24 96khz

Donovan - Catch The Wind (1965) PNV 24 138/45 RPM - 1st FR Pressing - EP/FLAC In 24bit/96kHz

Donovan – Catch The Wind
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Pye Records/PNV 24 138 – Disques Vogue/PNV 24 138 | Release: 1965 | Genre: Country-Folk

To finish my Donovan’s Folk era cycle, I leave the legendary EP where appears “Every man has his chain“

Uriah Heep - Between Two Worlds (2005) {24-bit/96kHz Remastered}  Music

Posted by popsakov at Nov. 10, 2016
Uriah Heep - Between Two Worlds (2005) {24-bit/96kHz Remastered}

Uriah Heep - Between Two Worlds (2005) {24-bit/96kHz Remastered}
2CD | EAC Rip | FLAC (Img) + Cue + Log ~ 949 Mb | MP3 CBR320 ~ 329 Mb
Scans (JPG, 300 dpi) ~ 58 Mb | RAR 5% Recovery
Hard Rock, Classic Rock | Ambitions / Eagle Rock / Membran Music #223141-311

2CD set featuring 26 tracks from one of Europe's most popular rock combo's who formed in 1969. This compilation takes tracks from the 1998 & 1995 albums 'Sonic Origami' and 'Sea Of Light'. Tracks include 'Love in Silence', 'Between Two Worlds' and 'Spirit of Freedom'. 2CD set was made in Germany in 2005 and it's 24-bit digitally remastered.
Fetchin Bones – Bad Pumpkin (1986) Capitol Records/1A 064-24 0655 1 – EU DMM Pressing - LP/FLAC In 24bit/96kHz

Fetchin Bones – Bad Pumpkin
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
DMM Direct Metal Mastering
Label: Capitol Records/1A 064-24 0655 1 | Released: 1986 | Genre: Southern-Pop

Like the sublimely seedy roadside joints of America’s rural South — where you can shoot pool, buy fishing worms and have your lawnmower repaired all in the same room — Fetchin Bones are dedicated to the sort of unexpected variety that somehow seems to work. On their debut album, the North Carolina quintet peddles an exciting mix of revved-up rock, country twang, folk, blues and swing, driving it all home with unrestrained energy and unpolished charm. The crazed quaver in singer Hope Nicholls’ voice provides the heart of the Bones’ sound; three songs without her lead vocals are the album’s weakest cuts. Producer Don Dixon admirably translates the group’s wild-eyed persona to vinyl, but this is a band that must be seen live for a full grasp of their eclectic frenzy. Delightfully different graduates of the R.E.M.-inspired school of Southern pop. (The CD and cassette add three tracks.)
Rebecca Pidgeon - Four Marys (1998) [Official Digital Download 24bit/96kHz] RE-UP

Rebecca Pidgeon - Four Marys (1998)
FLAC (tracks) 24 bit/96 kHz | Time - 47:56 minutes | 1014 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Chesky Records release. You know her voice. Scottish-singer/actress Rebecca Pidgeon captivated music lovers and audiophiles alike with her classic rendition of "Spanish Harlem". Now, on her new Celtic-inspired, musical story book "Four Marys" she takes listeners on a musical journey back to her Scottish roots. Historical, philosophical, humorous and tragic, "Four Marys" explores classic tales of love, infidelity, war and revenge. In the process, Pidgeon's fresh interpretations of traditional Celtic folk songs like "Fhear a Bhata", "Black Jack Davey" and "Jock O Hazeldean" - blend her unmistakable vocal style with a distinctive Celtic flavor.
Rebecca Pidgeon - Retrospective (2003) [Official Digital Download 24bit/96kHz] RE-UP

Rebecca Pidgeon - Retrospective (2003)
FLAC (tracks) 24 bit/96 kHz | Time - 48:48 minutes | 1,08 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Standing at the crossroads of Scottish Folk and Modern Pop, singer/songwriter Rebecca Pidgeon has recorded three wonderfully imaginative albums with Chesky Records over the last decade. In each of Rebecca's distinct recordings she demonstrates an uncanny ability to span a wide range of vocal and song styles, while consistently propelling her signature sweet voice. Now commemorating the best from each album, this collection offers you the individual titles that together create an exciting mosaic of this amazing singer/songwriter.
Tony Bennett - Hometown, My Town (1959) - VINYL white label promo MONO - 24-bit/96kHz plus CD-compatible format

Tony Bennett - Hometown, My Town (1959) - VINYL, WLP
Vinyl rip in 24-bit/96kHz | FLAC (5% Recovery) | m3u's, md5 checksum, no cue or log (vinyl) | RS + Hot File
258 MB (24/96) or 98 MB redbook | Artwork included | Jazz Pop Vocal | 1958

From a 6-eye white label promo copy.
Tony Bennett - Alone At Last 10in EP (1955) - VINYL, MONO, 6-eye - 24-bit/96kHz plus CD-compatible format

Tony Bennett - Alone At Last 10in EP
Vinyl rip in 24-bit/96kHz | FLAC (5% Recovery) | m3u, no cue or log (vinyl) | RS + Hot File
155 MB (24/96) or 55 MB redbook | Artwork included | Pop Vocal | 1955

Not essential from a sound standpoint or from the availability view, but the vinyl was in nice shape.
Tony Bennett - Sings A String Of Harold Arlen (1960) - VINYL, 6-eye MONO - 24-bit/96kHz plus CD-compatible format

Tony Bennett - Sings A String Of Harold Arlen
Vinyl rip in 24-bit/96kHz | FLAC (5% Recovery) | m3u, no cue or log (vinyl) | RS + Hot File
442 MB (24/96) or 163 MB redbook | Artwork included | Rock | 1960

A terrific outing from Tony B, and great rainy day driving music as I discovered one wet day.
Los Lobos - ...and a time to dance (1983) - VINYL - 24-bit/96kHz plus CD-compatible format

Los Lobos - …and a time to dance
Vinyl rip in 24-bit/96kHz | FLAC (5% Recovery) | m3u, no cue or log (vinyl) | RS + Hot File
378 MB (24/96) or 119 MB redbook | Artwork included | Rock | 1983

This EP has never been on CD to my knowledge.
Sebastiano Meloni - Moods And Sketches (2016) [Official Digital Download 24bit/96kHz]

Sebastiano Meloni - Moods And Sketches (2016)
FLAC tracks 24bit/96kHz | Digital Booklet | 635MB + 5% Recovery
Studio Master, Official Digital Download, Big Round Records

Improvisation on the keyboard was very much expected of the leading classical musical minds in earlier years. And what came about was framed by the compositional practices of the time. So Johann Sebastian Bach might improvise elaborate fugues based on a particular theme; Mozart was known to create brilliant variations spontaneously on a theme given to him at the spur-of-the-moment. Fantasias were possible and were another, more free option, but of course what came out was something the composer might have more carefully worked over in a formal composition. There were definite resonances between the improvised and the composed.