The British label Pickwick/Hallmark, is characterized by making re-editions. This time I scored another point by purchasing this double LP’s live by Elton John many, many years ago, with two concerts recorded in the 70s decade (1970 – 1974). I say a success because the records are intact, just like their original versions and the best in a single double album! What more can I ask for?
Essential: a masterpiece of progressive rock music
As a “Tronmaniac” it was inevitable that one day I would stumble upon the album 10.000 Anos Depois Entre Vénus E Marte by singer and keyboard player José Cid, this is Mellotron Heaven on Earth! Then I discovered that José Cid once joined the Portuguese five piece band Quarteto 1111 and from that moment I was very determined to get an album. Thanks to a Portuguese PA friend (you know who you are) I got a copy and was finally able to listen to this highly acclaimed and most progressive Portuguese progrock effort.
This album is a real rarity, not for the style of music nor its interpreters, the strange thing is that this music was produced especially for a film and not a vintage film! It was used to accompany the notable Belgian cyclist Eddy Merckx (?). It was somewhat controversial the mixture of Renaissance music and the documentary about this cyclist in those times.
You may remember a film from the early 1970s called Henry VIII & his Six Wives, starring Keith Mitchell, Donald Pleasance, and Charlotte Rampling; it was notable for its score, which not only featured authentic music of the period (nearly unheard-of at the time), but also was, according to David Munrow, “the first historical film in which the music has been scored entirely for historical instruments.” Munrow also added a few numbers of his own to satisfy the needs of the movie, patterned after 16th-century style and form. Although these days such attention to authenticity is common, even expected, Munrow was one of the pioneers in bringing musicological research and the more immediate practicalities of really old, original instruments and stylistic practice to the level of popular culture. Of course, also in these early days was planted the impression that period instruments must necessarily be somewhat clunky and (to varying degrees) not quite ideally in tune–and in some cases, just plain annoyingly squawky and prone to obnoxious buzzing noises. While this generally fine issue from Testament offers many reminders of those times, when musicians were still finding their way in unfamiliar territory (and often using very user-unfriendly instruments), this release will prove mostly a delight for early music fans–and will be a real treat for those who own the original LPs from which these tracks were drawn.
One of my favorite group of “Flat Chant”, the Schola Hungarica ensemble. In this LP there are some exceptions: There are polyphonic pieces and others accompanied by some instrument (organ or percussion).
An awesome LP example from this vocal group.
The Black-Man’s Burdon is a double LP by funk band Eric Burdon and War, released in December 1970 on MGM Records. It was the second of two albums by the group before Burdon left and the remaining band continued as War.
"Grease" is the original motion picture soundtrack for the 1978 film Grease originally released by RSO Records. The song "You're the One That I Want" was a US and UK #1 for stars John Travolta and Olivia Newton-John. To date, it has sold over 30 million copies worldwide, becoming one of the best-selling soundtrack albums of all time.
Excellent addition to any prog rock music collection
4.5 stars really!!!!
As I explained in the BoF review, the tensions between Hammer and Goodman on one side and McLaughlin and Cobham on the other, started destroying the group and taking into the abyss the third album’s recording sessions with the group, Columbia decided to bring out as a third offering a live album, which consisted of brand new and unreleased material: the three extended tracks on the live album being found in their original dimension on the Lost Trident Sessions. What really happened is that Mc and Cobham wanted to release the LTS tapes as a finished album, while Hammer, Goodman and now joined by Laird opposed it. This led to an imminent break-up, but the group owing one more album to Columbia settled on recording their august 73 Central Park concert. The group would soldier on until New Year’s Eve in Toledo. After which, McLaughlin build from scratch a new line-up of MO that would go on to record three albums of its own.