Snake-Eaters debuts Fred Ho's Saxophone Liberation Front, featuring composer Ho on baritone saxophone and Hafez Modirzadeh (soprano), Bobby Zankel (alto) and Salim Washington (tenor). Darker than Blue, inspired by Curtis Mayfield's song, We the People Who are Darker than Blue, employs shifting meters (including a blues section in 11/8 and 11.5 /8), 12-tone serialism, compound meter ostinati, and Lydian chromatic approaches to orchestration. Ho's Yellow Power, Yellow Soul Suite coincides with the soon-to-be publication of the Drs. Roger Buckley and Tamara Roberts' festschrift by the same title, and includes the previously recorded "Fishing Song of the East China Sea" (originally a flute trio with bass violin on the out-of-print recording by Fred Ho and the Asian American Art Ensemble, Bamboo that Snaps Back; and the now-defunct Brooklyn Sax Quartet recording The Far Side of Here), as well as Afro-Asian adaptations of other Asian folk songs.
Giovanni Simone Mayr‘s „Medea in Corinto“ is „the most absolutely amazing opera discovery in decades“ (Frankfurter Allgemeine Zeitung). A triumph for the Bavarian State Opera, the work was staged with a roster of top vocalists headed by Nadja Michael and Ramon Vargas in a production crafted by one of the leading directors of our time, Hans Neuenfels, and with a musical director in demand all over the world, Ivor Bolton. Born near Ingolstadt, Germany, in 1763, Mayr moved to Italy around 1787 and became one of the most important composers of Italian opera between Mozart and Rossini. He also taught many reputable composers, such as Donizetti. Written at the dawn of romanticism and the bel canto era, his main works unite stylistic characteristics of Viennese classicism with Italian melodic exuberance. „Medea in Corinto“ was premiered in Naples in 1813.
It’s not every day that you run into a musician who joins a protean range of talents—as a composer, saxophonist, writer and bandleader–-with a commitment to Marxist ideology….For twenty years now Fred Ho and his Afro Asian Music Ensemble have been defending the turf where the personal and the political slam into the maelstrom of new jazz…a fiercely imaginative baritone saxophonist and composer.