24 Bit Khz Flac Official

Traffic - The Low Spark of High Heeled Boys (UK 1st pressing) Vinyl rip in 24 Bit/ 96 Khz + CD

Traffic - The Low Spark of High Heeled Boys (1971)
Vinyl rip in 24-bit/96kHz | FLAC (Tracks), artworks | Stereo | 830Mo, 234 Mo | 5% RAR Recovery
Styles: Progressive rock | RapidShare Download
Island Recors ILPS 9180

The Low Spark of High Heeled Boys marked the commercial and artistic apex of the second coming of Traffic, which had commenced in 1970 with John Barleycorn Must Die.
Queen - Greatest Hits 1981 (U.S edition) (24-bit/96 kHz) VinylRip [Repost]

Queen - Greatest Hits 1981 [Vinyl] HMV
U.S edition | Genre: Rock | 1981 | Vinyl Rip in 24-bit/96kHz | FLAC | 2 Channel Stereo | 992 MB

Greatest Hits is a compilation album by the British rock group Queen. When released in November 1981, the record consisted of Queen's best-selling singles since their first chart appearance in 1974 with Seven Seas of Rhye, until their most recent album at the time, The Game. There was no universal track listing or cover art for the album, and each territory's tracks were dependent on what singles had been released there and which were successful. In some cases, despite the band's popularity, not enough songs were issued as singles to fill a compilation album, so album tracks were used as filler. In some countries Under Pressure was included, which had been released as a single earlier in the year.
The Rolling Stones - Beggar's Banquet (2003 ABKCO Records ) LP rip in 24 Bit/ 96 Khz + Redbook, Request Repost

The Rolling Stones - Beggar's Banquet
Vinyl rip in 24-bit/96kHz | FLAC (Tracks) , m3u, no cue or log (vinyl) artworks | Stereo | 863, 261 Mb | 5% RAR Recovery | 1968
Styles: Rock | RapidShare Download
2003 ABKCO Records DSD

In August 2002, ABKCO Records reissued Beggars Banquet as a newly remastered LP and SACD/CD hybrid disk. This release corrected an important flaw in the original album by restoring each song to its proper, slightly faster speed. Due to an error in the mastering, Beggars Banquet was heard for over thirty years at a slower speed than it was recorded. This had the effect of altering not only the tempo of each song, but the song's key as well. These differences were subtle but important, and the remastered version is about 30 seconds shorter than the original release. Wikipedia.
Mastered by Robert Ludwig
Traffic - Shoot Out at the Fantasy Factory (UK 1st pressing A1/B1) LP rip in 24 Bit/ 96 Khz + Redbook

Traffic - Shoot Out at the Fantasy Factory
Vinyl rip in 24-bit/96kHz | FLAC (Tracks), artworks | Stereo | 765, 223 Mo | 5% RAR Recovery | 1973
Styles: Progressive rock, Jazz fusion | RapidShare Download
Island ILPS 9224 A1/B1

After two exemplary releases, Shoot Out at the Fantasy Factory marked a fall-off in quality for Traffic. They had built up enough of a following through touring that the album was a commercial success, but it sounds like an imitation of earlier triumphs.
Pink Floyd - Obscured by Clouds '1972 (UK 1st pressing A1/B1) LP rip in 24 Bit/ 96 Khz + Redbook

Pink Floyd - Obscured by Clouds
Vinyl rip in 24-bit/96kHz | FLAC (Tracks), artworks | Stereo | 814, 219 Mo | 5% RAR Recovery | 1972
Styles: Progressive rock | RapidShare Download | Harvest/EMI SHSP 4020 A1/B1

This Harvest British 1st pressing goes FAR beyond anything you've ever heard for this album.
Enjoy!!!
Grant Green - Matador (Blue Note BRP-8045, JPN Toshiba-EMI Bonus) LP rip in 24 Bit/ 96 Khz + Redbook

Grant Green - Matador
Blue Note BRP-8045, Japan Toshiba-EMI Bonus, 1993
Vinyl rip in 24-bit/96kHz | FLAC (Tracks) , artworks | Stereo | 898 + 181 Mo | 5% RAR Recovery | 1964
Styles: Soul Jazz, Guitar Jazz, Hard Bop | RapidShare Download

