24bit | 96khz Test cd

Nada Mamula - (1971) Jugoton LPY-V-50929 - 24bit/96kHz & CD format  Vinyl & HR

Posted by Ljubo44 at May 8, 2011
Nada Mamula - (1971) Jugoton LPY-V-50929 - 24bit/96kHz & CD format

Nada Mamula - Jugoton LPY-V-50929 LP
Vinyl rip in 24bit /96kHz + CD| flac+artwork
636/178 MB | 5% recovery | RS+MU+HF+ZS+UP | Folk | 1971 | Jugoton LPY-V-50929
1971/1982 Release / Style: Jazz

Nada Mamula (9 January 1927 – 11 October 2001) was a professional singer of Radio Sarajevo, born during the time of the Kingdom of Yugoslavia.. She started her career on Radio Beograd, where she passed an audition in 1946 (as Nada Vukicevic). In 1946 she delivered her first ever professional performances as Nada Vukicevic, she moved to Sarajevo and started to work on Radio Sarajevo. She was one of the most popular singers of Yugoslavia in the second half of the twentieth century. Her discography includes three LPs records released by Jugoton, four LPs released in America, Canada, The Netherlands and Bulgaria and a few dozen singles. She died and was buried in Belgrade in 2001. She left about 500 recordings as well as traditional Montenegro, Macedonian, Slavonian, Serbian and Bosnian songs in the archives of Radio Beogard, Radio Novi Sad and Radio Sarajevo. Some of them are not saved or deleted, and we will never hear it again, until scientists find a method to capture an echo from the stars of radio waves emited 50s and 60s
Trace - Trace (1974) Sire/SASD-7504 - 1st US Pressing - LP/FLAC In 24bit/96kHz - NEW 2018 RIP!

Trace – Trace
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Sire/SASD-7504 | Released: 1974 | Genre: Symphonic-Rock

Essential: a masterpiece of Progressive Rock music
Dutch keyboard-wizard Rick got worldwide recognition with the ‘classic-rock formula’ from EKSEPTION but he wanted his own band to work out his own ideas. He founded TRACE with bass player Jaap van Eik (CUBY AND THE BLIZZARDS, The MOTIONS, SOLUTION, LIVING BLUES) and drummer Pierre van der Linden (TEE SET, BRAINBOX, FOCUS), a real Dutch supergroup.
Marillion - Freaks (Live) (1988) EMI/12MARIL 9 - 12″/45 RPM/Original UK Pressing - LP/FLAC In 24bit/96kHz

Marillion – Freaks (Live)
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 200mb & 100mb
Label: EMI/12MARIL 9 | Released: 1988 | Genre: Neo-Progressive


Essential: a masterpiece of Progressive Rock music
“Freaks” is a song by British neo-progressive rock band Marillion. First released in 1985 on the B-side to the number five UK hit single “Lavender”, in November 1988 it was released in a live version on a double A-side single together with the band’s 1985 number two hit, “Kayleigh”. The single was intended to promote the forthcoming double-live album The Thieving Magpie, which documents the band’s history with singer Fish, who had left the band in October 1988; as such, this was Marillion’s last ever single to feature Fish on vocals and cover art by Mark Wilkinson, who would go on to collaborate with Fish.
Rush - The Studio Albums 1989-2007 (2013) [Official Digital Download 24bit/96kHz] RE-UP

Rush - The Studio Albums: 1989-2007 (2013)
FLAC (tracks) 24 bit/96 kHz | Time - 365:23 minutes | 8,71 GB
Studio Master, Official Digital Download | Artwork: Front cover(s)

This is the first time that this must-own set is being offered together as a hi-res download. It features the following studio albums by the legendary Canadian trio: Presto, Roll The Bones, Counterparts, Test For Echo, Vapor Trails, Feedback and Snakes & Arrows. The band is one of the most successful rock groups of the 70s and 80s with 24 Gold and 14 Platinum records. Mastered by Andy Van Dette from Masterdisk from the original masters through analog console, equalizers and compressors before being recaptured at 96kHz.
The Moody Blues - This Is The Moody Blues (1974) Threshold Records/THS-12 - 2 LP/1st US Pressing- LP/FLAC In 24bit/96kHz

The Moody Blues - This Is The Moody Blues
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 1700mb & 600mb
Mastered At Sterling Sound By Bill Kipper
Label: Threshold Records/2 THS 12/13 | Released: 1974 | Genre: Symphonic-Rock

