The selections on this album of music by Estonian "holy minimalist" Arvo Pärt come from different phases of his career. One, the Solfeggio, dates from 1963, before Pärt abandoned serialism for his minimalist experiments; it was revised and simplified a good deal in 2008, however. The centerpiece (and finale), the Stabat Mater, was composed in 1985, and several of the shorter pieces date from the 2000s. The repertoire is divided between sacred choral pieces and short secular pieces of various kinds, all culminating in the giant, hypnotic, and virtually symmetrical Stabat Mater.
"These performances are notable for the blending of piano and strings into impeccably balanced textures. It’s an approach that’s better suited to the subtle Piano Quartet, a masterwork that owes much to classical models, than to the Piano Quintet. (…) These highly recommendable performances (…) join many other polished, modern accounts such as Takács/Hamelin and Mandelring/Le Guay that have been praised in these pages…" ~Fanfare
Pour ce 9ème album, le saxophoniste français Sylvain Beuf réunit autour de onze nouveaux titres originaux, et pour la première fois dans une formation «électrique» : le guitariste Manu Codjia, le bassiste Philippe Bussonnet et le batteur Julien Charlet. Un quartet de choc auquel se sont adjoints pour l'occasion les trompettistes Nicolas Folmer et Alex Tassel ainsi que le percussionniste ivoirien Thomas Guei.
A judicious coupling of Shostakovich recordings by the Jerusalem Quartet who have won BBC Music Magazine Awards no less than three times. “Vivid, profoundly intelligent accounts of six of Shostakovich's Quartets. The Jerusalems prove eloquent exponents of these works' tragic intensity and bittersweet lyricism.” - BBC Music Magazine, February 2013.
A new release from the revered Netherlands Chamber Choir, featuring works by Arvo Pärt. This time the choir teams up with the Netherlands Chamber Orchestra in a mixed program of chamber orchestra, choral, and choral a cappella works. The main course on this CD is the rarely recorded and monumental Te Deum. Young Estonian conductor Risto Joost delivers a reading that is rich and inspired.
Since 1996, during the height of the Provençal summer, the beautiful, historic city of Arles has hosted the Festival Les Suds - a joyous musical alchemy that combines singing, music and dance and both explores and redefines the cultural heart of southern Europe (and beyond). Over the course of a week, music from around the world resounds like a universal language. This deluxe, greatest hits package from World Village features highlights recorded over the festival's last decade.
Gabriel is back with another funky contemporary jazz album, collaboration with Jeff Lorber (keys, g, b). In addition Brian Bromberg (b), Chuck Loeb (g), Rock Hendricks (sax) and Rob Tardik (g) all make guest appearances. Hasselbach plays trumpet, flugelhorn, trombone and flute. He soars, soothes and keeps the melodies crisp. They waste no time getting down to business with the opener "King James", the first of ten cuts that sizzle. Gabriel and company are energized and when you plug this one in you too will be Kissed By The Sun!
Anyone interested in stunning violin artistry should buy this amazing disc straightaway. It’s one of the best things I’ve heard in a long time. I hadn’t come across Tianwa Yang’s Sarasate series for Naxos before but I will certainly search out the other discs as a matter of some urgency. Her playing is simply extraordinary - no wonder she’s been described as “A Pride of China”. This isn’t one of those flashy, hollow, 20-notes-a-second recitals that quite frankly drive me to distraction.