Grant Green recorded so much high-quality music for Blue Note during the first half of the '60s that a number of excellent sessions went unissued at the time. Even so, it's still hard to figure out why 1964's Matador was only released in Japan in 1979, prior to its U.S. CD reissue in 1990 – it's a classic and easily one of Green's finest albums. In contrast to the soul-jazz and jazz-funk for which Green is chiefly remembered, Matador is a cool-toned, straight-ahead modal workout that features some of Green's most advanced improvisation, and remains one of his greatest achievements. Allmusic*****
Very rare Japan Promo only Bonus LP for who buy many copies from The Series "Blue Note 1993 4000 Series Ultra Collection Part 10 & 11
The Rolling Stones - Big Hits [High Tide and Green Grass] - (2003 ABKCO Records DSD Stereo) LP rip in 24 Bit/ 96 Khz

The Rolling Stones - Big Hits [High Tide and Green Grass]
2003 ABKCO Records DSD
Vinyl rip in 24-bit/96kHz | FLAC (Tracks) , m3u, no cue or log (vinyl) artworks | Stereo | 1,14 Go | 5% RAR Recovery | 1966
Styles: Rock | RapidShare Download

Big Hits (High Tide and Green Grass) is the first official compilation album by The Rolling Stones, released on 28 March 1966, on London Records in the United States and on 4 November 1966, by Decca Records in the United Kingdom. The two releases featured different cover art and track listing. The front cover for the American release w
as used for the rear photo on the UK edition. Wikipedia.
Ry Cooder - Paris, Texas, Original Motion Picture Soundtrack - LP rip in 24 Bit/ 96 Khz

Ry Cooder - Paris, Texas, Original Motion Picture Soundtrack
Vinyl rip in 24-bit/96kHz | FLAC (Tracks) , m3u, artworks | Stereo | 638 Mb | 5% RAR Recovery | 1985
Styles: Blues, OST | RapidShare Download

Ry Cooder has done some of the best soundtracks in the last 20 years or so (I wouldn't live without The Long Riders or the two-disc Music By Ry Cooder compilation, either)–most of them superior to the movies. (Sorry about that, Walter Hill–but it's true.) His lonesome, steel-guitar music for Wim Wenders' Paris, Texas is one of those cases where the movie and its music are equally great. I can't imagine one without the other. Every time I hear Cooder's opening theme, I see those wide western spaces and Travis (Harry Dean Stanton) wandering through them; and every time I see a still from the movie, I can hear Cooder's music playing in my head. –Jim Emerson
Palme d'Or à Cannes en 1984, Paris, Texas a été, trois ans avant Les Ailes du désir, le plus gros succès commercial de Wim Wenders. Le fantomatique Harry Dean Stanton y errait dans des paysages arides, à la recherche d'une famille disloquée et de sa propre identité. Belle idée de Wenders : confier la partition originale au guitariste Ry Cooder. Ici, sa force est dans le dépouillement : un tempo lent, des accords de blues, une guitare, un phrasé bien à lui… Le désert texan en plans de grand ensemble prend alors une dimension saisissante. Hypnotique et envoûtante, la musique de Paris, Texas joue avec le temps et, parfois, semble même l'arrêter. Le thème légendaire signé Ry Cooder est en fait une relecture d'un standard du blues acoustique de Blind Willie Johnson, "Dark Was The Night, Cold Was The Ground". –Stéphane Lerouge
Paul Revere & The Raiders - Kicks (1983) {Edsel UK}  24-bit/96kHz Vinyl Rip plus Redbook CD Version

Paul Revere & The Raiders - Kicks
Vinyl rip in 24-bit/96kHz | FLAC (5% Recovery) | m3u & Tech Log, no cue | HQ Artwork
933 MB (24/96) + 312 MB (CD) | RAR 5% recovery | DR Analysis | Rock | 1983
Edsel ED 123 (1983) Original UK Pressing

is a compilation of songs by Paul Revere & The Raiders issued on the UK Edsel label. Paul Revere & the Raiders is an American rock band that saw considerable U.S. mainstream success in the second half of the 1960s and early 1970s.
Grateful Dead - Europe '72 (1972) {2011 Warner Bros/Rhino 180g 3xLP} 24-bit/96kHz Vinyl Rip plus Redbook CD Version

Grateful Dead - Europe '72
Vinyl rip in 24-bit/96kHz | FLAC (5% Recovery) | m3u & Tech Log, no cue | HQ Artwork
2290 MB (24/96) + 719 MB (CD) | RAR 5% recovery | DR Analysis | Rock | 1972
Warner Bros/Rhino ~ RH1 2668 (2011)
3xLP Pressed at RTI on 180g virgin vinyl using lacquers cut from the original analog masters by Chris Bellman

is a 1972 live triple album of performances by the Grateful Dead, recorded during their tour of Western Europe in early 1972.