Essential: a masterpiece of progressive rock music
“Lovely to see you again”
An excellent compilation covering the period from “Days of future passed” up to and including “Seventh Sojourn”. This was the Moody Blues most creative and productive period, and the tracks selected here arguably represent the best of those albums.
Mason - Harbour (1971) Out-Sider/OSR042 - SP Pressing - LP/FLAC In 24bit/96kHz

Mason – Harbour
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Out-Sider/OSR042 | Released: 1971 | This Issue: 2015 | Genre: Heavy-Progressive

Originally from Virginia, Mason was another example of an American hard rock band that took its influences from the British underground and 1960s’ psychedelic scene. This heavy rock album was initially released in 1971 through a tiny homemade pressing but through the years it has gained collectiblity and originals have fetched high prices as the band’s reputation has spread among collectors. The album has been bootlegged a number of times over the past years with various covers in both CD and LP format. Mason’s music combines the keyboard work of such bands as Deep Purple and the acoustics & complexity of Jethro Tull together with strong vocals, songwriting, and excellent instrumentation.
The Sisters Of Mercy - Some Girls Wander By Mistake (1992/2017) [Studio Master Re-encoded 24bit/96kHz]

The Sisters Of Mercy - Some Girls Wander By Mistake (1992/2017)
FLAC (tracks) 24 bit/96 kHz | Time - 111:47 minutes | 2,43 GB
Studio Master Re-encoded - Source "24-192" files | Artwork: Front cover

"Some Girls Wander by Mistake" is a compilation album by English band the Sisters of Mercy. The album focuses on the band's early years, as well as their last officially released studio recordings. It collected the complete and unedited studio recording work of the band from 1980 to 1983: both sides of their first single, "The Damage Done"; both sides of their second single, "Body Electric"; the A-side of their fourth single, "Anaconda"; all tracks on their first two EPs, Alice and The Reptile House; and both sides of the 12" EP edition of their fifth single, "Temple of Love". Also, the Digital versions of the album feature the extended version of "Temple of Love (1992)", in addition to the original extended version, plus several re-mixes.
Diana Krall - Love Scenes (1997/2014) Official Digital Download 24bit/96kHz]

Diana Krall - Love Scenes (1997/2014)
FLAC (tracks) 24 bit/96 kHz | Time - 55:01 minutes | 1,13 GB
Studio Master, Official Digital Download | Artwork: Front cover

The fourth studio album from beloved jazz vocalist Diana Krall features a mix of timeless jazz classics played with a reverence for the classic age of swing songs. The album includes the hits Peel Me A Grape and They Can't Take That Away From Me, as well as gems written by songwriters such as Irving Berlin, Percy Mayfield, Bing Crosby and Peggy Lee.
Diana Krall - The Girl In The Other Room (2004/2013) Official Digital Download 24bit/96kHz]

Diana Krall - The Girl In The Other Room (2004/2013)
FLAC (tracks) 24 bit/96 kHz | Time - 56:06 minutes | 1,22 GB
Studio Master, Official Digital Download | Artwork: Front cover

"The Girl In The Other Room" is the seventh studio album by Canadian jazz star Diana Krall. Featuring songs co-written with Elvis Costello as well as covers of songs by Tom Waits and Joni Mitchell, the album ranked number 7 on Billboards's Top Jazz Albums of the Decade.
The Byrds - Byrds (1973) Asylum Records/SD 5058 - Original US Presswell Pressing - LP/FLAC In 24bit/96kHz

The Byrds ‎- Byrds
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Mastered At The Lacquer Channel, Sausalito
Label: Asylum Records/SD 5058 | Release: 1973 | Genre: Country-Rock

THE BYRDS “BYRDS” (’73 REUNION)
The announcement of the reunion album featuring all five original Byrds raised expectations to the point where whatever emerged was almost bound to be an anticlimax. (Imagine the effect of the Beatles reforming around the same time, if you will.) Despite a general thumbs-down from the critics, fan loyalty and eager anticipation made the new long-player highly successful at the record store: in the States, the biggest-selling new-material Byrds album since Turn, Turn, Turn. Subsequent reviews expressed varying degrees of disappointment, but recent re-evaluation with almost forty years of hindsight portrays the project as fascinating historically and not without merit artistically. Interest in it has never waned and it’s been re-released on CD no fewer than four times. The Wikipedia article on it is almost a book.