Singer/songwriter Harry Nilsson wrote and produced this touching animated tale in 1971, and contributed some classic songs for the soundtrack. The soft Liverpudlian lilt of ex-Beatle Ringo Starr narrates the tale, telling the story of Oblio: A sad outcast from the village of "Point." largely eschewed by the local villagers due to his round head. The adventures of Oblio and his trusty sidekick dog Arrow subsequently take shape in the "Pointless Forest," a wonderland filled with colorful characters and some enchanting secrets.
First time on CD. Composed & Conduted by the legendary Legrand including his "Picasso Suite". This nostalgic coming-into-manhood fantasy features a gorgeous Oscar-winning score by Michel Legrand ("Yentl", "The Thomas Crown Affair"). Director Robert Mulligan (To Kill a Mockingbird) evokes the period with double-dip ice cream cones, paddleball, saddle shoes, packages of Fels Naptha and the mist of memory in which the hero's thoughts are enwrapped. Herman Raucher's screenplay is a discerning and appreciative translation of one boy's trip along a trajectory of psychological and sexual change.
Remastered special edition soundtrack to the British gangster film, a cult favorite and arguably Roy Budd's finest work, it was originally released in 1971 and stars Michael Caine. Includes enhanced dialogue plus a bonus disc of remixes.
Bolder Damn's 1971 album "Mourning" is an absolute monster among U.S. hard rock private pressings. Hailing from Florida, Bolder Damn boasted an ultra-heavy, "raw-in-your-face" sound with devastating fuzzed-out guitar, a solid rhythm section, and manic vocals. First discovered and reissued by the legendary Rockadelic label in 1990, the album has gained a cult status among new fans of '70s proto-doom and hard rock sounds since then.
Whether it was the intention of Barbara Mauritz or someone on the business side of her affairs, Bring Out the Sun leaves the impression that she was being groomed for a solo career. The impression is hardly subtle or accidental: the album is co-billed to Barbara Mauritz and Lamb, and although Lamb co-founder Bob Swanson is still aboard as guitarist and (on half of the tracks) as a sole or collaborating composer, there are some songs on which he doesn't play at all. Lamb's second album, Cross Between, had a much higher proportion of gospel-oriented material than their debut, and Bring Out the Sun continues the move to contemporary gospel-rock of sorts, particularly on side one…
Gil Scott-Heron's 1971 album Pieces of a Man set a standard for vocal artistry and political awareness that few musicians will ever match. His unique proto-rap vocal style influenced a generation of hip-hop artists, and nowhere is his style more powerful than on the classic "The Revolution Will Not Be Televised." Even though the media – the very entity attacked in this song – has used, reused, and recontextualized the song and its title so many times, the message is so strong that it has become almost impossible to co-opt. Musically, the track created a formula that modern hip-hop would follow for years to come: bare-bones arrangements featuring pounding basslines and stripped-down drumbeats. Although the song features plenty of outdated references to everything from Spiro Agnew and Jim Webb to The Beverly Hillbillies, the force of Scott-Heron's well-directed anger makes the song timeless. More than just a spoken word poet, Scott-Heron was also a uniquely gifted vocalist. On tracks like the reflective "I Think I'll Call It Morning" and the title track, Scott-Heron's voice is complemented perfectly by the soulful keyboards of Brian Jackson.