SHADOW DANCING is the second album by English singer-songwriter and teen idol Andy Gibb, released in April 1978 in the United States and September 1978 in the United Kingdom. It was Gibb's highest charting album in some countries including America and in Canada. This LP was his only album to chart in the UK. The album had released four singles including the three US Top 10 and one single that was not charted elsewhere.
FLOWING RIVERS Flowing Rivers is the debut studio album by English singer-songwriter Andy Gibb. The album was produced by Albhy Galuten and Karl Richardson, with Barry Gibb on two tracks. It was released in September 1977 on RSO.
Released in 1978 & 1979 respectively Watsonian Institue are Johnny Guitar Watson’s backing band and both albums – unsurprisingly – were produced & arranged by Johnny Guitar Watson. There’s a sort of low slung feel to many of the tracks here, reminiscent of Watson’s style. ‘Master Funk’, ‘The Funk If I Know’ and ‘De John’s Delight’ are highlights on Master Funk whilst ‘Pretty Brown Doll’, ‘Lil Sis’ and Follow Me’ are the best tracks on E.D.P.
The disco files, Vol 3, a beautiful compilation of many old and new titles, a reprospective from our Label Peppermint Jam
The arena rock band behind one of the fastest-selling debut albums in history, Boston was essentially the vehicle of guitarist and studio wizard Tom Scholz, born March 10, 1947 in Toledo, Ohio. A rock fan throughout his teen years, he began writing songs while earning a master's degree at the Massachusetts Institute of Technology…
Chucho Valdes, Cuba's most famous jazz musician, has rebalanced the repertoire of his Afro-Cuban Messengers on Border-Free, mixing its American-jazz agenda (the group's name deliberately references both Valdes' roots and the late Art Blakey's classic soul-bop Jazz Messengers group) with more extended Latin-American input, and some Native American and Andalusian connections, too. Saxophonist Branford Marsalis, guesting on three tracks, is warmly romantic on tenor on the loping Tabu, agile and fluent on the Cuban dance-shuffle Bebo, and mercurial on a soprano-sax break full of north African microtonalisms on the hurtling, horn-hooting finale, Abdel.