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The Nice - Elegy (1971) Philips/6303 011 - Original DE Demo Pressing - LP/FLAC In 24bit/96kHz - ONLY RE-POST

The Nice - Elegy
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz / 900mb
Label: Philips/6303 011 | Release: 1971 | Genre: Symphonic-Rock

Excellent addition to any prog rock music collection.
Although admittedly a posthumous release, I was very surprised at the rather dismissive tenor of many of the reviews of this album to date. Hopefully this record will be reappraised soon as being a release worthy of anyone's consideration as I feel it does enhance an already rich legacy left behind by this very fine and innovative band. (So what if Charisma wanted to ride the slipstream of the lucrative ELP juggernaut?)
Bavarian Radio Symphony Orchestra, Mariss Jansons - Beethoven: Symphony No.9 (2010) [SACD ISO+HiRes FLAC]

Bavarian Radio Symphony Orchestra, Mariss Jansons - Beethoven: Symphony No.9 (2010)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 5.0 >1-bit/2.8224 MHz | Covers | 3.01GB + 5% Recovery
FLAC tracks 2.0 24bit/88.2 kHz | Covers | 1.16GB + 5% Recovery

Hollow pathos is not his thing. From an artist like Mariss Jansons Friedrich Schiller’s Ode: “An die Freude” must receive a far deeper significance, which also fully encompasses the doubt and profound hope embodied in this text. And thus, in Jansons’s recording of the Ninth Symphony, the choral finale does not degenerate to mere superficial orgy of jubilation, but rather becomes a delicately balanced, wisely developed drama. On October 27, 2007, the Symphonieorchester des Bayerischen Rundfunks played Beethoven’s Ninth in the presence of the Pope in the Vatican. The recording of this memorable concert is now being released in the highest audiophile recording quality as a multi-channel SACD.
Berliner Philharmoniker, Claudio Abbado - Mahler: Symphony No.6 (2005) [SACD ISO+HiRez FLAC]

Berliner Philharmoniker, Claudio Abbado - Mahler: Symphony No.6 (2005)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 5.1 >1-bit/2.8224 MHz | Covers | 5.11GB + 5% Recovery
FLAC tracks 2.0 24bit/88.2 kHz | Covers | 1.29MB + 5% Recovery

When at last it was revealed what Mahler’s final intentions were regarding the ordering of the inner movements of his 6th Symphony, 90 years of theory, history, & performance practice went right out the window. For theorists, it altered the harmonic structure of Mahler’s A minor Symphony. For historians, it modified the meaning of Mahler’s “Tragic” Symphony. For players & conductors, it changed the musical progress of Mahler’s 6th Symphony. For listeners, it made Mahler’s deepest & darkest symphony even deeper & darker. With the achingly nostalgic Andante moderato now coming before the bitingly bitter Scherzo, the triumph of the opening Allegro energico sounds even more hollow & empty & the collapse of the closing Allegro moderato sounds even more final & total.
The Plastic People Of The Universe - Egon Bondy (1978) [Reissue 2010] PS3 ISO + Hi-Res FLAC

The Plastic People Of The Universe - Egon Bondy's Happy Hearts Club Banned (1978) [Reissue 2010]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 52:26 minutes | Scans included | 1,62 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 1,07 GB

Egon Bondy's Happy Hearts Club Banned is an album by Czech underground band The Plastic People of the Universe. It was recorded in 1974/75, mainly at Houska Castle, enabled by the castle's then warden Svatopluk Karásek, with some songs being recorded in Prague. The album could not be officially released and distributed under the former Communist regime in Czechoslovakia; instead fans duplicated tapes with one another, often resulting in poor technical quality. It was released in 1978 in France by SCOPA Invisible Production. In the Czech Republic a remastered version was published on CD in 2001 by Globus Music. The album title is a parody of The Beatles' album Sgt. Pepper's Lonely Hearts Club Band. Most of the songs on the record are settings of poems by Egon Bondy.
The Lonnie Plaxico Group - Live at Jazz Standard (2004) [Stereo & MCH] PS3 ISO + Hi-Res FLAC

The Lonnie Plaxico Group - Live at Jazz Standard (2004)
PS3 Rip | SACD ISO | DSD64 2.0 & DST64 5.0 > 1-bit/2.8224 MHz | 55:16 minutess | Scans NOT included | 3,62 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans NOT included | 1,12 GB

