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The Nice - Nice (1969) Immediate/Z12 52022 - US Promo Pressing - LP In 24bit/96kHz - ONLY RE-POST

The Nice - Nice
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Immediate/Z12 52022 | Release: 1969 | Genre: Symphonic-Rock

Essential: a masterpiece of progressive-rock music.
As Nice As Mother Makes It
After two very robust but patchy albums the Nice adopted a slightly different approach to their third by exploiting a half live/half studio hybrid. They felt that this (on the advice of their new manager Tony Stratton-Smith) would showcase the 'best of both worlds' as the studio precedents were not felt to do justice to their live performances.
The Nice - Elegy (1971) Philips/6303 011 - Original DE Demo Pressing - LP/FLAC In 24bit/96kHz - ONLY RE-POST

The Nice - Elegy
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz / 900mb
Label: Philips/6303 011 | Release: 1971 | Genre: Symphonic-Rock

Excellent addition to any prog rock music collection.
Although admittedly a posthumous release, I was very surprised at the rather dismissive tenor of many of the reviews of this album to date. Hopefully this record will be reappraised soon as being a release worthy of anyone's consideration as I feel it does enhance an already rich legacy left behind by this very fine and innovative band. (So what if Charisma wanted to ride the slipstream of the lucrative ELP juggernaut?)
The Nice - Ars Longa Vita Brevis (1969) Immediate/Z12 52020 - US Pressing - LP In 24bit/96kHz - ONLY REPOST

The Nice - Ars Longa Vita Brevis
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Immediate/Z12 52020 | Release: 1968 | This Issue: 1969 | Genre: Symphonic-Rock

Excellent addition to any prog-rock music collection.
It is not possible to overestimate the Nice's importance to Progressive Rock. In their moment, they were prog and if the eye-opening debut Thoughts of Emerlist Davjack didn't show that, this dazzling follow-up did. Sure they're so old and dated you'd never put them on unless alone in the house.
Shadowfax - Shadowdance (1983) Windham Hill Records/WH-1029 - 1st US Pressing - LP In 24bit/96kHz - ONLY RE-POST

Shadowfax - Shadowdance
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Windham Hill Records/WH-1029 | Release: 1983 | Genre: Jazz-Fusion

Excellent addition to any rock music collection.
Shadowdance confidently strides into the Windham Hill catalog with the showstopping New Electric India, electric guitar and thundering bass resounding.
Shadowfax ‎- Shadowfax (1982) Windham Hill Records/WH-1022 - 1st US Pressing - LP In 24bit/96kHz - ONLY RE-POST

Shadowfax ‎- Shadowfax
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Windham Hill Records/WH-1022 | Release: 1982 | Genre: Jazz-Fusion

Excellent addition to any prog rock music collection.
SHADOWFAX. Nice name for a progressive rock band. At least that's how they started off. Named after Gandalf's a horse in Tolkien's The Lord Of The Rings. They are often classified as new age, but their first album really wasn't, it was rather quite like a more rocking version of OREGON and had a mixture of hard and soft songs. And really their latter albums weren't completely although they lost some of their harder edge and devoted themselves to more mellow fair.
Black Sabbath – Paranoid (1970) Vertigo (Swirl)/6360 011 – Original DE Pressing - LP/FLAC In 24bit/96kHz

Black Sabbath – Paranoid
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Pressed, Lacquer Cut At Deutsche Grammophon Gesellschaft Pressing Plant
Label: Label: Vertigo/6360 011 | Released: 1970 | Genre: Hard-Rock

Paranoid was not only Black Sabbath’s most popular record (it was a number one smash in the U.K., and “Paranoid” and “Iron Man” both scraped the U.S. charts despite virtually nonexistent radio play), it also stands as one of the greatest and most influential heavy metal albums of all time. Paranoid refined Black Sabbath’s signature sound — crushingly loud, minor-key dirges loosely based on heavy blues-rock — and applied it to a newly consistent set of songs with utterly memorable riffs, most of which now rank as all-time metal classics. Where the extended, multi-sectioned songs on the debut sometimes felt like aimless jams, their counterparts on Paranoid have been given focus and direction, lending an epic drama to now-standards like “War Pigs” and “Iron Man” (which sports one of the most immediately identifiable riffs in metal history).
The Jimi Hendrix Experience – Axis: Bold As Love (1967) Reprise Records/RS 6281 – US Pressing - LP/FLAC In 24bit/96kHz

The Jimi Hendrix Experience – Axis: Bold As Love
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Reprise Records/RS 6281 | Released: 1967 | This Issue: 1974 | Genre: Classic-Rock

Rolling Stone’s definitive list of the 500 greatest albums of all time.
83. The Jimi Hendrix Experience, ‘Axis: Bold as Love’
Reprise, 1968

Jimi Hendrix’s first album remade rock & roll with guitar magic that no one had ever dreamed of; his second album had even more sorcery.
Cream – Disraeli Gears (1967) RSO/2394 129 – CA Pressing - LP/FLAC In 24bit/96kHz

Cream – Disraeli Gears
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: RSO/2394 129 | Released: 1967 | This Issue: 197? | Genre: Classic-Rock

…just the right amount of weirdness…
It started as a joke. Mick Turner one of Cream’s roadies was discussing with drummer, Ginger Baker, how he fancied one of those bikes with’ Disraeli gears’. He meant, of course, derailleur gears, but the band found the mistake hilarious and so the name of one of one of the UK’s premier psychedelic albums was born.
Aerosmith – Aerosmith’s Greatest Hits (1980) Columbia/FC 36865 – US Pressing - LP/FLAC In 24bit/96kHz

Aerosmith – Aerosmith’s Greatest Hits
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Columbia/FC 36865 | Released: 1980 | Genre: Hard-Rock

Aerosmith’s Greatest Hits remains one of the most popular and enduring best-of collections by any rock band, selling nearly ten million copies in the U.S. alone since its release. But when it was issued in 1980, the band had just about reached its nadir. With original guitarist Joe Perry gone (and Brad Whitford soon to follow), Aerosmith had turned into a directionless, time-consuming ghost of its former self.
The Allman Brothers Band – Idlewild South (1970) ATCO/SD 33-342 – Original US Presswell Pressing - LP/FLAC In 24bit/96kHz

The Allman Brothers Band – Idlewild South
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: ATCO Records/SD 33-342 | Released: 1970 | Genre: Southern-Rock

If you’re going to listen to the Allman Brothers, make sure you have the first four records. The band made The Allman Brothers Band, Idlewild South, At Fillmore East, and three-fourths of Eat a Peach with its original lineup, before Duane Allman’s fatal motorcycle accident in 1971. The Tom Dowd-produced Idlewild South, their second album, comes off with a little less ferocity than their debut — which is perhaps the result of reaching for new sounds the second time around. “Revival,” the album’s opener, introduces Dickey Betts as a composer.