The selections on this album of music by Estonian "holy minimalist" Arvo Pärt come from different phases of his career. One, the Solfeggio, dates from 1963, before Pärt abandoned serialism for his minimalist experiments; it was revised and simplified a good deal in 2008, however. The centerpiece (and finale), the Stabat Mater, was composed in 1985, and several of the shorter pieces date from the 2000s. The repertoire is divided between sacred choral pieces and short secular pieces of various kinds, all culminating in the giant, hypnotic, and virtually symmetrical Stabat Mater.
"These performances are notable for the blending of piano and strings into impeccably balanced textures. It’s an approach that’s better suited to the subtle Piano Quartet, a masterwork that owes much to classical models, than to the Piano Quintet. (…) These highly recommendable performances (…) join many other polished, modern accounts such as Takács/Hamelin and Mandelring/Le Guay that have been praised in these pages…" ~Fanfare
Pour ce 9ème album, le saxophoniste français Sylvain Beuf réunit autour de onze nouveaux titres originaux, et pour la première fois dans une formation «électrique» : le guitariste Manu Codjia, le bassiste Philippe Bussonnet et le batteur Julien Charlet. Un quartet de choc auquel se sont adjoints pour l'occasion les trompettistes Nicolas Folmer et Alex Tassel ainsi que le percussionniste ivoirien Thomas Guei.
A judicious coupling of Shostakovich recordings by the Jerusalem Quartet who have won BBC Music Magazine Awards no less than three times. “Vivid, profoundly intelligent accounts of six of Shostakovich's Quartets. The Jerusalems prove eloquent exponents of these works' tragic intensity and bittersweet lyricism.” - BBC Music Magazine, February 2013.
Since 1996, during the height of the Provençal summer, the beautiful, historic city of Arles has hosted the Festival Les Suds - a joyous musical alchemy that combines singing, music and dance and both explores and redefines the cultural heart of southern Europe (and beyond). Over the course of a week, music from around the world resounds like a universal language. This deluxe, greatest hits package from World Village features highlights recorded over the festival's last decade.
A new release from the revered Netherlands Chamber Choir, featuring works by Arvo Pärt. This time the choir teams up with the Netherlands Chamber Orchestra in a mixed program of chamber orchestra, choral, and choral a cappella works. The main course on this CD is the rarely recorded and monumental Te Deum. Young Estonian conductor Risto Joost delivers a reading that is rich and inspired.
Originally issued in the Century series in 2005,this EARLYMUSIC set by the artists of harmonia mundi now returns to invite you to travel the centuries in music. In 10 CDs and more than 12 hours listening, this unique guide will allow you to (re)discover the music of the past and develop your musical knowledge. Each CD is accompanied by a detailed booklet dealing with the musical, historical and geographical context, closely linked with key elements from the visual arts of the appropriate period. From the ancient world to 1600: the pleasure of discovery is complete, for eyes and ears alike!
This album confirms it, Virginie Teychené is a musician with a voice. She strolls through her imaginary museum dedicated to jazz singer-songwriters and brings her own light to each of its rooms. A grazing light in Familiar Dream, a bright light in Tight, the light of dawn in I'm Gonna Go Fishing and that of dusk in Goodbye Pork Pie Hat. The contributions of her co-musicians are intense due to their restraint; Gérard Maurin's weightless double-bass arrangements, Stéphane Bernard's chiaroscuro piano playing, Jean-Pierre Arnaud's dance-like drumming, and last but not least, Éric Le Lann's inspired trumpet playing, all make Bright and Sweet an exemplary jazz album, where all the miniatures that make it up are in fact merely beginnings.
Telemann: Suites for Orchestra: La Chasse / Tragikomische Suite is 1999 Harmonia Mundi recording played by the Akademie fur Alte Musik Berlin. Roman Hinke has written the music and Derek Yeld has translated them into English. Also included is a short biography of Akademie fur Alte Musik Berlin. Highly recommended. 5/5.
Nominated for a South Bank Show newcomers' award, the sprightly early music group La Nuova Musica stake their unique claim: Handel's Il pastor fido has never been recorded before in this 1712 version, though some of the fine music pops up in later incarnations. Its pastoral colours make a strong contrast with the extrovert Rinaldo, Handel's first opera for London; the sensual orchestration is beautifully realised here, but heavy vibrato is in evidence in several of the resonantly recorded voices, which often overwhelm the continuo. Lucy Crowe's magnificent soprano is allowed full rein, and I enjoyed both Anna Dennis and Clint van der Linde, an outstanding countertenor. An auspicious debut.–The Observer