Nick Saloman of the Bevis Frond once again invites us to join him in the obscure pleasures of little-known pop, R&B, and jazz instrumental sides of the '60s and '70s with this collection. A number of the selections featured on Return of the Instro-Hipsters are so obscure that even Saloman isn't sure just who is responsible for them (though he offers some educated guesses on the artists behind such names as Sharks, Oliver Bone, and the Masked Phantom), but there are a good share of solid grooves and kicky melodies to be found here from a number of gifted little-knowns. If you went to the movies in the '70s, "Soul Thing" by Tony Newman will sound familiar, while flautist Harold McNair solos over a Dave Brubeck-influenced piano groove on "The Hipster," Jerry Allen demonstrates new uses for game calls on "Fuzzy Duck," Thunder Road's synthesized version of "Peter Gunn" beats Art of Noise's variation on the theme by more than 15 years, "The Brooke Bond Beat" by Cliff Adams may be the most swingin' tea commercial ever, and the Outer Limits serve up some tough, moody rock, appropriately titled "Black Boots".
'The Early Years 1965 1972' is a comprehensive 28-disc box set that sees Pink Floyd delve into their vast music archive to produce a deluxe package that includes 7 individual book-style volumes, featuring much previously unreleased material. The Early Years box set contains unreleased tracks, BBC Radio Sessions, remixes, outtakes, and alternative versions over an incredible 11 hours, 45 mins of audio (made up of 130+ tracks), live and TV performance in over 14 hours of audio-visual material.
“It’s very complicated to play with electricity,” Bob Dylan said in the summer of 1965. “You’re dealing with other people… Most people who don’t like rock & roll can’t relate to other people.” But on Side One of this pioneering album, Dylan amplifies his cryptic, confrontational songwriting with guitar lightning and galloping drums.
With Another Side of Bob Dylan, Dylan had begun pushing past folk, and with Bringing It All Back Home, he exploded the boundaries, producing an album of boundless imagination and skill. And it's not just that he went electric, either, rocking hard on "Subterranean Homesick Blues," "Maggie's Farm," and "Outlaw Blues"; it's that he's exploding with imagination throughout the record…