These new CDs are not being introduced as a simple addition to the consumer market, as they were produced with the consciousness that authentic Byzantine melody is not music intended for popular consumption, nor can it become an object of commercialization. On the contrary, Byzantine music belongs to the realm of transcendence. It is word [logos] in musical form, the word of revelation and disclosure of truth and the experience of the Church that is not related to the provocation of the senses, emotion, pleasure, or delight. The beauty, therefore, of Byzantine music does not have an aesthetic basis, but rather an ontological one, which imprints and defines this beauty in both an iconic and Eucharistic fashion in the Divine Services.
Louis Armstrong was the first important soloist to emerge in jazz, and he became the most influential musician in the music's history. As a trumpet virtuoso, his playing, beginning with the 1920s studio recordings made with his Hot Five and Hot Seven ensembles, charted a future for jazz in highly imaginative, emotionally charged improvisation. For this, he is revered by jazz fans. But Armstrong also became an enduring figure in popular music, due to his distinctively phrased bass singing and engaging personality, which were on display in a series of vocal recordings and film roles.
Joe Venuti and Eddie Lang cut different figures. Joe was combative, a joker and man about town. Eddie was quiet, considerate and careful with money. They were born in Philadephia - Eddie in 1902, Joe in 1903 - to Italian immigrant parents. Both studied the violin. Their partnership began in their mid teens when Eddie joined Joe's newly-formed band as a guitarist. Soon they were performing as a duo. Eddie made the early running. In 1919 he joined Charlie Kerr's Orchestra as a violinist, switching to banjo.
Duke Ellington recorded for Brunswick from 1926 to 1931, the period in which his great talent and great orchestra first flowered, whether the band was recording under his own name or such pseudonyms as the Washingtonians or the Jungle Band. The earliest recordings are highlighted by the presence of trumpeter Bubber Miley and trombonist "Tricky Sam" Nanton, whose brilliant work with plunger mutes for vocal effects did much to define the early sound–which, in turn, rapidly evolved and expanded with the additions of Harry Carney, Johnny Hodges, and Cootie Williams. While the band's repertoire included many blues and popular songs, its distinctive identity emerges from early renditions of such trademark pieces as "East St. Louis Toodle-O," "Black and Tan Fantasy," "The Mooche," and "Mood Indigo." By the end of the period covered in this set, Ellington's ambitious later suites–some of them CD-length–are portended in the elegant extended composition "Creole Rhapsody," his clearly superior contribution to the symphonic jazz movement.