Al Caiola’s mastery of the guitar was always abundantly clear, both in his recordings as a studio musician and in his stage performances, and it is just as self-evident in these two albums and in his relationship with the two solid jazz groups that accompany him on them. "High Strung" was recorded in 1959, and without climbing way out on a limb, Al and his supporting cast of guitars—George Barnes, Al Cassamenti, Don Arnone, John Pizzarelli, and Billy Bauer—set new ideas to a solid swinging beat in “electrifying” up-tempo evergreens and a couple of his own compositions, backed by an excellent rhythm section.
28 slices of down’n’dirty blues from the Deep South – including eight previously unheard tracks and takes. The “By The Bayou” series leaps to Volume 18 with a return to the blues of South Louisiana, bringing you rare or previously unissued tracks from stars of the genre such as Lightnin’ Slim, Lazy Lester and Slim Harpo, plus a host of little-known or completely unknown performers. We also have two artists who you would never think performed in the downhome style – Barbara Lynn and Cookie (aka Huey Thierry) – but who sound right at home, with an unknown harmonica player setting the tone on Barbara’s track whilst Cupcakes guitarist Marshall Laday supports Cookie with some mean blues pickin’. In fact there are several tracks here that will have air-guitar virtuosos reaching for their imaginary axes.
Two dozen rare B-sides from Stax Records’ “blue” period, many reissued for the first time. An enormous and impressive undertaking, “The Complete Stax-Volt Singles 1959-68” box set was issued in 1991. While pleased with its content, hardcore collectors were nevertheless disappointed that it was not as “complete” as it claimed to be, as it featured all the A-sides and only selected B-sides. While highly welcome, its release left more than 100 of approximately 225 “blue period” Stax and Volt B-sides un-reissued in any form. Several of those sides have since featured on CD compilations, either as individual tracks here and there or on Kent’s recent “The Other Side Of The Trax”, but that still left many awaiting reissue. Fortunately, the success of “The Other Side Of The Trax” has warranted this second volume. The 24 tracks here span almost the whole of Stax Records’ blue period, as far back as when the label was still called Satellite.
From the classic blues of Bessie Smith and Ma Rainey to female country blues pioneers Memphis Minnie and Geeshie Wiley, this Rough Guide explores the hugely significant and often overlooked role that women have played in the story of the blues. 'The fact that this release brings attention to this overlooked category is well beyond overdue'.
"On the Outside tour, Bowie quietly served as a grounding point for Reznor; he offered, in his music and his performances, the potential of a future. … Bowie and Reznor designed an interim sequence to bridge their sets. There would be no NIN encore. Instead Bowie, then his band, would join NIN on stage, and then NIN would depart, leaving Reznor singing with Bowie's band. The concert featured on this remarkable 2CD set finds the entourage playing at The Riverport Amphitheatre in St Louis, Missouri, on 11th October 1995.