Bassist Lonnie Plaxico is perhaps best known for his associations with Greg Osby & M-Base, & for being the long-time bassist for Cassandra Wilson. He was the leader of several recordings made for the now static Muse label in the '80s & '90s. On January 29, 2003, Plaxico was leading an energetically funky sextet at New York City's Jazz Standard.
Celine Dion - Falling Into You (1996) [Reissue 2015] PS3 ISO + Hi-Res FLAC

Celine Dion - Falling Into You (1996) [Reissue 2015]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 76:00 minutes | Scans NOT included | 2,29 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans NOT included | 1,51 GB
Numbered, Limited Edition Hybrid SACD | 39th Grammy Awards winner for Album of the Year and Best Pop Album
Cat Stevens – Mona Bone Jakon (1970) A&M Records/SP4260 – US Sterling Pressing - LP/FLAC In 24bit/96kHz

Cat Stevens – Mona Bone Jakon
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Mastered at Sterling Sound
Label: A&M Records/SP4260 | Release: 1970 | This Issue: 197? | Genre: Folk-Rock

Cat Stevens virtually disappeared from the British pop scene in 1968, at the age of 20, after a meteoric start to his career. He had contracted tuberculosis and spent a year recovering, from both his illness and the strain of being a teenage pop star, before returning to action in the spring of 1970 — as a very different 22-year-old — with Mona Bone Jakon.
Cowboy Junkies – The Trinity Session (1988/2016) [Analogue Productions SACD ISO+HiRes FLAC]

Cowboy Junkies – The Trinity Session (1988/2016)
PS3 Rip | SACD ISO | DST64 2.0 >1-bit/2.8224 MHz | Full Scans 300dpi | 2.14GB + 5% Recovery
FLAC tracks 2.0 24bit/88.2 kHz | Full Scans 300dpi | 980MB + 5% Recovery

Who says you can’t make a great record in one day — or night, as the case may be? The Trinity Session was recorded in one night using one microphone, a DAT recorder, and the wonderful acoustics of the Holy Trinity in Toronto. Interestingly, it’s the album that broke the Cowboy Junkies in the United States for their version of “Sweet Jane,” which included the lost verse. It’s far from the best cut here, though. There are other covers, such as Margo Timmins’ a cappella read of the traditional “Mining for Gold,” a heroin-slow version of Hank Williams’ classic “I’m So Lonesome I Could Cry,” “Dreaming My Dreams With You” (canonized by Waylon Jennings), and a radical take of the Patsy Cline classic “Walkin’ After Midnight” that closes the disc.
Ella Fitzgerald - Like Someone In Love (1957/2011) [DSD64 + Hi-Res FLAC]

Ella Fitzgerald - Like Someone In Love (1957/2011)
DSD64 (.dsf) 1 bit/2,8 MHz | Time - 53:56 minutes | 1,55 GB
FLAC (tracks) 24-bit/88,2 kHz | Time - 53:56 minutes | 1 GB
Studio Master, Official Digital Download | Artwork: Front cover

Recorded around the same time as her groundbreaking work with Louis Armstrong, this album is representative of Fitzgerald's best vocal work. Recorded over a two-day period in October, 1957, Fitzgerald sings familiar ballads on this release accompanied by lush orchestral arrangements courtesy of Frank DeVol, with tenor sax legend Stan Getz contributing to four songs.
M.A.S.S. - Mysteria: An Electronic Journey Into Sound (2006) [2.0 & 5.1] PS3 ISO + Hi-Res FLAC

M.A.S.S. - Mysteria: An Electronic Journey Into Sound (2006)
PS3 Rip | 3x SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 160:10 minutess | Scans included | 10,2 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 3,22 GB

"Mysteria" is a magnificent triple cd by M.A.S.S., the artistic name of Stephan Kaske, a founding member of the mythical band Mythos, created in 1969.
This album joins Space Music with Synth-Pop in a very imaginative manner, which proves why the artist succeeded in becoming a musical visionary at a time when shaping risky concepts of sound was by no means as technologically easy as it is now. Kaske, who since then has been developing an intense musical career in various recording projects as well as being the author of soundtracks and music for television advertisements, displays an excellent combination of artistic creativity and mastery in his skills with the electronic medium, which means in fact that this work is a true jewel for the lovers of innovative electronic music, with a remarkable beauty, while at the same time avoiding arid experimentation or commercial formulae which are repeated ad nauseam.