24bit | 96khz Test cd

Nada Mamula - (1971) Jugoton LPY-V-50929 - 24bit/96kHz & CD format  Vinyl & HR

Posted by Ljubo44 at May 8, 2011
Nada Mamula - (1971) Jugoton LPY-V-50929 - 24bit/96kHz & CD format

Nada Mamula - Jugoton LPY-V-50929 LP
Vinyl rip in 24bit /96kHz + CD| flac+artwork
636/178 MB | 5% recovery | RS+MU+HF+ZS+UP | Folk | 1971 | Jugoton LPY-V-50929
1971/1982 Release / Style: Jazz

Nada Mamula (9 January 1927 – 11 October 2001) was a professional singer of Radio Sarajevo, born during the time of the Kingdom of Yugoslavia.. She started her career on Radio Beograd, where she passed an audition in 1946 (as Nada Vukicevic). In 1946 she delivered her first ever professional performances as Nada Vukicevic, she moved to Sarajevo and started to work on Radio Sarajevo. She was one of the most popular singers of Yugoslavia in the second half of the twentieth century. Her discography includes three LPs records released by Jugoton, four LPs released in America, Canada, The Netherlands and Bulgaria and a few dozen singles. She died and was buried in Belgrade in 2001. She left about 500 recordings as well as traditional Montenegro, Macedonian, Slavonian, Serbian and Bosnian songs in the archives of Radio Beogard, Radio Novi Sad and Radio Sarajevo. Some of them are not saved or deleted, and we will never hear it again, until scientists find a method to capture an echo from the stars of radio waves emited 50s and 60s
Steve Hackett – Bay Of Kings (1983) Chrysalis PV 41572 – 1st US Sterling Pressing - LP/FLAC In 24bit/96kHz - NEW 2017 RIP!

Steve Hackett – Bay Of Kings
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Mastered At Sterling Sound
Label: Chrysalis PV 41572 | Released: 1983 | Genre: Symphonic-Rock

Essential: a masterpiece of progressive rock music
To Steve Hackett, I followed his career from his beginnings with “Genesis” and his subsequent career as a soloist.
Soundtrack – Barry Lyndon (1975) Warner Bros. Records/BS 2903 – Original US Pressing - LP/FLAC In 24bit/96kHz

Various – Music From The Soundtrack Of Barry Lyndon
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Warner Bros. Records/BS 2903 | Released: 1975 | Genre: Soundtrack

While not the entire score, which would be impossible to assemble on a double let along a single disc, the music contained herein from Stanley Kubrick’s stellar motion picture Barry Lyndon — that starred Ryan O’Neal in the only time he ever actually acted, as well as Marisa Berenson — is a mixed bag of the most delightful sort. With 19 selections on the CD — analogue recorded and remastered in pristine digital sound — the music here stands on its own as an eclectic yet moving collection of pieces that reflect the excesses of 17th and early 18th century cultural mores in royal courts, potato fields, and back alley dances. The main title theme is from Handel, his Sarabande, and is followed by Sean Ó Riada’s gloriously beautiful “Women of Ireland,” performed by the Chieftains, who dig in for a few more before being eased out of the mix by the British Grenadiers’ fife and drum corps.
Andrew Lloyd Webber - Variations (1978) MCA Records/MCF 2824 - Original UK Pressing -  LP/FLAC In 24bit/96kHz

Andrew Lloyd Webber - Variations
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Mastered By Porky (Prime Cut)
Label: MCA Records/MCF 2824 | Released: 1978 | Genre: Symphonic-Rock

This is a genuine oddity in the career output of Andrew Lloyd Webber, growing out of a personal/familial vignette. The piece, a set of variations on Niccolo Paganini’s “Caprice No. 24” (which had previously inspired adaptations by Franz Liszt, Johannes Brahms, Sergei Rachmaninov, and Boris Blacher, among others), came about because Andrew Lloyd Webber lost a bet with his cellist brother Julian Lloyd Webber, and was obliged to compose a work for cello and rock band for him, which was premiered in August of 1977 at a music festival, and subsequently recorded and released on an LP (later transferred to CD) by MCA. At the time, progressive rock was still hanging on to some semblance of commercial viability, and in fairness, MCA had made a fortune off of Lloyd Webber’s work on Jesus Christ Superstar, etc.
Steppenwolf – 16 Greatest Hits (1973) MCA Records/MCA-1599 – US Pressing - LP/FLAC In 24bit/96kHz

