash in the U.K., and “Paranoid” and “Iron Man” both scraped the U.S. charts despite virtually nonexistent radio play), it also stands as one of the greatest and most influential heavy metal albums of all time. Paranoid refined Black Sabbath’s signature sound — crushingly loud, minor-key dirges loosely based on heavy blues-rock — and applied it to a newly consistent set of songs with utterly memorable riffs, most of which now rank as all-time metal classics. Where the extended, multi-sectioned songs on the debut sometimes felt like aimless jams, their counterparts on Paranoid have been given focus and direction, lending an epic drama to now-standards like “War Pigs” and “Iron Man” (which sports one of the most immediately identifiable riffs in metal history).
Joe Pass - Virtuoso (1973) {OJC Remasters Complete Series rel 2010 - item 05of33}

Joe Pass - Virtuoso (1973) {OJC Remasters Complete Series rel 2010 - item 05of33}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 283 Mb | MP3 @320 -> 124 Mb
Full Artwork @ 600 dpi (png) -> 506 Mb | 5% repair rar | 24bit remastering
© 1973, 2010 Pablo / Concord | 0888072319905
Jazz / Bop / Guitar

An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.
Andrew Lloyd Webber - Variations (1978) MCA Records/MCF 2824 - Original UK Pressing -  LP/FLAC In 24bit/96kHz

Andrew Lloyd Webber - Variations
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Mastered By Porky (Prime Cut)
Label: MCA Records/MCF 2824 | Released: 1978 | Genre: Symphonic-Rock

This is a genuine oddity in the career output of Andrew Lloyd Webber, growing out of a personal/familial vignette. The piece, a set of variations on Niccolo Paganini’s “Caprice No. 24” (which had previously inspired adaptations by Franz Liszt, Johannes Brahms, Sergei Rachmaninov, and Boris Blacher, among others), came about because Andrew Lloyd Webber lost a bet with his cellist brother Julian Lloyd Webber, and was obliged to compose a work for cello and rock band for him, which was premiered in August of 1977 at a music festival, and subsequently recorded and released on an LP (later transferred to CD) by MCA. At the time, progressive rock was still hanging on to some semblance of commercial viability, and in fairness, MCA had made a fortune off of Lloyd Webber’s work on Jesus Christ Superstar, etc.
Schola Hungarica – Magyar Gregorianum 2 (1979) Hungaroton/SLPX 12048 – Original HU Pressing - LP/FLAC In 24bit/96kHz

Schola Hungarica – Magyar Gregorianum 2 (Gregorian Chants From Medieval Hungary)
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb & 200mb
Label: Hungaroton/SLPX 12048 | Released: 1979 | Genre: Gregorian Chant

One of my favorite group of “Flat Chant”, the Schola Hungarica ensemble. In this LP there are some exceptions: There are polyphonic pieces and others accompanied by some instrument (organ or percussion).
An awesome LP example from this vocal group.
Cat Stevens – Foreigner (1973) A&M Records/SP-4391 – Original US Pressing - LP/FLAC In 24bit/96kHz

Cat Stevens – Foreigner
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Mastered at Sterling Sound by Lee Hulko
Label: A&M Records/SP-4391 | Release: 1973 | Genre: Folk-Rock

Between 1970 and 1972, Cat Stevens recorded four albums in the same manner, using the same producer and many of the same musicians, painting the album covers, and assigning the records ponderous titles. Things changed with his next album, Foreigner.
The Dave Brubeck Quartet - Jazz At Oberlin (1953) {OJC Remasters Complete Series rel 2010 - item 04of33}

The Dave Brubeck Quartet - Jazz At Oberlin (1953) {OJC Remasters Complete Series rel 2010 - item 04of33}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 170 Mb | MP3 @320 -> 91 Mb
Full Artwork @ 600 dpi (png) -> 518 Mb | 5% repair rar | 24bit remastering
© 1953, 2010 Fantasy / Concord | 0888072319912
Jazz / Cool / West Coast Jazz / Piano Trio / Saxophone

