It was during the 1960s that Quincy Jones became a world renowned Jazz musician and composer of film soundtracks, but it was not until about the middle of the decade that success of this nature began to come his way, soon after he had composed the score for Oscar nominated The Pawnbroker. Indeed, during the first few years of the 1960s he lived as a working musician, bandleader and the musical director of Barclay Records - the French imprint of Mercury - but could barely earn enough to pay the bills. This however, did not prevent Quincy from continuing to perform and release music of a quite superlative nature.
It may surprise you to learn that, despite his untouchable reputation with the public, Vladimir Horowitz enjoyed a certain dubious reputation with the critics. For many, he was the epitome of the witless virtuoso, all technique and vulgar display, and no brains.
100 songs by the Blues' biggest names from the genre's golden period of 1920-1962. This set contains the artists and songs that changed the musical landscape forever and influenced almost everything that followed. This set comes with a 28 page illustrated booklet including discographical information and an essay about this fascinating subject. The perfect snapshot for anyone interested in the genre or those wanting to know how modern rock music was formulated.
A fantastically hip performance from trumpeter Kenny Dorham – a never-heard live set, recorded for radio at a time when he was really stretching out! The group is as compelling as the performance – and features the excellent Sonny Red on alto, hitting some of those incredibly edgey notes he'd play with Donald Byrd – plus a young Cedar Walton on piano, John Ore on bass, and Hugh Walker on drums – the latter an overlooked genius on the kit, who gave us some great work with John Patton and Harold Mabern! This group is featured in a 1966 performance that takes up most of the CD – with long performances of the titles "Jung Fu", "Spring Is Here", "Somewhere In The Night", "Straight Ahead", and "The Shadow Of Your Smile" – with a few interview snippets by announcer Alan Grant. Grant also presents the remaining three tracks on the set – material from a 1962 date that is equally great, but also shows just how much Dorham had evolved in the four years that led up to the later recording. Kenny blows trumpet with Joe Farrell on tenor, Walter Bishop Jr on piano, Larry Gales on bass, and Stu Martin on drums – on "Woody N You", "If I Should Lose You", and an incomplete performance of "Au Privave".