This live record was recorded with the Flo & Eddie incarnation of the ever-changing Mothers line-up. The vocal duo, which had considerable chart success as the Turtles, parodied their success as "rock stars" here, and Zappa utilized their soul and doo-wop-style vocals for maximum comedic effect. The set works as a comedy record as much as anything else. They perform their huge hit "Happy Together," but it's done as a goof. Zappa and Flo & Eddie talk over the backbeat like standup comics.
"Touring makes you crazy," Frank Zappa says, explaining that the idea for this film came to him while the Mothers of Invention were touring. The story, interspersed with performances by the Mothers and the Royal Symphony Orchestra, is a tale of life on the road. The band members' main concerns are the search for groupies and the desire to get paid.
The soundtrack to Frank Zappa's strange early-'70s film 200 Motels was always doomed to be a peripheral entry in his discography. The movie's story was not easy to follow, and neither is the record (not that plot was ever a big focus of the production). It's typically wacky Zappa of the era, with unpredictable sharp turns between crunchy rock bombast, orchestration, and jazz/classical influences, as well as interjections of wacky spoken dialogue. Those who like his late-'60s/early-'70s work – not as song-oriented as his first albums, in other words, but not as "serious" or as silly as his later records – will probably like this fine, although it's not up to the level of Uncle Meat.
Official Release #91. In October 1971, Frank Zappa & The Mothers of Invention played two shows in one night at New York City’s Carnegie Hall. The album, Carnegie Hall, celebrates that night's marathon – two shows (7:30 and 11:30 p.m.) with ticket prices ranging from $3.50 to $6 – featuring Zappa (lead guitar, vocals) with Mark Volman (vocals, percussion), Howard Kaylan (vocals), Ian Underwood (keyboards, alto sax), Don Preston (keyboards, gong), Jim Pons (bass, vocals) and Aynsley Dunbar (drums).
Official Release #67. As the title suggests, Have I Offended Someone? contains all of Zappa's notoriously tasteless parodies and satires, from "Bobby Brown Goes Down," "Catholic Girls," and "Jewish Princess" to "He's So Gay," "Titties 'n Beer," and "Dinah-Moe Humm." Nearly all of the tracks are presented in new remixed versions, and two songs, "Dumb All Over" and "Tinsel Town Rebellion," have never been released before.
Official Release #65. The full saga of Läther (pronounced leather) is tangled enough to give a migraine to all but committed Zappaphiles. Basically, what you need to know is that this project was originally conceived of as a four-record box set. When record company politics prevented its release in that format, much of the material was spread over the albums Live in New York, Sleep Dirt, Studio Tan, and Orchestral Favorites. This three-CD set presents the album as it was originally conceived, with the addition of four bonus tracks at the end. It mixes previously available material, alternate mixes, and edits, and previously unissued stuff, though only the most serious Zappa fans will have a good grip on exactly what has appeared where (the liner notes are surprisingly unexact in this regard).
Official Release #64. A 30-track compilation of rarities, spanning much of his career, but in the main confined to the 1960s and early '70s (some date from as early as the late '50s!). Much of it's previously unreleased, or extremely hard to locate. It's not just a collection of fan-oriented odds and ends, though. The material, for one thing, is extremely diverse, ranging from collaborations with Captain Beefheart and primitive teenage garage recordings to comic dialog to progressive instrumentals and orchestral pieces.
For all of his many attributes, one thing Frank Zappa most certainly was not is commercial. Presumably, the title of this collection is ironic. Strictly Commercial: The Best of Frank Zappa is a compilation not of the composer's hits – he only broke the Top 40 on one occasion, with "Valley Girl" – but rather, a collection of his best-known material, from "Don't Eat the Yellow Snow" to "Sexual Harassment in the Workplace." Zappa's albums often function as individual works, but this disc offers an intelligent selection of songs, serving as an introduction to the maverick musician.
Official Release #59. The last volume of the series You Can't Do That on Stage Anymore is one of the strongest, especially for those who prefer Frank Zappa's sex-oriented songs. There is not much complex material or instrumental pieces in this collection, but catchy humorous songs abound, along with more of that stage craziness the series tried to capture. Live incarnations of Zappa's band from 1970 up to 1988 are represented (the original Mothers had a whole disc devoted to them on Vol. 5).