An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.
Herbie Hancock - Mwandishi: The Complete Warner Bros. Recordings (1994/2016) [24bit/192kHz]

Herbie Hancock - Mwandishi: The Complete Warner Bros. Recordings (1994/2016)
FLAC (tracks) 24 bit/192 kHz | Time - 125:04 minutes | 5,32 GB
Studio Master, Official Digital Download | Artwork: Front cover

This release includes Herbie Hancock's music from 1969-1971 for the Warner Brothers label, released originally as three albums, one of Herbie Hancock's most creative periods. The earliest album, Fat Albert Rotunda, features a fine sextet highlighted by tenor saxophonist Joe Henderson, like Hancock a master at maintaining strong rhythmic grooves while stretching outward. The later music, with a regularly working band, becomes increasingly expansive and exploratory. Like Miles Davis on Bitches Brew, Hancock was increasingly interested in layering rhythms and textures, emphasizing percussion, electric keyboards, and potent soloists, and broadening his palette of sounds to eventually include synthesizers. There are significant contributions from the inspiring drummer Billy Hart and some potent, if neglected, soloists in multireed player Bennie Maupin (also on Bitches Brew) and trombonist Julian Priester (a Sun Ra associate), who also provided the extended compositions "Water Torture" and "Wandering Spirit Song," respectively. This is a sometimes overlooked period in Hancock's music, bracketed by the quality of his earlier acoustic music, both with Davis and as a leader on Blue Note, and his later commercial success, but it's some of his most innovative work.
Art Pepper - Art Pepper Meets The Rhythm Section (1957) {OJC Remasters Complete Series rel 2010 - item 03of33}

Art Pepper - Art Pepper Meets The Rhythm Section (1957) {OJC Remasters Complete Series rel 2010 - item 03of33}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 326 Mb | MP3 @320 -> 119 Mb
Full Artwork @ 600 dpi (png) -> 517 Mb | 5% repair rar | 24bit remastering
© 1957, 2010 Contemporary / Concord | 0888072319929
Jazz / Cool / West Coast Jazz / Saxophone

An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.
Jimmy Smith - The Complete Verve Singles (2016) [Official Digital Download 24bit/96kHz]

Jimmy Smith - The Complete Verve Singles (2016)
Jazz, Soul Jazz, Hard Bop | FLAC (tracks), 24bit/96kHz | 02:36:46 h | 3,84 Gb (incl 5%) | Front Cover
Label: Verve Reissues | Tracks: 52 | Released: 2016

Jimmy Smith wasn't the first organ player in jazz, but no one had a greater influence with the instrument than he did; Smith coaxed a rich, grooving tone from the Hammond B-3, and his sound and style made him a top instrumentalist in the 1950s and '60s, while a number of rock and R&B keyboardists would learn valuable lessons from Smith's example.
Masaaki Suzuki - Bach: Organ Works Vol.2 (2017) [Official Digital Download 24bit/96kHz]

Masaaki Suzuki - Bach: Organ Works Vol.2 (2017) [Official Digital Download 24bit/96kHz]
FLAC tracks 24bit/96kHz | Digital Booklet | 1.18MB + 5% Recovery
Studio Master, Official Digital Download, BIS Records

Before releasing his first disc of Bach’s organ works, Masaaki Suzuki had recorded the composer’s complete sacred cantatas, as well as the large-scale choral works and much of the music for harpsichord. His achievements in these fields obscured the fact that Suzuki originally trained as an organist, and began working as such already at the age of twelve. So when Volume 1 of this series reached reviewers around the world, it was something of a revelation to many: the disc went on to be named Choice of the Month in BBC Music Magazine, Diapason d’Or in Diapason and Recording of the Month in Gramophone, which then went on to include it on its list of the ‘50 Greatest Bach Recordings’.