Steppenwolf – 16 Greatest Hits
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb & 200mb
Label: MCA Records/MCA-1599 | Released: 1973 | Club Edition: 1980 | Genre: Hard-Rock

16 Greatest Hits is a compilation album by Steppenwolf, released in 1973. It features some of their most famous songs, including “Born to Be Wild”, “The Pusher”, and “Magic Carpet Ride”, and “Hey Lawdy Mama.” The album consisted of the 11 tracks from the previous Gold: Their Great Hits album, in the same order as on the two sides of that earlier album, with the addition of the final two tracks on side 1, and the final three tracks on side 2.
Affinity – Affinity (1970) Lilith/LR145 – Deluxe 180g EU Pressing - 2LP/FLAC In 24bit/96kHz - NEW 2017 RIP!!

Affinity – Affinity
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 1400mb & 400mb
Label: Lilith/LR145 | Released: 1970 | This Issue: 2007 | Genre: Progressive-Rock

Essential: a masterpiece of progressive rock music
AFFINITY’s self-titled album from 1970 is one of the best English progressive albums ever.
Carpenters – A Song For You (1972) A&M Records/SP 3511 – Original US Pressing - LP/FLAC In 24bit/96kHz

Carpenters – A Song For You
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb & 200mb
Label: A&M Records/SP 3511 | Released: 1972 | Genre: Country-Pop

The duo’s best album, and the place to start beyond the hits compilations. Up to the release of A Song for You, the Carpenters’ success had seemed an awesome if somewhat fluky phenomenon, built on prodigious talent, some beautifully crafted pop sensibilities, and a very fortunate choice of singles — their albums Close to You and Carpenters, though they were top-sellers, both seemed just a bit thrown together.
Quarteto 1111 – Onde Quando Como... (1974) GUESS062 – SP 180g Pressing - LP/FLAC In 24bit/96kHz

Quarteto 1111 – Onde Quando Como Porquê Cantamos Pessoas Vivas
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb & 200mb
Label: Guerssen/GUESS062 | Released: 1974 | This Issue: 2009 | Genre: Progressive-Rock

Essential: a masterpiece of progressive rock music
As a “Tronmaniac” it was inevitable that one day I would stumble upon the album 10.000 Anos Depois Entre Vénus E Marte by singer and keyboard player José Cid, this is Mellotron Heaven on Earth! Then I discovered that José Cid once joined the Portuguese five piece band Quarteto 1111 and from that moment I was very determined to get an album. Thanks to a Portuguese PA friend (you know who you are) I got a copy and was finally able to listen to this highly acclaimed and most progressive Portuguese progrock effort.
The John Renbourn Group – Live In America (1982) Flying Fish/FC 27103 – 2 LP/Original US Pressing - LP/FLAC In 24bit/96kHz

The John Renbourn Group – Live In America
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 2gb & 500mb
Label: Flying Fish/FC 27103 | Released: 1982 | Genre: Progressive-Folk

Essential: a masterpiece of progressive rock music
When the network did not exist and at the time of purchase music, I often faced sealed LPs, without oportunity able to listen them. How to choose and buy without a mistake?
Well, in my case I always depended on my instincts. Sometimes a simple but attractive cover was the final choice (evidently based on artists I knew). An excellent example is this double LP of “The John Renbourn Group”, knew about John Renbourn next to Jacqui McShee (Both from Pentangle).
The Flower Kings – Stardust We Are (1997) Inside Out Music/IOMLP 048 – 3 LP/Original EU Pressing - LP/FLAC In 24bit/96kHz

The Flower Kings – Stardust We Are
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 3gb & 800mb
Mastered At Zima Studio
Label: Inside Out Music/IOMLP 048 | Original CD Released: 1997 | Original LP Issue: 2014 | Genre: Symphonic-Rock

Essential: a masterpiece of progressive rock music
On this extensive triple-LP set, the key to sorting out the wheat from the chaff is song length. The longer the song, the better it is. And I will not beat about the bush: the title song is one of the best epics ever written. Not the most original, but certainly the most beautiful.
The attractive thing about this set is how THE FLOWER KINGS gradually introduce the themes that eventually come together in the final track. Such a presaging is very much in the symphonic tradition. I love listening to a record where themes are introduced, varied and reprised; it never fails to please. This is such a record, if you’re patient.