2007 Sextet

Ben Dobay Sextet - Peace (2007)  Music

Posted by TestTickles at May 23, 2017
Ben Dobay Sextet - Peace (2007)

Ben Dobay Sextet - Peace (2007)
EAC Rip | FLAC with CUE and log | scans | 229 mb
MP3 CBR 320kbps | RAR | 95 mb
Genre: R&B, soul, hip-hop, rap

Peace is the 2007 album by saxophonist Ben Dobay and his sextet. This album was self released.
Claude Bolling Sextet - Jazzgang Amadeus Mozart (1965) Reissue 2007

Claude Bolling Sextet - Jazzgang Amadeus Mozart (1965)
EAC | FLAC | Tracks (Cue&Log) ~ 189 Mb | Mp3 (CBR320) ~ 100 Mb | Scans included
Jazz & Classical | Label: Philips | # 983 781-2 | Time: 00:29:08

The reissue of keyboardist Claude Bolling's recordings of the 1960s may prompt a positive reevaluation of his contributions. Bolling has been known, at least outside France, mostly for the flute-and-piano works he composed for Jean-Pierre Rampal; his recordings with Rampal hit a certain popular groove and stuck with the formula. They were undeniably appealing in a simple way, but they became fatally overexposed. Bolling's earlier recordings reveal more imagination in his treatment of the relationship between jazz and classical music. Take for example this 1965 album, recorded in Paris. It's one of the few successful jazz treatments of Mozart, who is notoriously resistant to jazz treatment. The difficulty comes as a result of Mozart's reliance on harmonic rhythm, or the speed of the rate of change of the harmonies in the music. This feature seems impossible to capture in jazz, which heavily relies on regular chord changes, but Bolling's solutions here, making use of a classic jazz sextet, are brilliantly imaginative.
The David Grisman Sextet - The David Grisman Sextet (2016/2017) [Official Digital Download 24/96]

The David Grisman Sextet - The David Grisman Sextet (2016)
FLAC (tracks) 24-bit/96 kHz | Time - 53:53 minutes | 1,17 GB
Studio Master, Official Digital Download | Artwork: Front cover

In 1976 the newly-formed David Grisman Quintet recorded the first album of dawg music, an acoustic blend of many styles and traditions. Now forty years later that music continues to evolve with this first recording of the David Grisman Sextet. Many faces, hearts and hands have changed but the musical vision is still intact — the Dawg's own music.
Third Coast Percussion - Steve Reich: Mallet Quartet; Sextet; Nagoya Marimbas; Music for Pieces of Wood (2016)

Third Coast Percussion - Steve Reich:
Mallet Quartet; Sextet; Nagoya Marimbas; Music for Pieces of Wood (2016)

EAC | FLAC | Image (Cue&Log) ~ 322 Mb | Scans included | Time: 01:02:27
Classical, Minimalism | Label: Cedille | # CDR 90000 161

GRAMMY WINNER, 59TH AWARDS: Best Chamber Music/Small Ensemble Performance. Third Coast Percussion has been saluted by the Washington Post for its virtuosity and precisely timed wit, and was called by the New York Times a commandingly elegant ensemble. The group, which is ensemble-in-residence at the University of Notre Dame, teaches and performs a concert series in Chicago, and has commissioned dozens of new works. This album is the ensembles Cedille label debut, and is an 80th birthday acknowledgement to American composer Steve Reich, the founding father of musical minimalism. This recording features four of Reichs most notable percussion works.
Lalo Schifrin - Lalo Schifrin & Friends (2007) {Aleph Records 039}

Lalo Schifrin - Lalo Schifrin & Friends (2007) {Aleph Records 039}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 365 Mb | MP3 @320 -> 150 Mb
Full Artwork @ 300 dpi (jpg) -> 32 Mb | 5% repair rar
© 2007 Aleph Records | 039
Jazz / Contemporary Jazz / Third Stream / Piano / Modern Post Bebop

Lalo Schifrin turned 75 on June 21, 2007. In anticipation of that milestone, he convened the recording session for this album a little less than three months earlier, on March 30, 2007, intending to return to his first love of acoustic jazz. The sextet making up the pianist/composer's friends here includes saxophonist James Moody, James Morrison on trumpet and trombone, guitarist Dennis Budimir, bass player Brian Bromberg, and Alex Acuña on drums and percussion. It's an accomplished lineup, and Schifrin wrote and arranged material to showcase the players, beginning with the standard "Besame Mucho," on which Morrison's trumpet takes the lion's share of space.

