Its evident from hearing the jazz big band works of composer, arranger, conductor and trombonist Henry Wolking’s debut album on Big Round Records, IN SEA, that he effectively mixes complexity with simplicity in his jazz harmonies and colorful orchestrations that make for an exciting and memorable listening experience. The inspired solo work of band members and guest artists add to the sincere and fresh cosmopolitan character of the recording.
“El Fantasma De Canterville” is the third album of study of the Argentine singer-songwriter León Gieco. It was released in 1976 by the label Music Hall.
Jazz Loves Disney was recorded between Paris, London and Los Angeles by a dream cast. It is incredibly coherent, as if all participants had agreed to pay a rightful tribute to the most beautiful and symbolic tunes of Walt Disneys magic world, as if nothing was too good for the stars when they revisited the classics and the sweet childhood memories connected to them. This is the ultimate proof of the impact Disney has had on generations of jazz musicians, including the ones taking part in Jazz Loves Disney.
“Dear fans and friends of LPs, now I beginning a series on the influential Argentine scene, in terms of rock music and its derivatives are concerned. This at the request of several followers-music lovers.
Eleni Karaindrou’s collaborations with stage director Antonis Antypas have generated some of her most powerful music. Medea, like the earlier Trojan Women, comes out of this association. Recorded at the Ancient Theatre of Epidaurus, the music vibrates with emotional intensity. Karaindrou gives her themes to a small ensemble, its sound-colours creating an ambiance both archaic and contemporary, as textures of santouri, ney, lyra and clarinets are combined and contrasted.
Improvisation on the keyboard was very much expected of the leading classical musical minds in earlier years. And what came about was framed by the compositional practices of the time. So Johann Sebastian Bach might improvise elaborate fugues based on a particular theme; Mozart was known to create brilliant variations spontaneously on a theme given to him at the spur-of-the-moment. Fantasias were possible and were another, more free option, but of course what came out was something the composer might have more carefully worked over in a formal composition. There were definite resonances between the improvised and the composed.
Seit 2007 ist das Pulsar Trio aktiv. In der ungewöhnlichen Besetzung mit Klavier, Schlagzeug und Sitar spielen sie Instrumentalmusik, die um die indische Sitar kreist. 2012 spielten sie ihr Debütalbum “Erpelparka-Suite” ein. Nun haben sie bei t3 Records “Caethes Traum” veröffentlicht.
This LP “7 Años” by León Gieco, is a review of seven-year career. Any doubt? The interesting thing is that it is not a compilation of different LPs as one might think and was for that reason that I bought this album.
There's a bit of a role reversal going on with this one. Trumpeter Cuong Vu—a Pat Metheny devotee from the time he first heard the guitarist's Travels (ECM, 1983) as a teenager—eventually came to join the Pat Metheny Group, enhancing the sound of the band on a pair of Grammy-winning albums: Speaking Of Now (Warner Bros. 2002) and The Way Up (Nonesuch, 2005). Now Metheny returns the favor, joining Vu's crew for this expansive outing.
Andrea Bocelli's Romanza is the bestselling classical crossover album of all time, having sold well over 17 million copies globally. To mark 20 years since the album's original release, and the success of 'Con Te Partiro' and 'Time To Say Goodbye' a 20th Anniversary Edition was released in November 2016. The original album has been remastered and now include bonus tracks.