"You have not visited Paris until you visit Tour Eiffel" and "You have not heard Patrick Philippe Moraz until you listen to Refugee".progarchives.com
It’s always hard to review a 1968 album in the 21st Century without making an effort of imagination and situate yourselves in the era, and only then you can realize the importance of THE NICE.progarchives.com
ONE OF THOSE HIDDEN PROG GEMS!!
I sometimes wonder how would sound the music of classical masters such as BACH or BEETHOVEN would they be living nowadays with our modern technology! I think TRIUMVIRAT would be the closest thing BACH for example would come up with…progarchives.com
7 is the ninth studio album by British soul and R&B singer-songwriter Seal. The album was released on 6 November 2015 by Warner Bros. Records. Limited edition includes two bonus tracks. Seal 7 followed the all-covers 2012 set Soul 2 and was the singer's first set of original material since the 2010 release Seal 6: Commitment.
Just in case the title One More for the Road didn't suggest Sinatra, Curtis Stigers underscores his debt to the Chairman of the Board by patterning the artwork for this 2017 collaboration with the Danish Radio Big Band after 1966's Sinatra at The Sands. In fact, One More for the Road is something of a salute to that 1966 record, containing eight songs from that double album and adhering to the snazzy swing of late-period Frank. Stigers even channels that sensibility into "Summer Wind," a gentle breeze of a single, and that's one of the distinguishing factors of One More for the Road. Another distinguishing factor is the cheerful blare of the Dutch Radio Big Band, who are big and brassy without overwhelming the singer.
American keyboardist Kevin Stewart is a superb contemporary jazz instrumentalist and composer who can perform a range of styles - including jazz, blues, and R&B – with equal dexterity, and his new album, Never Look Back, is a good example of his remarkable facility.
On its debut CD, KNEE DEEP IN THE NORTH SEA, Mercury Prize-nominated combo the Portico Quartet delivers an unusually meditative brand of world music-influenced jazz that matches a minimalist classical music vibe with a pop/jam band-informed compositional sense. Centered on repeated figures played on the hang (a type of steel drum) and soprano saxophonist Jack Wylie’s Wayne Shorter-esque improvisational explorations, Portico Quartet’s music should appeal to fans of Weather Report and the Dave Matthews Band alike.
Tommy Smith, the great Scottish saxophonist, composer, bandleader and educator, studied classical orchestration in the 1990s, and has played in plenty of challenging jazz/classical settings. But Modern Jacobite is his most ambitious journey yet, centred on an intricately woven three-movement symphonic work inspired by the Jacobite uprisings; it is bookended by a rapturous tenor-sax improvisation on Rachmaninoff’s Vocalise, and by Chick Corea’s famous Children’s Songs interleaved with Smith’s own Bairn’s Songs as personal variations on the same theme. The Jacobite pieces embrace violent, cinematic soundscapes for slewing brass and thundering percussion; deep cello themes that segue into pulsating tenor-sax ruminations; Scottish folk dances that become pipe-toned tenor jigs.
Fans are used to seeing Metallica rock massive stadiums, but last night (Sept. 27), the metal legends played an intimate club gig at New York’s Webster Hall for about 1,500 lucky fans, and we were fortunate to among those in attendance. This is complete show recorded live at Webster Hall in New York, NY on September 27, 2016.