Santana - 2 Studio Almums (1969-1972) [MFSL, 2007-2011] (Repost)  Music

Posted by gribovar at March 17, 2017
Santana - 2 Studio Almums (1969-1972) [MFSL, 2007-2011] (Repost)

Santana - 2 Studio Almums (1969-1972) [MFSL, 2007-2011]
EAC Rip | WavPack (image+.cue+log) - 545 MB | MP3 CBR 320 kbps (LAME 3.93) - 209 MB | Covers - 78 MB
Genre: Psychedelic Rock/Fusion | RAR 3% Rec. | Label: Mobile Fidelity Sound Lab

Santana - Santana (1969). Santana’s self-titled debut album announces the arrival of a new Guitar God. Made during the legendary bandleader’s most fruitful and creative period, the classic 1969 set functions as an accessible entry point into the tangy worlds of Latin music by way of an intoxicating blend of Afro-Cuban percussion, jazzy tempos, exotic leads, bluesy riffs, and psychedelic accents. Indeed, separation between Carlos Santana’s fluid fills, spicy solos, and broiling grooves and pianist Gregg Rolie’s soulful Hammond organ runs allows the music to come alive with a newfound freshness and radiance. Songs simmer, with each passage bursting forth with vibrant color…
The Candoli Brothers Sextet - Jazz Horizons (1957-58) {Lone Hill Jazz LHJ10167 rel 2005}

The Candoli Brothers Sextet - Jazz Horizons (1957-58) {Lone Hill Jazz LHJ10167 rel 2005}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 176 Mb | MP3 @320 -> 136 Mb
Full Artwork @ 300 dpi (jpg) -> 14 Mb | 5% repair rar
© 1957-58, 2005 Dot / Lone Hill Jazz | LHJ10167
Jazz / Cool / Trumpet

This CD brings the firsts LPs that the Candoli brothers recorded together. They are accompanied by an impeccable rhythm section. This is jazz which is characteristic of California, in the most joyful and spectacular side of it, interpreted by first-rate jazz musicians. Complete 1957 and 1958 Dot albums: "The Brothers Candoli" + "Bell, Book and Candoli".
Jackie McLean - 4, 5 And 6 (1956/2007/2014) [Official Digital Download]

Jackie McLean - 4, 5 And 6 (1956/2007/2014)
FLAC (tracks) 24 bit/44,1 kHz | Time - 45:22 minutes | 565 MB
Studio Master, Official Digital Download | Artwork: Digital booklet
Rudy Van Gelder Remaster - 2006

This was McLean's third album as leader and second for Prestige. The LP at the time helped to establish McLean on the jazz scene. This album of ballads and burners features sax man Jackie McLean in various small-group combinations. He is joined on three numbers by Hank Mobley and on two numbers by Donald Byrd (one of those numbers also including Mobley). The other three cuts are jazz quartets. Thus, the album title refers to the three personnel configurations used over the two recording dates.

Oscar Peterson - Jazz Manifesto (2007) 2CD  Music

Posted by SuniR at Jan. 12, 2017
Oscar Peterson - Jazz Manifesto (2007) 2CD

Oscar Peterson - Jazz Manifesto (2007) 2CD
EAC | FLAC (log,image+cue) -> 404 Mb (5% Rec.) | Mp3 CBR320 Kbps -> 363 Mb (5% Rec.) | Scans -> 38 Mb
Jazz, Swing | Label: Delta / Performance Records, #:38276 | 2007 | 02:35:38

Few musicians consistently thrill audiences and colleagues alike the way this jazz-piano virtuoso did from the '40s to the '90s. Here are 49 all-time highlights: Stormy Weather; Let's Fall in Love; That Old Black Magic; Rockin' Chair; Cotton Tail; the Man I Love; Night and Day; Caravan; Blue Moon; I Got Rhythm, and more!
Charlie Parker Quintet & Sextet - Bird In Boston: Live At The Hi-Hat 1953-1954 (2016) {2CD Fresh Sound Records}

Charlie Parker Quintet & Sextet - Bird In Boston: Live At The Hi-Hat 1953-1954 (2016) {2CD Fresh Sound Records}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 666 Mb | MP3 @320 -> 331 Mb
Full Artwork @ 600 dpi (jpg) -> 228 Mb | 5% repair rar
© 1953-54, 2016 Fresh Sound Records | FSR-CD 911 | 24bit Digitally Remastered
Jazz / Bebop / Bop / Saxophone

For over two decades, the Hi-Hat Club occupied a choice location among the jazz clubs of Boston’s South End district, at the corner of Columbus and Massachusetts Avenue. After the end of World War II, lesser luminaries took over the band-stand, and after a while entertainment practically stopped altogether. Dave Coleman, a jazz promoter, had taken over management of the club in 1949. Through Coleman’s personal initiative, the Hi-Hat enjoyed its most successful years, and by 1951 it was the only club featuring a consistent policy of presenting modern jazz.