The sixth of RKO's Fred Astaire -Ginger Rogers pairings of the 1930s, Swing Time starts off with bandleader Astaire getting cold feet on his wedding day. Astaire's bride-to-be Betty Furness will give him a second chance, providing he proves himself responsible enough to earn $25,000. Astaire naturally tries to avoid earning that amount once he falls in love with dance instructor Ginger Rogers. Numerous complications ensue, leading to the "second time's the charm" climax, with Ginger escaping her own wedding to wealthy Georges Metaxa in order to be reunited with Astaire. The film's most indelible image is that of Fred Astaire, immaculately attired in top hat and tails, hopping a freight car–a perfect encapsulation of the film's Depression-era cheekiness. The Jerome Kern-Dorothy Fields score includes such standards-to-be as "Pick Yourself Up," "A Fine Romance," "The Way You Look Tonight," "Never Gonna Dance" and "Bojangles of Harlem."
100 CDs provide you with the most exciting, most beautiful and most swinging recordings from this period. All-Star Swing groups with their most famous recordings. Mit Henry Allen, Roy Eldrige, Ben Webster, Coleman Hawkins, Lester Young, Johnny Hodges, Benny Carter, Fats Waller, Art Tatum, Benny Goodman, Lionel Hampton, Red Norvo, Teddy Wilson, Buck Clayton, Django Reinhardt, Jack Teagarden, Rex Stewart, Chu Berry, Charlie Christian, Louis Armstrong u.a. 100-CD-Box with original recordings.
Reissue with the latest remastering. Comes with a description written in Japanese. A major player who has always been underrated, George Barnes was one of the first to record on electric guitar (accompanying blues singers) and was a top studio guitarist during much of his career. His style was very much based in the 1930s, and his single-note lines predated Charlie Christian, although he had much less of an impact. A professional by the time he was 13, Barnes was working on the staff of NBC by 1938. Based in Chicago, he recorded with Big Bill Broonzy, Washboard Sam, and other blues performers.
Oscar Alemán is one of the great unknown talents in jazz history. A brilliant guitarist who sounded very close to Django Reinhardt at times, Alemán was overshadowed in Europe by Reinhardt in the 1930s and spent much of the rest of his career in his native Argentina, remaining well known only in that country. This 1998 double CD from Dave Grisman's Acoustic Disc label has highlights from Alemán's career, including the eight selections he recorded during his three European sessions of 1938-1939, plus music from 1941-1947 and 1951-1954. Although the settings varied (including a sextet with violinist Svend Asmussen, a nonet, and two unaccompanied guitar solos), Alemán's basic swing style stayed the same, retaining its enthusiasm and creativity and remaining unaffected by bop. Sticking throughout to acoustic guitar and taking an occasional good-time vocal, Alemán is heard in peak form. He deserves to be much better known. A definitive two-fer from a major talent.