60 CD box set. Selection of Ludwig Van Beethoven works recorded by David Zinman & Tonhalle Orchestra Zurich (Symphonies), Yefim Bronfman, David Zinman & tonhalle Orchestra Zurich (Piano concertos), Pinchas Zuckerman & Marc Neikrug (Violin Sonatas), Anner Bylsma & Jon Van Immerseel (Cello Sonatas), Seraphin Trio (Piano Trios), Alexander String Quartet (String Quartets), Yukio Yokoyama, Robert Casadesus, Justus Frantz, Vladimir Horowitz, Gerhard Oppitz & Charles Rosen (Piano Sonatas), Eugene Ormandy & Philadelphia Orchestra (Christ On The Mount Of Olives), Wolfdieter Maurer & Tokyo Oratorio Society (Mass in C Major), David Zinman & Tonhalle Orchestra Zurich (Missa Solemnis) and many other great artists.
Tracks from three recently discovered 1960s concerts, by the celebrated arranger, pianist & experimental theorist, George Russell, released here for the very first time - and from the same period as his famous Ezz-Thetics album (1961) with Eric Dolphy. The first, in Lennox Massachusetts, includes Al Kiger, Dave Baker, Chuck Israels & Dave Young; the 2nd, from the 1964 Newport Jazz Festival features Don Ellis, John Gilmore, Steve Swallow, Pete La Roca & Sheila Jordan. The third, a single track, is from a 1964 European date, with Thad Jones, Joe Farrell, Al Heath & Garnett Brown. Included are new versions of the Russell classics: Stratusphunk and The Outer View.
Not autumnal, not reflective, not reserved, and definitely not restrained, this coupling of Brahms' two string sextets may seem to some to be at best wrong-headed and at worst simply wrong. After all, isn't Brahms the composer for whom the adjective autumnal was coined and to whom the adjectives reflective, reserved, and restrained are reflexively applied? Yes, but that doesn't mean all of Brahms' music is autumnal: he was young once, too and the expansive and exuberant young Brahms is emotionally far from the reflective, reserved, and restrained composer of later years.
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest DSD / HR Cutting remastering. Comes with a description. Features the original LP designs. Less heralded than their collaboration with Thelonious Monk (as documented on Bags' Groove and Miles Davis and the Modern Jazz Giants), this August 5, 1955 session with vibraphonist Milt Jackson was Davis' last all-star collaboration before the formation of his first classic quintet. It marked a farewell to an older generation of acolytes and fellow travelers; Davis was entering a new era of leadership and international stardom, and generally he would only record with his working groups.
They mean well, their hearts are in it, and they clearly have the chops. But ultimately, the Prazák Quartet's and Kocian Quartet's recording of Mendelssohn's ineffably evanescent String Octet doesn't quite make the grade. Because for all their good intentions, the Prazák and Kocian quartets' performance does not quite capture the work's ineffable evanescence, its sense of youthful impetuosity and masterful lucidity or its feeling for achingly lovely melodies and strongly effective rhythms.
Inspired by Charlie Parker and then Jackie McLean, the widely experienced, Detroit-born altoist Sonny Red, nee Sylvester Kyner (1932-1980) was an archetypal Motor City bopper, who, like many of his confreres there, also absorbed the blues-drenched lines of pianist Bud Powell. Forthright, direct, unpretentious, a skilled soloist with a strong feeling for the blues, he played and recorded with some of the finest jazzmen around. The presence here of such luminous talents as, most notably, pianist Barry Harris, along with fellow pianist Tommy Flanagan, trumpeter Blue Mitchell, saxophonists Clifford Jordan and Yusef Lateef, and guitarist Grant Green left no doubt about his stature among them…
The three albums tenorman Bill Barron made as a leader for Savoy Records in early 60s embody every facet of this accomplished jazzman as a talented soloist, composer and arranger. And, despite the similarities in their harmonic ideas, Barron was not a slavish disciple of John Coltrane.